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Tu pueblo jubiloso
Author: Ida Reed Smith; George P. Simmonds Meter: 7.6.7.6 D Appears in 13 hymnals Topics: Iglesia Comunidad cristiana Used With Tune: AURELIA
Tu pueblo jubiloso
Iglesia de Cristo
Author: Mateo Cosidó Meter: 11.11.11.11 Appears in 24 hymnals Topics: Iglesia Comunidad cristiana First Line: Iglesia de Cristo, reanima tu amor Used With Tune: LYONS
Iglesia de Cristo
Firmes y adelante
Author: Sabine Baring-Gould; Juan Bautista Cabrera Appears in 37 hymnals Topics: Iglesia Comunidad cristiana Refrain First Line: Fermes y adelante Used With Tune: ST. GERTRUDE
Firmes y adelante
ST. GERTRUDE
Appears in 1,007 hymnals Composer and/or Arranger: Arthur S. Sullivan Topics: Iglesia Comunidad cristiana Incipit: 55555 65221 23135 Used With Text: Firmes y adelante
ST. GERTRUDE
Tú diste a Israel (Una nueva comunidad en Cristo)
Author: Ángel Mattos-Nieves; Martin A. Seltz Hymnal: Libro de Liturgia y Cántico #476 (1998) Topics: Comunidad en Cristo First Line: Tú diste a Israel, oh Dios, por gracia, libertad (God, with a mighty hand you saved the children of Israel) Languages: English; Spanish Tune Title: [Tú diste a Israel, oh Dios, por gracia, libertad]
Tú diste a Israel (Una nueva comunidad en Cristo)
En su Espíritu (We Are Gathered in the Spirit)
Author: Lydia Salazar Martínez Hymnal: Mil Voces para Celebrar #268 (1996) Meter: 9.9.9.6 Topics: Iglesia Comunidad cristiana; Iglesia Comunidad cristiana First Line: Nos reunimos en su Espíritu (We are gathered in the Spirit) Languages: English; Spanish Tune Title: EN SU ESPÍRITU
En su Espíritu (We Are Gathered in the Spirit)
En su Espíritu (We Are Gathered in the Spirit)
Author: Lydia Salazar Martínez Hymnal: Cáliz de Bendiciones #268 (1996) Meter: 9.9.9.6 Topics: Iglesia Comunidad cristiana; Iglesia Comunidad cristiana First Line: Nos reunimos en su Espíritu (We are gathered in the Spirit) Languages: English; Spanish Tune Title: EN SU ESPÍRITU
En su Espíritu (We Are Gathered in the Spirit)
Samuel Sebastian Wesley
1810 - 1876 Person Name: Samuel S. Wesley Topics: Iglesia Comunidad cristiana Composer of "AURELIA" in Mil Voces para Celebrar Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
S. Baring-Gould
1834 - 1924 Person Name: Sabine Baring-Gould Topics: Iglesia Comunidad cristiana Author of "Firmes y adelante" in Mil Voces para Celebrar Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning."
His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs.
--John Julian, Dictionary of Hymnology (1907)
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Baring-Gould, S., p. 114, i. Other hymns in common use are:—
1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874.
2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881.
3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
S. Baring-Gould
Michael Haydn
1737 - 1806 Person Name: Johann Michael Haydn Topics: Iglesia Comunidad cristiana Composer (attributed to) of "LYONS" in Mil Voces para Celebrar Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
