Search Results

Topics:divine+faithfulness

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Nunca, Dios mío

Author: Juan Bautista Cabrera; Carlos Pastor López Meter: 11.11.11.5 Appears in 31 hymnals Topics: Divine Faithfulness First Line: Nunca, Dios mío, cesará mi labio Used With Tune: FLEMMING

Me guía Él

Author: Joseph H. Gilmore; Epigmenio Velasco Appears in 20 hymnals Topics: Divine Faithfulness First Line: Me guía Él, con cuánto amor Refrain First Line: Me guía Él, Me guía Él Scripture: Psalm 23 Used With Tune: HE LEADETH ME
Page scans

Cuán firme cimiento

Author: Vicente Mendoza Meter: 11.11.11.11 Appears in 25 hymnals Topics: Divine Faithfulness First Line: Cuán firme cimiento se ha dado a la fe Used With Tune: FOUNDATION Text Sources: "K" en Rippon’s Selection of Hymns, 1787

Tunes

tune icon
Tune authorities
Page scansAudio

FOUNDATION

Meter: 11.11.11.11 Appears in 413 hymnals Topics: Divine Faithfulness Tune Sources: Melodía antigua nortamericana Tune Key: A Flat Major Incipit: 56161 51131 35561 Used With Text: Cuán firme cimiento
FlexScoreAudio

ODE TO JOY

Meter: 8.7.8.7 D Appears in 477 hymnals Composer and/or Arranger: Ludwig van Beethoven, 1770-1827; L. F. B. Topics: Divine Inspiration; Eternity of God; Faithfulness of God; Jesus Christ Incarnation; Mission/Sending; Prophetic Witness; Providence; Revelation; Saints Days and Holy Days Doctors and Confessors; Saints Days and Holy Days Evangelists; Scripture; Word of God Tune Key: G Major Incipit: 33455 43211 23322 Used With Text: God has spoken by his prophets
Audio

FLEMMING

Meter: 11.11.11.5 Appears in 432 hymnals Composer and/or Arranger: Friedrich F. Flemming Topics: Divine Faithfulness Tune Key: A Flat Major Incipit: 11122 31121 73333 Used With Text: Nunca, Dios mío

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Grande es tu fidelidad

Author: Thomas O. Chisolm; Honorato Reza Hymnal: Mil Voces para Celebrar #30 (1996) Topics: Divine Faithfulness First Line: Oh, Dios eterno, tu misericordia Languages: Spanish Tune Title: FAITHFULNESS

Grande es tu fidelidad

Author: Thomas O. Chisolm; Honorato Reza Hymnal: Cáliz de Bendiciones #30 (1996) Topics: Divine Faithfulness First Line: Oh, Dios eterno, tu misericordia Languages: Spanish Tune Title: FAITHFULNESS
Page scan

Praise, everlasting praise, be paid

Hymnal: A Selection of Hymns and Psalms for Social and Private Worship (6th ed.) #240 (1827) Meter: 8.8.8.8 Topics: Confidence of Good Men in the divine Faithfulness Languages: English

People

person icon
Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Topics: Divine Faithfulness Composer of "HE LEADETH ME" in Mil Voces para Celebrar William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

J. H. Gilmore

1834 - 1918 Person Name: Joseph H. Gilmore Topics: Divine Faithfulness Author of "Me guía Él" in Mil Voces para Celebrar Joseph H. Gilmore (b. Boston, MA, 1834; d. Rochester, NY, 1918) Educated at Brown University, Providence, Rhode Island, and Newton Theological Seminary, Newton, Massachusetts, Gilmore was ordained to the Baptist ministry in 1862. He served churches in Fisherville, New Hampshire, and Rochester, New York. In 1868 he was appointed to the English faculty at the University of Rochester, where he served until retirement in 1911. He published various literary works, including Outlines of English and American Literature (1905). Bert Polman ============ Gilmore, Joseph Henry, M. A., Professor of Logic in Rochester University, New York, was born at Boston, April 29, 1834, and graduated in Arts at Brown University, and in Theology at Newton Theological Institution. In the latter he was Professor of Hebrew in 1861-2. For some time he held a Baptist ministerial charge at Fisherville, New Hampshire, and at Rochester. He was appointed Professor at Rochester in 1868. His hymn, "He leadeth me, O blessed thought" (Ps. xxiii.), is somewhat widely known. It was written at the close of a lecture in the First Baptist Church, Philadelphia, and is dated 1859. It is in the Baptist Hymnal [and Tune] Book, Philadelphia, 1871. [Rev. F. M. Bird, M. A.] -- John Julian, Dictionary of Hymnology (1907)

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Topics: Divine Faithfulness Translator of "Cuán firme cimiento" in Mil Voces para Celebrar Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)