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Praise God from Whom All Blessings Flow

Author: Thomas Ken Meter: 8.8.8.8 Appears in 1,225 hymnals Topics: God Beyond All Name and Form Praise to God Lyrics: Praise God from whom all blessings flow; praise Christ, all creatures here below; praise Holy Spirit evermore: one God, triune, whom we adore. Amen. Used With Tune: TALLIS' CANON
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Glory Be to the Father

Appears in 988 hymnals Topics: God Beyond All Name and Form Praise to God First Line: Glory be to the Father, and to the Son, and to the Holy Ghost Lyrics: Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning, is now, and ever shall be, world without end. Amen. Used With Tune: MEINEKE Text Sources: Lesser Doxology (3rd-4th centuries)
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His Eye Is on the Sparrow

Author: Civilla D. Martin Appears in 99 hymnals Topics: God Beyond All Name and Form Providence and Care First Line: Why should I feel discouraged Lyrics: 1 Why should I feel discouraged, why should the shadows come, why should my heart be lonely, and long for heaven and home, when Jesus is my portion? My constant Friend is he: his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. Refrain: I sing because I’m happy, I sing because I’m free, for his eye is on the sparrow, and I know he watches me. 2 “Let not your heart be troubled,” his tender word I hear, and resting on his goodness, I lose my doubts and fears; though by the path he leadeth, but one step I may see; his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. [Refrain] 3 Whenever I am tempted, whenever clouds arise, when songs give place to sighing, when hope within me dies, I draw the closer to him, from care he sets me free; his eye is on the sparrow, and I know he watches me; his eye is on the sparrow, and I know he watches me. [Refrain] Scripture: Luke 12:6-7 Used With Tune: SPARROW

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O STORE GUD

Meter: 11.10.11.10 with refrain Appears in 170 hymnals Composer and/or Arranger: Stuart K. Hine Topics: God Beyond All Name and Form Praise to God Tune Sources: based on a Swedish folk melody Tune Key: B Flat Major Incipit: 55535 55664 66665 Used With Text: How Great Thou Art
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AZMON

Meter: 8.6.8.6 Appears in 964 hymnals Composer and/or Arranger: Carl Gotthelf Gläser; Lowell Mason Topics: God Beyond All Name and Form Praise to God Tune Key: G Major Incipit: 51122 32123 34325 Used With Text: O for a Thousand Tongues to Sing
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ITALIAN HYMN

Meter: 6.6.4.6.6.6.4 Appears in 1,306 hymnals Composer and/or Arranger: Felice de Giardini; Charles H. Webb Topics: God Beyond All Name and Form Praise to God Tune Key: F Major Incipit: 53121 71123 45432 Used With Text: Come, Thou Almighty King

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Bring Many Names

Author: Brian Wren Hymnal: Chalice Hymnal #10 (1995) Meter: 9.10.11.9 Topics: God Beyond All Name and Form Praise to God First Line: Bring many names, beautiful and good Lyrics: 1 Bring many names, beautiful and good, celebrate, in parable and story, holiness in glory, living, loving God. Hail and Hosanna! Bring many names! 2 Strong mother God, working night and day, planning all the wonders of creation, setting each equation, genius at play: Hail and Hosanna, strong mother God! 3 Warm father God, hugging every child, feeling all the strains of human living, caring and forgiving till we're reconciled: Hail and Hosanna, warm father God! 4 Old, aching God, grey with endless care, calmly piercing evil's new disguises, glad of good surprises, wiser than despair: Hail and Hosanna, old, aching God! 5 Young, growing God, eager, on the move, saying no to falsehood and unkindness, crying out for justice, giving all you have: Hail and Hosanna, young, growing God! 6 Great, living God, never fully known, joyful darkness far beyond our seeing, closer yet than breathing, everlasting home: Hail and Hosanna, great, living God! Languages: English Tune Title: WESTCHASE
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The God of Abraham Praise

