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Ubi caritas (Aia nō e loa'a)

Author: Malcolm Naia Chun (b. 1954) Appears in 34 hymnals Topics: Hymns and Spiritual Songs Spiritual Songs Scripture: John 15:9-16 Used With Tune: [Ubi caritas] Text Sources: Latin, 8th c.
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Ev'ry time I feel the spirit

Meter: Irregular Appears in 43 hymnals Topics: Hymns and Spiritual Songs Threefold God: Holy Spirit First Line: Up on the mountain my Lord spoke Lyrics: Refrain: Ev’ry time I feel the spirit, moving in my heart, I will pray. Every time I feel the spirit, moving in my heart, I will pray. 1 Up on the mountain my Lord spoke, out of his mouth came fire and smoke. All around me looked so fine, asked my Lord if all was mine. (Refrain) 2 Jordan river chilly and cold, chills the body but not the soul. There ain’t but one train runs this track, runs to heaven and runs right back. (Refrain) Scripture: Exodus 20:16-19 Used With Tune: [Up on the mountain my Lord spoke] Text Sources: Traditional
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Steal away

Meter: Irregular Appears in 117 hymnals Topics: Hymns and Spiritual Songs The Christian Life First Line: My Lord he calls me by the thunder Lyrics: Refrain: Steal away, steal away, steal away to Jesus! Steal away, steal away home, I ain’t got long to stay here! 1 My Lord he calls me, he calls me by the thunder. The trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 2 Green trees are bending, poor sinner stands a-trembling, the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 3 Tombstones are bursting, poor sinner stands a-trembling, the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 4 My Lord he calls me, he calls me by the lightning. the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) Scripture: Revelation 16:17-18 Used With Tune: [My Lord, he calls me] Text Sources: Traditional

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ABBOT'S LEIGH

Meter: 8.7.8.7 D Appears in 164 hymnals Composer and/or Arranger: Cyril Vincent Taylor (1907-1991) Topics: Hymns and Spiritual Songs The Church's Mission Tune Key: C Major Incipit: 53111 76655 34565 Used With Text: Lord, you give the great commission
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KEDRON

Meter: 8.8.8.8 Appears in 41 hymnals Composer and/or Arranger: Elkanah Kelsay Dare (1782-1826) Topics: Hymns and Spiritual Songs Healing Tune Sources: The Southern Harmony, 1835 (harmony); Hymnal 1982 (adaptation) Tune Key: c minor Incipit: 32115 54323 21112 Used With Text: O Christ, the healer
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[My Lord, he calls me]

Meter: Irregular Appears in 80 hymnals Composer and/or Arranger: Carl Haywood (b. 1949) Topics: Hymns and Spiritual Songs The Christian Life Tune Sources: Negro Spiritual; The Haywood Collection of Negro Spirituals Tune Key: F Major Incipit: 11133 35556 23111 Used With Text: Steal away

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Guide my feet Lord

Hymnal: Wonder, Love, and Praise #819 (1997) Topics: Hymns and Spiritual Songs Spiritual Songs Lyrics: 1 Guide my feet Lord, while I run this race. Guide my feet Lord, while I run this race. Guide my feet Lord, while I run this race, ’cause I don’t want to run this race in vain. 2 Hold my hand Lord, while I run this race. Hold my hand Lord, while I run this race. Hold my hand Lord, while I run this race. ’cause I don’t want to run this race in vain. 3 Stand by me Lord, while I run this race. Stand by me Lord, while I run this race. Stand by me Lord, while I run this race. ’cause I don’t want to run this race in vain. Languages: English Tune Title: [Guide my feet Lord]
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It's me, it's me, it's me, O Lord

Hymnal: Wonder, Love, and Praise #797 (1997) Meter: Irregular Topics: Hymns and Spiritual Songs The Christian Life First Line: Not my brother, not my sister, but it's me, O Lord Lyrics: Refrain: It’s me, it’s me, O Lord, Standin’ in the need of prayer; It’s me, It’s me, O Lord, Standin’ in the need of prayer. 1 Not my brother, not my sister, but it’s me, O Lord, standin’ in the need of prayer, not my brother, not my sister, but it’s me, O Lord, standin’ in the need of prayer. (Refrain) 2 Not the preacher, not the deacon, but it’s me, O Lord, standin’ in the need of prayer, not the preacher, not the deacon, but it’s me, O Lord, standin’ in the need of prayer. (Refrain) 3 Not my father, not my mother, but it’s me, O Lord, standin’ in the need of prayer, not my father, not my mother, but it’s me, O Lord, standin’ in the need of prayer. (Refrain) 4 Not the stranger, not my neighbor, but it’s me, O Lord, standin’ in the need of prayer, not the stranger, not my neighbor, but it’s me, O Lord, standin’ in the need of prayer. (Refrain) Languages: English Tune Title: [Not my brother, not my sister,but it's me, O Lord]
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Steal away

