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Come, We That Love the Lord
Author: Isaac Watts, 1674-1748; William Hammond, 1719-1783 Meter: 6.6.8.6 Appears in 1,787 hymnals Topics: Easter Season; Christ the King; All Saints (November 1); Celebration; Gathering; Heaven; Joy; Love for God; Pilgrimage; Praise; Song; Victory over Sin and Death; Witness Lyrics: 1 Come, we that love the Lord,
And let our joys be known;
Join in a song with sweet accord,
And thus surround the throne.
Hosanna, Hosanna,
Rejoice, give thanks and sing.
2 Sing till we feel our hearts
Ascending with our tongues;
Sing till the love of sin departs
And grace inspires our songs.
Hosanna, Hosanna,
Rejoice, give thanks and sing.
3 You pilgrims on the road
To Zion's city, sing;
Rejoice now in the Lamb of God,
On Christ, the eternal King.
Hosanna, Hosanna,
Rejoice, give thanks and sing.
4 There shall each rapturous tongue
His endless praise proclaim,
And sing in sweeter notes the song
Of Moses and the Lamb.
Hosanna, Hosanna,
Rejoice, give thanks and sing.
5 Then let our songs abound
And let our tears be dry;
We're marching through Emmanuel's ground,
To fairer worlds on high.
Hosanna, Hosanna,
Rejoice, give thanks and sing. Scripture: Psalm 9:12 Used With Tune: VINEYARD HAVEN
Come, We That Love the Lord
The First Place
Author: Matthew Westerholm Appears in 4 hymnals Topics: Gathering and Celebration First Line: Jesus, the perfect picture of the unseen God Refrain First Line: Every inch of this universe belongs to you Used With Tune: [Jesus, the perfect picture of the unseen God]
The First Place
Oh, for a Thousand Tongues to Sing
Author: Charles Wesley; Federico J. Pagura; Ruben Saillens, d. 1942 Appears in 1,736 hymnals Topics: Gathering and Celebration First Line: Oh, for a thousand tongues to sing (Seigneur, que n'aije mille voix) (Mil voces para celebrar) Used With Tune: [Oh, for a thousand tongues to sing
Oh, for a Thousand Tongues to Sing
LASST UNS ERFREUEN
Meter: 8.8.8.8 with alleluias Appears in 482 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: God Praise and Thanksgiving; Adoration and Praise; Beauty; Celebration; Hymns Suitable for Use with Children; Comfort/Consolation; Creation; Ecology; Eternal Life; Evening; God Creator; Hallelujah; Harvest; Heaven(s)/Paradise; Humility; Life; Morning; Music and Singing; Nature; Opening Hymns; Processionals (Opening of Worship); Responses Antiphonal; Service Music Gathering, Call to Worship, Greeting; Service Music Doxologies; Sun; Trinity; Worship; Christmas 1 Year A; Easter 6 Year A; Easter 7 Year A; Trinity Sunday Year A; Thanksgiving Year A; Easter 6 Year B; Trinity Sunday Year B; Christmas 1 Year C; Lent 1 Year C; Easter 5 Year C; Trinity Sunday Year C; Proper 26 Year C; Proper 27 Year C Tune Sources: Geistliche Kirchengesänge, Cologne 1623 Tune Key: E Flat Major Incipit: 11231 34511 23134 Used With Text: All Creatures of Our God and King
LASST UNS ERFREUEN
[We will extol you, God and King]
Appears in 3 hymnals Composer and/or Arranger: Greg Scheer Topics: Gathering and Celebration Tune Key: G Major Used With Text: One Generation Will Call to the Next
[We will extol you, God and King]
MARCHING TO ZION
Meter: 6.6.8.8.6.6 with refrain Appears in 342 hymnals Composer and/or Arranger: Robert S. Lowry Topics: A New Heaven and A New Earth Completion of Creation and City of God; Biblical Characters Moses; Celebration; Church Triumphant; City/City of God; Cloud of Witnesses; Eternal Life; Funerals and Memorial Services; Heaven(s)/Paradise; Joy; Kingdom of God; Love for God/Christ; Music and Singing; Pilgrimage and Conflict; Praise; Service Music Gathering, Call to Worship, Greeting; Victory; Witness; Worship; Zion; Proper 22 Year A; Proper 15 Year B; Easter 4 Year C; Easter 4 Year C; Proper 16 Year C; Proper 28 Year C; Easter Evening Year ABC Tune Key: F Major Incipit: 13156 71231 5432 Used With Text: Come, We That Love
MARCHING TO ZION
Here I Am to Worship
Author: Tim Hughes Hymnal: Contemporary Songs for Worship #2 (2008) Topics: Gathering and Celebration First Line: Light of the world, you stepped down into darkness Refrain First Line: So here I am to worship Languages: English Tune Title: [Light of the world, you stepped down into darkness]
Here I Am to Worship
How Great is Our God
Author: Chris Tomlin; Jesse Reeves; Ed Cash Hymnal: Contemporary Songs for Worship #3 (2008) Topics: Gathering and Celebration First Line: The splendor of the King Refrain First Line: How great is our God! Languages: English Tune Title: [The splendor of the king]
How Great is Our God
The First Place
Author: Matthew Westerholm Hymnal: Contemporary Songs for Worship #6 (2008) Topics: Gathering and Celebration First Line: Jesus, the perfect picture of the unseen God Refrain First Line: Every inch of this universe belongs to you Languages: English Tune Title: [Jesus, the perfect picture of the unseen God]
The First Place
C. G. Gläser
1784 - 1829 Person Name: Carl G. Gläser Topics: Gathering and Celebration Composer of "[Oh, for a thousand tongues to sing" in Global Songs for Worship Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen.