Author: Daniel ben Judah; Max Landsberg ; Newton Mann Hymnal: Chalice Hymnal #24 (1995) Meter: 6.6.8.4 D Topics: God Beyond All Name and Form Praise to God Lyrics: 1 The God of Abraham praise. All praised be the Name, who was and is and is to be, is still the same; the one eternal God, ere all that now appears; the First, the Last, beyond all thought through timeless years! 2 God's Spirit flowing free, high surging where it will-- in prophet's word it spoke of old-- is speaking still. Established is God's law, and changeless it shall stand, deep writ upon the human heart, on sea, or land. 3 God has eternal life implanted in the soul. God's love shall be our strength and stay, while ages roll. Praise to the living God! All praised be the Name, who was, and is, and is to be, is still the same! Languages: English Tune Title: LEONI
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O Worship the King

Author: Robert Grant Hymnal: Chalice Hymnal #17 (1995) Meter: 10.10.11.11 Topics: God Beyond All Name and Form Praise to God First Line: O worship the King, all glorious above Lyrics: 1 O worship the King all glorious above, and gratefully sing God's wonderful love, our Shield and Defender, the Ancient of Days, pavilioned in splendor and girded with praise. 2 How great is your might! How steadfast your grace! Your robe is the light; your canopy, space; your chariots of wrath the deep thunderclouds form, in majesty riding the wings of the storm. 3 The earth with its store of wonders untold, Almighty, your power has founded of old, established it fast by a changeless decree, and round it has cast, like a mantle, the sea. 4 Your bountiful care what tongue can recite? It breathes in the air, it shines in the light; it streams from the hills, it descends to the plain, and sweetly distills in the dew and the rain. 5 Frail children of dust, and feeble as frail, in you do we trust, nor find you to fail; your mercies how tender, how firm to the end, our Maker, Defender, Redeemer, and Friend! Scripture: Psalm 104 Languages: English Tune Title: LYONS

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Ruth C. Duck

b. 1947 Person Name: Ruth Duck Topics: God Beyond All Name and Form Praise to God st. 5 of "Rejoice, You Pure in Heart" in Chalice Hymnal

