Search Results

Topics:holy+spirit+and+revival

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Text

Fill Me Now

Author: Elwood R. Stokes, 1815-1895 Appears in 277 hymnals Topics: Holy Spirit and Revival First Line: Hover o'er me, Holy Spirit Refrain First Line: Fill me now, fill me now Lyrics: 1 Hover o'er me Holy Spirit, Bathe my trembling heart and brow; Fill me with Thy hallow'd presence, Come, O come and fill me now. Chorus: Fill me now, fill me now, Jesus come and fill me now; Fill me with Thy hallow,d presence - Come, O come and fill me now. 2 Thou canst fill me, gracious Spirit, Tho I cannot tell Thee how; But I need Thee, greatly need Thee, Come, O come and fill me now. [Chorus] 3 I am weakness, full of weakness, At Thy sacred feet I bow; Blest, divine, eternal Spirit, Fill with pow'r and fill me now. [Chorus] 4 Cleanse and comfort, bless and save me, Bathe, O bathe my heart and brow; Thou art comforting and saving, Thou art sweetly filling now. [Chorus] Used With Tune: [Hover o'er me, Holy Spirit]
TextFlexScoreFlexPresent

Love Divine

Author: Charles Wesley, 1707-1788 Appears in 1,863 hymnals Topics: Holy Spirit and Revival First Line: Love divine, all loves excelling Lyrics: 1 Love divine, all loves excelling, Joy of heav'n, to earth come down! Fix in us Thy humble dwelling, All Thy faithful mercies crown. Jesus, Thou art all compassion, Pure, unbounded love Thou art; Visit us with Thy salvation, Enter ev'ry trembling heart. 2 Breathe, O breathe Thy loving Spirit Into ev'ry troubled breast! Let us all in Thee inherit, Let us find Thy promised rest; Take away the love of sinning, Alpha and Omega be; End of faith, as its beginning, Set our hearts at liberty. 3 Come, almighty to deliver, Let us all Thy grace receive! Suddenly return, and never, Never more Thy temples leave. Thee we would be always blessing, Serve Thee as Thy hosts above, Pray, and praise Thee without ceasing, Glory in Thy perfect love. 4 Finish, then, Thy new creation, Pure and spotless may we be; Let us see Thy great salvation Perfectly restored in Thee! Changed from glory into glory, Till in heaven we take our place; Till we cast our crowns before Thee, Lost in wonder, love and praise. Used With Tune: BEECHER
Text

The Comforter Has Come

Author: Frank Bottome, 1823-1894 Appears in 230 hymnals Topics: Holy Spirit and Revival First Line: O spread the tidings 'round wherever man is found Refrain First Line: The Comforter has come, the Comforter has come Lyrics: 1 O spread the tidings 'round, wherever man is found, Wherever human hearts and human woes abound; Let ev'ry Christian tongue proclaim the joyful sound: The Comforter has come! Chorus: The Comforter has come, the Comforter has come! The Holy Ghost from heav'n - the Father's promise giv'n; O spread the tidings 'round, wherever man is found - The Comforter has come! 2 The long, long night is past, the morning breaks at last, And hushed the dreadful wait and fury of the blast, As o'er the golden hills the day advances fast! The Comforter has come! [Chorus] 3 Lo, the great King of kings, with healing in His wings, To ev'ry captive soul a full deliv'rance brings; And thru the vacant cells the song of triumph rings; The Comforter has come! [Chorus] 4 O boundless love divine! How shall this tongue of mine To wond'ring mortals tell the matchless grace divine - That I, a child of hell, should in His image shine! The Comforter has come! [Chorus] Used With Tune: [O spread the tidings 'round wherever man is found]

Tunes

tune icon
Tune authorities
FlexScoreAudio

MAORI

Appears in 69 hymnals Composer and/or Arranger: Norman Johnson, 1928- Topics: Holy Spirit and Revival Tune Sources: Maori melody Tune Key: F Major Incipit: 31233 32471 12231 Used With Text: Cleanse Me
Audio

[Lord, as of old at Pentecost]

Appears in 70 hymnals Composer and/or Arranger: Charles H. Gabriel Topics: Holy Spirit and Revival Tune Key: A Flat Major Incipit: 32112 17754 44433 Used With Text: Pentecostal Power
FlexScoreAudio

[Spirit of the living God, fall fresh on me]

Appears in 104 hymnals Composer and/or Arranger: B. B. McKinney, 1886-1952 Topics: Holy Spirit and Revival Tune Key: F Major Incipit: 33332 34312 33333 Used With Text: Spirit of the Living God

