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Just as I Am, Without One Plea
Author: Charlotte Elliott Meter: 8.8.8.8 Appears in 2,115 hymnals Topics: Doubt Lyrics: 1 Just as I am, without one plea,
But that Thy blood was shed for me,
And that Thou bidd'st me come to Thee,
O Lamb of God, I come, I come!
2 Just as I am, and waiting not
To rid my soul of one dark blot,
To Thee, whose blood can cleanse each spot,
O Lamb of God, I come, I come!
3 Just as I am, though tossed about
With many a conflict, many a doubt,
Fightings and fears within, without,
O Lamb of God, I come, I come!
4 Just as I am, poor, wretched, blind;
Sight, riches, healing of the mind,
Yea, all I need, in Thee to find,
O Lamb of God, I come, I come!
5 Just as I am! Thou wilt receive,
Wilt welcome, pardon, cleanse, relieve;
Because Thy promise I believe,
O Lamb of God, I come, I come! Used With Tune: WOODWORTH
Just as I Am, Without One Plea
O God, How Good Thou Art
Meter: 6.6.4.6.6.6.4 Appears in 11 hymnals Topics: Doubt Lyrics: 1 O God, how good Thou art
To all the pure of heart,
Though life seems vain;
Burdened with anxious care,
I groped in dark despair,
Till in Thy house of prayer
All was made plain.
2 Ever, O Lord, with Thee,
All shall be well with me,
Held by Thy hand;
And Thou wilt guide my feet
By Thy own counsel sweet,
Till I, for glory meet,
In glory stand.
3 In earth or heaven above
Who is there that I love
Compared with Thee?
My heart may faint with fears,
But God my strength appears,
And will to endless years
My portion be.
4 O it is good that I
May still to God draw nigh,
As oft before;
The Lord Jehovah blest,
My refuge and my rest,
Shall be in praise confessed
Forevermore. Scripture: Psalm 73 Used With Tune: OLIVET
O God, How Good Thou Art
Spirt of God, Dwell Thou Within My Heart
Author: Rev. George Croly Meter: 10.10.10.10 Appears in 341 hymnals Topics: Doubt First Line: Spirit of God, dwell Thou within my heart Lyrics: 1 Spirit of God, dwell Thou within my heart;
Wean it from earth, through all its pulses move;
Stoop to my weakness, mighty as Thou art,
And make me love Thee as I ought to love.
2 I ask no dream, no prophet-ecstasies,
No sudden rending of the veil of clay,
No angel visitant, no opening skies;
But take the dimness of my soul away.
3 Didst Thou not bid me love Thee, God and King?
All, all Thine own, soul, heart, and strength, and mind.
I see Thy cross– there teach my heart to cling;
O let me seek Thee, and O let me find!
4 Teach me to feel that Thou art always nigh;
Teach me the struggles of the soul to bear;
To check the rising doubt, the rebel sigh;
Teach me the patience of unanswered prayer.
5 Teach me to love Thee as Thy angels love,
One holy passion filling all my frame–
The baptism of the heaven-descended Dove;
My heart an altar, and Thy love the flame. Used With Tune: MORECAMBE
Spirt of God, Dwell Thou Within My Heart
RHUDDLAN
Meter: 8.7.8.7.8.7 Appears in 69 hymnals Topics: Conflict, Suffering and Doubt Tune Sources: Welsh traditional melody; Musical Relics of Welsh Bards, 1800; Harm.: Compilers of English Hymnal, 1906 Tune Key: G Major Incipit: 11113 12577 11765 Used With Text: God of grace and God of glory
RHUDDLAN
HIDING IN THEE
Meter: 11.11.11.11 Appears in 173 hymnals Composer and/or Arranger: Ira D. Sankey Topics: Doubt; Doubt Tune Key: F Major Incipit: 55433 21176 71143 Used With Text: God Loves All the Righteous
HIDING IN THEE
Doubts and Fears suppressed; or, God our Defence from Sin and Satan
Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #9 (1786) Topics: Doubts and Fears suppressed; Doubts and Fears suppressed First Line: My God, how many are my fears? Lyrics: 1 My God how many are my fears?
How fast my foes increase?
Conspiring my eternal death,
They break my present peace.
2 Thy lying tempter would persuade
There's no relief in heaven,
And all my growing sins appear
Too great to be forgiven.
3 But thou, my glory, and my strength,
Shalt on the tempter tread,
Shalt silence all my threatening guilt,
And raise my drooping head.
4 [I cry'd, and from his holy hill
He bow'd a listening ear;
I call'd my Father, and my God,
And he subdued my fear.
5 He shed soft slumbers on mine eyes,
In spite of all my foes;
I woke, and wonder'd at the grace
That guarded my repose.]
6 What tho' the hosts of death and hell
All arm'd against me stood;
Terrors no more shall shake my soul;
My refuge is my God.
7 Arise, O Lord, fulfill thy grace,
While I thy glory sing;
My God has broke the serpent's teeth,
And death has lost his sting.
