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Immortal, Invisible, God Only Wise

Author: Walter C. Smith Meter: 11.11.11.11 Appears in 211 hymnals Topics: God Majesty and Power Lyrics: 1 Immortal, invisible, God only wise, in light inaccessible hid from our eyes, most blessed, most glorious, the Ancient of Days, almighty, victorious, thy great name we praise. 2 Unresting, unhasting, and silent as light, nor wanting, nor wasting, thou rulest in might; thy justice like mountains high soaring above thy clouds, which are fountains of goodness and love. 3 To all life thou givest, to both great and small; in all life thou livest, the true life of all; we blossom and flourish as leaves on the tree, and wither and perish but naught changeth thee. 4 Great Father of glory, pure Father of light, thine angels adore thee, all veiling their sight; all praise we would render, O help us to see 'tis only the splendor of light hideth thee. Worship and Rejoice, 2003

He Is Exalted

Author: Twila Paris Meter: Irregular Appears in 27 hymnals First Line: He is exalted, the King is exalted on high
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Praise God From Whom All Blessings Flow

Author: Thomas Ken Meter: 8.8.8.8 Appears in 1,226 hymnals First Line: Praise God, from whom all blessings flow (Ken) Lyrics: Praise God, from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heav'nly host; Praise Father, Son, and Holy Ghost. Amen. Baptist Hymnal, 1991

Tunes

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[Mit Hjerte sig fryder, at Jesus opstød]

Appears in 1 hymnal Composer and/or Arranger: Ludv. M. Lindeman Topics: First Easter Day Evening Tune Key: E Flat Major Incipit: 13354 32135 67176 Used With Text: Mit Hjerte sig fryder, at Jesus opstød

[Krist stod op af Døde]

Appears in 1 hymnal Topics: First Easter Day Highmass Tune Sources: H. Thomissøns Salmeb. 1569 Tune Key: d minor or modal Incipit: 55671 54545 32313 Used With Text: Krist stod op af Døde

[Krist stod op af Døde]

Appears in 1 hymnal Composer and/or Arranger: Ludv. M. Lindeman Topics: First Easter Day High Mass; First Easter Day High Mass Tune Key: D Major Incipit: 11336 63517 67336 Used With Text: Krist stod op af Døde

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Om Salighed og Glæde

Author: A. K. Arrebo Hymnal: M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg #365 (1897) Topics: First Easter Day For Evening Lyrics: 1 Om Salighed og Glæde Der nu skal synges fridt I de Forløstes Sæde Og Guds Pauluner vidt; Thi ved Guds høire Haand Er Kristus høit ophøiet, Ham Seier stor tilføiet, Han Døden overvandt. 2 Mens han er saa i Live, Da Dø vi ingenlund, Men skulle frelste blive, Fortælle Guds Miskund; Om vi end refses saa, Vi lægges lukt i Grave, Dog skal vi Livet have, Udødelig opstaa. 3 Den Kirkesteen grundfaste, Den Herre Jesus Krist, De Bygningsmænd forkaste, Men han er bleven vist Til Hoved-Hjørnesteen For Kirken Guds paa Jorde, Den Gjerning Herren gjorde, Des undres hver og een! 4 Dig, Jesus Krist, ske Ære, Som kom i Herrens Navn! Guds Folk velsignet være Af Herrens Hus og Stavn! Vi takke hver for sig Den Herre overmaade, Thi hans Miskund og Naade Staar fast evindelig. Languages: Norwegian
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I Døden Jesus blunded

Author: S. Jonassøn; G. Werner Hymnal: M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg #345 (1897) Topics: First Easter Day High Mass; First Easter Day High Mass Lyrics: 1 I Døden Jesus blunded, I Graven lagdes ned, Har nu dog overvundet Al Dødens Bitterhed. Nu rinder op saa klar Den Sol med Lys og Glæde, Som i sit Jordeklæde Saa fuldt formørket var. 2 Af Gravens Sted hint mørke Opstod vor Sjæleven, Og ved Guds Engles Styrke Blev Stenen veltet hen. Ser, I Blodtørstige, Som Jesum før ombragte, Som ham paa Korset strakte, Ser Jesum levende! 3 Med Lov vor Mund udbryder Om Jesu Herlighed, Det hele Land sig fryder, Fordi hans Ord er sket. Sit Løfte holdt han vist, Thi synger alle Munde Af dybe Hjertens Grunde: Tak ske dig, Herre Krist! 4 Alt det, du vilde lide, Din Død, dit Blod, din Sved, Din Sjæleangst og Kvide Var for vor Salighed. Vi Seier fik ved dig; Thi ville vi nu møde For dig og sammenstøde Med helligt Seier-Skrig. 5 O mægtig Seierherre, Som Fiendens hele Magt, Dit store Navn til Ære, Har under Fodder lagt: Lær os at kjæmpe saa, At, naar vor Strid har Ende, Vi Palmer kan i Hænde Og Seiers Krone faa! Languages: Norwegian
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Krist stod op af Døde

Author: Grundtvig Hymnal: M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg #344 (1897) Topics: First Easter Day High Mass; First Easter Day High Mass Lyrics: 1 Krist stod op af Døde I Paaske-Morgenrøde! Thi synger lydt og sjæleglad Hans Menighed i allen Stad: Ære være Gud i det Høie! (Halleluja, Halleluja) 2 Krist stod op af Døde! Afsonet er vor Brøde; Thi synger lydt og sjæleglad Hans Menighed i allen Stad: Ære være Gud i det Høie! (Halleluja, Halleluja) 3 Krist stod op af Døde! I Himlen vi ham møde; Thi synger lydt og sjæleglad Hans Menighed i allen Stad: Ære være Gud i det Høie! (Halleluja, Halleluja) Languages: Norwegian Tune Title: [Krist stod op af Døde]

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Authors, composers, editors, etc.

Martin Luther

1483 - 1546 Person Name: Luther Topics: First Easter Day Author of "Den Herre Krist i Dødsens Baand" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

N. F. S. Grundtvig

1783 - 1872 Person Name: Grundtvig Topics: First Easter Day High Mass; First Easter Day High Mass Author of "Krist stod op af Døde " in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)

Anonymous

Person Name: Ukj. Topics: First Easter Day Highmass Author of "Krist stod op af Døde" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.