Hymnal: Wonder, Love, and Praise #804 (1997) Meter: Irregular Topics: Hymns and Spiritual Songs The Christian Life First Line: My Lord he calls me by the thunder Lyrics: Refrain: Steal away, steal away, steal away to Jesus! Steal away, steal away home, I ain’t got long to stay here! 1 My Lord he calls me, he calls me by the thunder. The trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 2 Green trees are bending, poor sinner stands a-trembling, the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 3 Tombstones are bursting, poor sinner stands a-trembling, the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) 4 My Lord he calls me, he calls me by the lightning. the trumpet sounds within a my soul. I ain’t got long to stay here. (Refrain) Scripture: Revelation 16:17-18 Languages: English Tune Title: [My Lord, he calls me]

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Synesius of Cyrene, Bishop of Ptolemais

370 - 430 Person Name: Synesius of Cyrene (375?414?) Topics: Hymns and Spiritual Songs The Christian Life Author of "Lord Jesus, think on me" in Wonder, Love, and Praise Synesius, a native of Cyrene, born circa 375. His descent was illustrious. His pedigree extended through seventeen centuries, and in the words of Gibbon, "could not be equalled in the history of mankind." He became distinguished for his eloquence and philosophy, and as a statesman and patriot he took a noble stand. When the Goths were threatening his country he went to the court of Arcadius, and for three years tried to rouse it to the dangers that were coming on the empire. But Gibbon says, ”The court of Arcadius indulged the zeal, applauded the eloquence, and neglected the advice of Synesius." In 410 he was made Bishop of Ptolemaïs, but much against his will. He died in 430. Synesius's opinions have been variously estimated. That he was imbued with the Neo-Platonic philosophy there is no doubt but that he was a semi-Christian, as alleged by Mosheim or that he denied the doctrine of the Resurrection as stated directly by Gibbon [see Decline and Fall, vol. ii.]; and indirectly by Bingham [see Christian Antiq., Lond., 1843, i., pp. 464-5] is very doubtful. Mr. Chatfield, who has translated his Odes in his Songs and Hymns of the Greek Christian Poets, 1876, contends that his tenth Ode "Lord Jesus, think on me," proves that he was not a semi-Christian, and that he held the doctrine of the Resurrection. The first is clear: but the second is open to doubt. He certainly prays to the Redeemer: but there is nothing in the hymn to shew that he looked upon the Redeemer as being clothed in His risen body. This tenth ode is the only Ode of Synesius, which has come into common use. The original Odes are found in the Anth. Graeca Carm. Christ, 1871, p. 2 seq., and Mr. Chatfield's trs. in his Songs, &c, 1876. Synesius's Odes have also been translation by Alan Stevenson, and included in his The Ten Hymns of Synesius, Bishop of Tyreore, A.D. 410 in English Verse. And some Occasional Pieces by Alan Stevenson, LL.B. Printed for Private Circulation, 1865. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Cyril Taylor

1907 - 1991 Person Name: Cyril Vincent Taylor (1907-1991) Topics: Hymns and Spiritual Songs The Church's Mission Composer of "ABBOT'S LEIGH" in Wonder, Love, and Praise Cyril V. Taylor (b. Wigan, Lancashire, England, 1907; d. Petersfield, England, 1992) was a chorister at Magdalen College School, Oxford, and studied at Christ Church, Oxford, and Westcott House, Cambridge. Ordained a priest in the Church of England in 1932, he served the church as both pastor and musician. His positions included being a producer in the religious broadcasting department of the BBC (1939­1953), chaplain of the Royal School of Church Music (1953-1958), vicar of Cerne Abbas in Dorsetshire (1958-1969), and precentor of Salisbury Cathedral (1969-1975). He contributed twenty hymn tunes to the BBC Hymn Book (1951), which he edited, and other tunes to the Methodist Hymns and Psalms (1983). He also edited 100 Hymns for Today (1969) and More Hymns for Today (1980). Writer of the booklet Hymns for Today Discussed (1984), Taylor was chairman of the Hymn Society of Great Britain and Ireland from 1975 to 1980. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams (1872-1958) Topics: Hymns and Spiritual Songs The Christian Life Composer of "RANDOLPH" in Wonder, Love, and Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman