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Tu pueblo jubiloso
Author: Ida Reed Smith; George P. Simmonds Meter: 7.6.7.6 D Appears in 13 hymnals Topics: Dios creador Alabanza y graditud Used With Tune: AURELIA
Tu pueblo jubiloso
Oh, criaturas del Señor
Author: Francisco de Asís; José Míguez Bonino Appears in 19 hymnals Topics: Dios Creador Refrain First Line: ¡Alabadle! ¡Aleluya! Lyrics: 1 Oh, criaturas del Señor,
cantad con melodiosa voz:
¡Alabadle! ¡Aleluya!
Ardiente sol con tu fulgor,
oh, luna de suave esplendor:
Estribillo:
¡Alabadle! ¡Aleluya!
¡Aleluya! ¡Aleluya! ¡Aleluya!
2 Viento veloz, potente alud,
nubes en claro cielo azul:
¡Alabadle! ¡Aleluya!
Suave, dorado amanecer;
tu manto, noche, al extender: [Estribillo]
3 Oh, fuentes de agua de cristal,
a vuestro Creador cantad:
¡Alabadle! ¡Aleluya!
Oh, fuego eleva tu loor,
tú, que nos das luz y calor: [Estribillo]
4 Pródiga tierra maternal,
que brindas frutos sin cesar:
¡Alabadle! ¡Aleluya!
Rica cosecha, bella flor,
glorificad al Creador: [Estribillo]
5 Con gratitud y con amor
cante a Dios la creación:
¡Alabadle! ¡Aleluya!
Al Creador, al Redentor,
y al eternal Consolador: [Estribillo] Scripture: 1 Chronicles 16:23-36 Used With Tune: LASST UNS ERFREUEN
Oh, criaturas del Señor
Mil voces para celebrar
Author: Federico J. Pagura; Charles Wesley Meter: 8.6.8.6 Appears in 9 hymnals Topics: Dios Creador Alabanza y Gratitud Used With Tune: AZMON
Mil voces para celebrar
LASST UNS ERFREUEN
Appears in 482 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: Dios creador Alabanza y graditud Tune Sources: Geistliche Kirchengesänge, 1623 Incipit: 11231 34511 23134 Used With Text: Oh, criaturas del Señor
LASST UNS ERFREUEN
A nuestro creador
Author: Anónimo Hymnal: El Himnario Presbiteriano #188 (1999) Meter: 6.6.4.6.6.6.4 Topics: Dios Creador Lyrics: 1 A nuestro creador
alcemos hoy la voz,
¡Gloria a Dios!
Tal fue su amor que dio
al Hijo que murió
y así nos redimió,
¡Gloria a Dios!
2 A nuestro Salvador
demos con fe loor
¡Gloria a Dios!
Su sangre derramó;
con ella nos lavó
y el cielo nos abrió
¡Gloria a Dios!
3 Al fiel Cosolador
celebre nuestra voz,
¡Gloria a Dios!
Con celestial fulgor
nos muestra el amor
de Cristo el Señor,
¡Gloria a Dios!
4 Con gozo y amor
cantemos con fervor
al trino Dios.
En la eternidad
mora la Trinidad;
por siempre alabad
al trino Dios. Scripture: Psalm 119:54-57 Languages: Spanish Tune Title: AMÉRICA
A nuestro creador
Gloria a Dios, el Creador–Doxologia
Hymnal: El Himnario Presbiteriano #478 (1999) Meter: Irregular Topics: Dios Creador First Line: Gloria a Dios, el Creador Lyrics: Gloria a Dios, el Creador;
y a Jesús, el Salvador;
y al Espíritu Santo el Consolador. Scripture: John 14:15-26 Languages: Spanish Tune Title: COUNTRY CLUB
Gloria a Dios, el Creador–Doxologia
Gloria a Dios, el Creador–Doxologia
Hymnal: El Himnario #478 (1998) Meter: Irregular Topics: Dios Creador First Line: Gloria a Dios, el Creador Scripture: John 14:15-26 Languages: Spanish Tune Title: COUNTRY CLUB
Gloria a Dios, el Creador–Doxologia
William Henry Monk
1823 - 1889 Person Name: W. H. Monk Topics: Dios creador Alabanza y graditud Arranger of "DIX" in Mil Voces para Celebrar William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
Folliott Sandford Pierpoint
1835 - 1917 Person Name: Folliot S. Pierpont Topics: Dios creador Alabanza y graditud Author of "Por la excelsa majestad" in Mil Voces para Celebrar In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today.
Bert Polman
==================
Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:—
"For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn.
--John Julian, Dictionary of Hymnology (1907)
Folliott Sandford Pierpoint
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Topics: Dios creador Alabanza y graditud Composer of "NICAEA" in Mil Voces para Celebrar As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