John Perry
C. G. Gläser
Jacques Berthier
1923 - 1994 Topics: Gathering and Celebration Composer of "[Laudate omnes gentes]" in Global Songs for Worship Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions.
Bert Polman
Jacques Berthier
William Henry Draper
1855 - 1933 Topics: God Praise and Thanksgiving; Adoration and Praise; Beauty; Celebration; Hymns Suitable for Use with Children; Comfort/Consolation; Creation; Ecology; Eternal Life; Evening; God Creator; Hallelujah; Harvest; Heaven(s)/Paradise; Humility; Life; Morning; Music and Singing; Nature; Opening Hymns; Processionals (Opening of Worship); Responses Antiphonal; Service Music Gathering, Call to Worship, Greeting; Service Music Doxologies; Sun; Trinity; Worship; Christmas 1 Year A; Easter 6 Year A; Easter 7 Year A; Trinity Sunday Year A; Thanksgiving Year A; Easter 6 Year B; Trinity Sunday Year B; Christmas 1 Year C; Lent 1 Year C; Easter 5 Year C; Trinity Sunday Year C; Proper 26 Year C; Proper 27 Year C Translator (into English) of "All Creatures of Our God and King" in Voices United Draper, William Henry, M.A., son of Henry and Lucy Mary Draper, was born at Kenilworth, Dec. 19, 1855, and educated at Keble College, Oxford; B.A. in honours, M.A. 1880. Ordained in 1880, he was Curate of St. Mary's, Shrewsbury; Vicar of Alfreton; of the Abbey Church, Shrewsbury; and since 1899 Rector of Adel, Leeds. Mr. Draper's hymns in common use include the following:—
1. Come forth, ye sick and poor. [Harvest.] Written in 1001 and printed in the Guardian, Sept. 18, 1901. In 1905 it was given, somewhat altered, in The Council School Hymn Book, No. 132. It was also published by Novello & Co., with Music by J. H. Maunder.
2. From homes of quiet peace. [In Time of War.] Published by Novello & Co. in their series of Hymns in Time of War, 1900, and repeated in The Public School Hymn Book 1903, The Council School Hymn Book, 1905, and others.
3. How blest the land where God is known. (National Hymn.] Written for Novello's Eight Hymns, with Tunes , for use in services held in connection with the Coronation of King Edward VII., in 1902. It was included in The Council School Hymn Book, 1905, No. 91.
4. How fair was the land of God's people of old. [National Hymn.] Written for use in Day Schools, and rir»t published in The Council School Hymn Book, 1905, No. 121.
5. In our day of thanksgiving one psalm let us offer. [Dedication of a Church.] Written for use at the service at the reopening of the Abbey Church, Shrewsbury, after restoration, in 1894. It was also used at the Shrewsbury Church Congress, 1896; and elsewhere on other occasions. In 1904 it was included in the new edition of Hymns Ancient & Modern.
6. Lord, through this Holy Week of our Salvation. [Holy Week.] First published in Hymns for Holy Week, 1898, and included in Hymns Ancient & Modern 1904, No. 109.
7. Man shall not live by bread alone. [Divine Providence.] First published in The Church Monthly, and again in The Council School Hymn Book, 1905, No. 103.
8. Rejoice, ye angels in the sky. [Whitsuntide.] Written for the Leeds Whitsuntide Hymns, 1902 (to Gounod's tune for "O come, O come, Emmanuel"), and included in The Council School Hymn Book, 1905.
9. We love God's acre round the Church. [Burial.] Printed in the Guardian, Aug. 1, 1900, with the title, "Hymn for those who die far from home and country"; later by Novello, with music by Dr. V. Roberts; and again, with slight alterations, in Brookes's Additional Hymns, 1903.
10. What can I do for England. [National Hymn.] Written in 1905 for The Council School Hymn Book, and included therein in the same year.
11. Ye sons of God, arise. [Processional. Choral Festivals.) Written for a Choral Festival in Gloucester Cathedral, June 8th, 1893; reprinted for the Leeds Whitsuntide Hymns, 1901; and again for the Choir Festival in Chester Cathedral, 1905.
In addition to these hymns which have come into common use. Mr. Draper has written many others of merit which are worthy of attention. They include:—
1. Hymns for Holy Week, being translations from Hymns of the Greek Church, with Six Originals, &c. . . . London: H. Frowde, 1898 (see No. 6 above). This contains 13 original and translated hymns.
2. The Victoria Book of Hymns, 1897.
3. A Memorial Service for them that are Fallen Asleep in Christ. London: H. Frowde, 1898, 4 hymns (including No. 9 above).
4. The Way of the Cross (Oxford: A. R. Mowbray & Co.), n.d., with music by Dr. Sweeting.
Mr. Draper's hymns are so scattered in the Guardian, Church Monthly, and sundry magazines that it is a matter of some difficulty to trace them out. They exceed sixty in all, and are worthy, taken as a whole, to be published as a volume of sacred verse.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Henry Draper