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

Come, Holy Spirit, Heavenly Dove

Author: Isaac Watts, 1674-1748 Hymnal: Revival Hymns and Choruses #231 (1970) Topics: Holy Spirit and Revival Lyrics: 1 Come, Holy Spirit, heav'nly Dove, With all Thy quick'ning pow'rs; Kindle a flame of sacred love In these cold hearts of ours. 2 Look how we grovel here below, Fond of these trifling toys; Our souls, how heavily they go, To reach eternal joys. 3 In vain we tune our formal songs, In vain we strive to rise; Hosannas languish on our tongues, And our devotion dies. 4 Dear Lord, and shall we ever live At this poor dying rate? Our love so faint, so cold to Thee, And Thine to us so great! 5 Come, Holy Spirit, heav'nly Dove, With all Thy quick'ning powe's; Come, shed abroad a Savior's love, And that shall kindle ours. Languages: English Tune Title: ST. AGNES
Text

Holy Spirit, Faithful Guide

Author: Marcus M. Wells, 1815-1895 Hymnal: Revival Hymns and Choruses #232 (1970) Topics: Holy Spirit and Revival Lyrics: 1 Holy Spirit, faithful Guide, Ever near the Christian's side Gently lead us by the hand, Pilgrims in a desert land; Weary souls fore'er rejoice, While they hear that sweetest voice, Whisp'ring softly, "Wand'rer, come! Follow Me, I'll guide thee home." 2 Ever present, truest Friend, Ever near Thine aid to lend, Leave us not to doubt and fear, Groping on in darkness drear; When the storms are raging sore, Hearts grow faint, and hopes give o'er, Whisper softly, "Wanderer, come, Follow Me, I'll guide thee home." 3 When our days of toil shall cease, Waiting still for sweet release, Nothing left but heav'n and prayer, Knowing that our names are there, Wading deep the dismal flood, Pleading naught but Jesus' blood, Whisper softly, "Wanderer, come, Follow Me, I'll guide thee home." Languages: English Tune Title: FAITHFUL GUIDE
Text

Fill Me Now

Author: Elwood R. Stokes, 1815-1895 Hymnal: Revival Hymns and Choruses #244 (1970) Topics: Holy Spirit and Revival First Line: Hover o'er me, Holy Spirit Refrain First Line: Fill me now, fill me now Lyrics: 1 Hover o'er me Holy Spirit, Bathe my trembling heart and brow; Fill me with Thy hallow'd presence, Come, O come and fill me now. Chorus: Fill me now, fill me now, Jesus come and fill me now; Fill me with Thy hallow,d presence - Come, O come and fill me now. 2 Thou canst fill me, gracious Spirit, Tho I cannot tell Thee how; But I need Thee, greatly need Thee, Come, O come and fill me now. [Chorus] 3 I am weakness, full of weakness, At Thy sacred feet I bow; Blest, divine, eternal Spirit, Fill with pow'r and fill me now. [Chorus] 4 Cleanse and comfort, bless and save me, Bathe, O bathe my heart and brow; Thou art comforting and saving, Thou art sweetly filling now. [Chorus] Languages: English Tune Title: [Hover o'er me, Holy Spirit]

People

person icon
Authors, composers, editors, etc.

Isaac Watts

1674 - 1748 Person Name: Isaac Watts, 1674-1748 Topics: Holy Spirit and Revival Author of "Come, Holy Spirit, Heavenly Dove" in Revival Hymns and Choruses Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

W. Howard Doane

1832 - 1915 Person Name: W. H. Doane Topics: Holy Spirit and Revival Composer of "[Revive Thy work, O Lord]" in Revival Hymns and Choruses An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)

George Croly

1780 - 1860 Person Name: George Croly, 1780-1860 Topics: Holy Spirit and Revival Author of "Spirit of God, Descend upon My Heart" in Revival Hymns and Choruses Croly, George, LL.D., born in Dublin, Aug. 17, 1780, and educated at the Dublin University (M.A. 1804, LL.D. 1831). After taking Holy Orders, he laboured in Ireland till about 1810, when he took up his residence in London, and devoted himself to literature. In 1835 he succeeded to the united benefices of St. Stephen's, Walbrook, and St. Benet Sherehog, retaining the same till his death, which occurred suddenly in the public street, Holborn, Nov. 24, 1860. His prose publications, in addition to contributions to Blackwood's Magazine, were numerous, and dealt with biographical, historical, and scriptural subjects. His hymns were given in his— Psalms and Hymns for Public Worship. Written and compiled by the Rev. George Croly, LL.D. London Kendrick, 1854. This collection contained 25 psalms, 50 hymns, and 6 poems. Of these 10 psalms, 12 hymns, and the 6 poems bear Dr. Croly's initial. The following have come into common use mainly through Windle's Collection:— 1. Be still, be still, impatient soul. Patience. 2. Behold me, Lord, and if thou find. Lent. 3. Lift up your heads, ye gates of light. Ascension. 4. Lord, who hast sought us out, unsought. Public Worship. 5. Teach us, O Lord, this day. Sunday. 6. Thou, Lord of mercy and of might. Lent. All these date from 1854, with the exception of No. 6, which appeared in his Scenes from Scripture and other Poems, 1851. -- John Julian, Dictionary of Hymnology (1907)