8 Salvation to the Lord belongs,
His arm alone can save;
Blessings attend thy people here,
And reach beyond the grave. Scripture: Psalm 3 Languages: English
Doubts and Fears suppressed; or, God our Defence from Sin and Satan
Doubts and Fears suppressed; or, God our defence from Sin and Satan
Hymnal: Doctor Watts's Imitation of the Psalms of David #9 (1790) Topics: Doubts and Fears suppressed; Doubts and Fears suppressed First Line: My God, how many are my fears? Lyrics: 1 My God how many are my fears?
How fast my foes increase?
Conspiring my eternal death,
They break my present peace.
2 Thy lying tempter would persuade
Ther's no releaf in heaven,
And all my growing sins appear
Too great to be forgiven.
3 But thou, my glory, and my strength,
Shalt on the tempter tread,
Shalt silence all my threatening guilt,
And raise my drooping head.
4 [I cry'd, and from his holy hill
He bow'd a listening ear;
I call'd my Father, and my God,
And he subdued my fear.
5 He shed soft slumbers on mine eyes,
In spite of all my foes;
I woke, and wonder'd at the grace
That guarded my repose.]
6 What tho' the hosts of death and hell
All arm'd against me stood;
Terrors no more shall shake my soul;
My refuge is my God.
7 Arise, O Lord, fulfill thy grace,
While I thy glory sing;
My God has broke the serpent's teeth,
And death has lost his sting.
8 Salvation to the Lord belongs,
His arm alone can save;
Blessings attend thy people here,
And reach beyond the grave. Scripture: Psalm 3 Languages: English
Doubts and Fears suppressed; or, God our defence from Sin and Satan
Doubts and Fears suppressed; or, God our Defence from Sin and Satan
Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #12 (1786) Topics: Doubts and Fears suppressed; Doubts and Fears suppressed First Line: My God, how many are my fears? Lyrics: 1 My God how many are my fears?
How fast my foes increase?
Conspiring my eternal death,
They break my present peace.
2 Thy lying tempter would persuade
There's no relief in heaven,
And all my growing sins appear
Too great to be forgiven.
3 But thou, my glory, and my strength,
Shalt on the tempter tread,
Shalt silence all my threatening guilt,
And raise my drooping head.
4 [I cry'd, and from his holy hill
He bow'd a listening ear;
I call'd my Father, and my God,
And he subdued my fear.
5 He shed soft slumbers on mine eyes,
In spite of all my foes;
I woke, and wonder'd at the grace
That guarded my repose.]
6 What tho' the hosts of death and hell
All arm'd against me stood;
Terrors no more shall shake my soul;
My refuge is my God.
7 Arise, O Lord, fulfill thy grace,
While I thy glory sing;
My God has broke the serpent's teeth,
And death has lost his sting.
8 Salvation to the Lord belongs,
His arm alone can save;
Blessings attend thy people here,
And reach beyond the grave. Scripture: Psalm 3 Languages: English
Doubts and Fears suppressed; or, God our Defence from Sin and Satan
Nolan Williams
Person Name: Nolan Williams Jr. Topics: Doubt Arranger of "BY AND BY" in Voices Together
Nolan Williams
Charles Albert Tindley
1851 - 1933 Person Name: Charles A. Tindley Topics: Doubt Author of "We Are Often Tossed and Driven" in Voices Together Charles Albert Tindley was born in Berlin, Maryland, July 7, 1851; son of Charles and Hester Tindley. His father was a slave, and his mother was free. Hester died when he was very young; he was taken in my his mother’s sister Caroline Miller Robbins in order to keep his freedom. It seems that he was expected to work to help the family. In his Book of Sermons (1932), he speaks of being “hired out” as a young boy, “wherever father could place me.” He married Daisy Henry when he was seventeen. Together they had eight children, some of whom would later assist him with the publication of his hymns.
Tindley was largely self-taught throughout his lifetime. He learned to read mostly on his own. After he and Daisy moved to Philadelphia in 1875, he took correspondence courses toward becoming a Methodist minister. He did this while working as a sexton (building caretaker) for the East Bainbridge Street Church. Beginning in 1885, he was appointed by the local bishop to serve two or three-year terms at a series of churches, until coming full circle to become pastor at East Bainbridge in 1902. Under his leadership, the church grew rapidly. They relocated in 1904 to the East Calvary Methodist Episcopal Church, then again in 1924 to the new Tindley Temple, where the membership roll blossomed to about ten thousand.
Tindley was known for being a captivating preacher, and for also taking an active role in the betterment of the people in his community. His songs were an outgrowth of his preaching ministry, often introduced during his sermons. Tindley was able to draw people of multiple races to his church ministry; likewise, his songs have been adopted and proliferated by white and black churches alike.
The songs of Charles Tindley were published cumulatively in two editions of Soul Echoes (1905, 1909) and six editions of New Songs of Paradise (1916-1941).
His wife Daisy died in 1924, before the completion of the Tindley Temple. He remarried in 1927 to Jenny Cotton. Charles A. Tindley died July 26, 1933.
Charles Albert Tindley
Johann Crüger
1598 - 1662 Person Name: J. Crüger Topics: Doubt and Fear Composer of "JESUS CHRIST, MY SURE DEFENCE" in Christian Hymns Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
===============================
Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
=======================
Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