Robert Robinson

1735 - 1790 Topics: God Beyond All Name and Form Praise to God Author of "Come, Thou Fount of Every Blessing" in Chalice Hymnal Robert Robinson was born at Swaffham, Norfolk, in 1735. In 1749, he was apprenticed to a hairdresser, in Crutched Friars, London. Hearing a discourse preached by Whitefield on "The Wrath to Come," in 1752, he was deeply impressed, and after a period of much disquietude, he gave himself to a religious life. His own peculiar account of this change of life is as follows:--"Robertus Michaelis Marineque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24, 1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annos mensesque septem, absolutionem plenam gratuitamque, per sanguinem pretiosum i secula seculorum. Amen." He soon after began to preach, and ministered for some time in connection with the Calvinistic Methodists. He subsequently joined the Independents, but after a short period preferred the Baptist connection. In 1761, he became pastor of a Baptist congregation at Cambridge. About the year 1780, he began to incline towards Unitarianism, and at length his people deemed it essential to procure his resignation. While arrangements for this purpose were in progress he died suddenly at Bingham, in June 1790. He wrote and published a good many works of ability. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============================= Robinson, Robert, the author of "Come, Thou fount of every blessing," and "Mighty God, while angels bless Thee," was born at Swaffham, in Norfolk, on Sept. 27, 1735 (usually misgiven, spite of his own authority, as Jan. 8), of lowly parentage. Whilst in his eighth year the family migrated to Scarning, in the same county. He lost his father a few years after this removal. His widowed mother was left in sore straits. The universal testimony is that she was a godly woman, and far above her circumstances. Her ambition was to see her son a clergyman of the Church of England, but poverty forbade, and the boy (in his 15th year) was indentured in 1749 to a barber and hairdresser in London. It was an uncongenial position for a bookish and thoughtful lad. His master found him more given to reading than to his profession. Still he appears to have nearly completed his apprenticeship when he was released from his indentures. In 1752 came an epoch-marking event. Out on a frolic one Sunday with like-minded companions, he joined with them in sportively rendering a fortune-telling old woman drunk and incapable, that they might hear and laugh at her predictions concerning them. The poor creature told Robinson that he would live to see his children and grandchildren. This set him a-thinking, and he resolved more than ever to "give himself to reading”. Coincidently he went to hear George Whitefield. The text was St. Matthew iii. 7, and the great evangelist's searching sermon on "the wrath to come" haunted him blessedly. He wrote to the preacher six years later penitently and pathetically. For well nigh three years he walked in darkness and fear, but in his 20th year found "peace by believing." Hidden away on a blank leaf of one of his books is the following record of his spiritual experience, the Latin doubtless having been used to hold it modestly private:— "Robertus, Michaelis Mariseque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24,1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annosque septem absolutionem plenam gratuitamque, per sanguinem pretiosum Jesu Christi, inveni (Tuesday, December 10, 1755) cui sit honor et gloria in secula seculorum. Amen." Robinson remained in London until 1758, attending assiduously on the ministry of Gill, Wesley, and other evangelical preachers. Early in this year he was invited as a Calvinistic Methodist to the oversight of a chapel at Mildenhall, Norfolk. Thence he removed within the year to Norwich, where he was settled over an Independent congregation. In 1759, having been invited by a Baptist Church at Cambridge (afterwards made historically famous by Robert Hall, John Foster, and others) he accepted the call, and preached his first sermon there on Jan. 8, 1759, having been previously baptized by immersion. The "call" was simply "to supply the pulpit," but he soon won such regard and popularity that the congregation again and again requested him to accept the full pastoral charge. This he acceded to in 1761, alter persuading the people to "open communion." In 1770 he commenced his abundant authorship by publishing a translation from Saurin's sermons, afterwards completed. In 1774 appeared his masculine and unanswerable Arcana, or the Principles of the Late Petitioners to Parliament for Relief in the matter of Subscription. In 1776 was published A Plea for the Divinity of our Lord Jesus Christ in a Pastoral Letter to a Congregation of Protestant Dissenters at Cambridge. Dignitaries and divines of the Church of England united with Nonconformists in lauding this exceptionally able, scholarly, and pungently written book. In 1777 followed his History and Mystery of Good Friday. The former work brought him urgent invitations to enter the ministry of the Church of England, but he never faltered in his Nonconformity. In 1781 he was asked by the Baptists of London to prepare a history of their branch of the Christian Church. This resulted, in 1790, in his History of Baptism and Baptists, and in 1792, in his Ecclesiastical Researches. Other theological works are included in the several collective editions of his writings. He was prematurely worn out. He retired in 1790 to Birmingham, where he was somehow brought into contact with Dr. Priestley, and Unitarians have made much of this, on exceedingly slender grounds. He died June 9, 1790. His Life has been fully written by Dyer and by William Robinson respectively, both with a bias against orthodoxy. His three changes of ecclesiastical relationship show that he was somewhat unstable and impulsive. His hymns are terse yet melodious, evangelical but not sentimental, and on the whole well wrought. His prose has all…that vehement and enthusiastic glow of passion that belongs to the orator. (Cf. Dyer and Robinson as above, and Gadsby's Memoirs of Hymn-Writers(3rd ed., 1861); Belcher's Historical Sketches of Hymns; Millers Singers and Songs of the Church; Flower's Robinson's Miscellaneous Works; Annual Review, 1805, p. 464; Eclectic Review, Sept. 1861. [Rev. A. B. Grosart, D.D., LL.D.] --John Julian, Dictionary of Hymnology (1907)

Ludwig van Beethoven

1770 - 1827 Topics: God Beyond All Name and Form Praise to God Composer of "HYMN TO JOY" in Chalice Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman