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My Song Is Love Unknown

Author: Samuel Crossman Meter: 6.6.12.4.4.8 Appears in 127 hymnals Topics: Jesus Christ Cross Lyrics: 1 My song is love unknown, my Saviour’s love to me, love to the loveless shown that they might lovely be. O who am I that for my sake my Lord should take frail flesh, and die? 2 He came from his blest throne salvation to bestow, but people scorned, and none the longed-for Christ would know. But O my Friend, my Friend indeed, who at my need his life did spend. 3 Sometimes they strew his way, and his sweet praises sing, resounding all the day hosannas to their King. Then “Crucify!” is all their breath, and for his death they thirst and cry. 4 Here might I stay and sing, no story so divine; never was love, dear King, never was grief like thine! This is my friend, in whose sweet praise I all my days could gladly spend. Used With Tune: LOVE UNKNOWN
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The Old Rugged Cross

Author: George Bennard Appears in 345 hymnals Topics: Jesus Christ Cross First Line: On a hill far away stood an old rugged cross Refrain First Line: So I'll cherish the old rugged cross Lyrics: 1 On a hill far away stood an old rugged cross, The emblem of suffering and shame; And I love that old cross where the dearest and best For a world of lost sinners was slain. Refrain: So I’ll cherish the old rugged cross, 'Til my trophies at last I lay down; I will cling to the old rugged cross, And exchange it some day for a crown. 2 O that old rugged cross, so despised by the world, Has a wondrous attraction for me; For the dear Lamb of God left His glory above To bear it to dark Calvary. [Refrain] 3 In that old rugged cross, stained with blood so divine, A wondrous beauty I see; For ’twas on that old cross Jesus suffered and died To pardon and sanctify me. [Refrain] 4 To the old rugged cross I will ever be true, Its shame and reproach gladly bear; Then He’ll call me some day to my home far away, Where His glory forever I’ll share. [Refrain] Used With Tune: [On a hill far away stood an old rugged cross]
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Jesus, Keep Me Near the Cross

Author: Fanny J. Crosby Meter: 7.6.7.6 with refrain Appears in 680 hymnals Topics: Jesus Christ-Cross Refrain First Line: In the cross, in the cross by my glory ever Lyrics: 1 Jesus, keep me near the cross: there a precious fountain, free to all, a healing stream, flows from Calvary's mountain. Refrain: In the cross, in the cross be my glory ever, till my ransomed soul shall find rest beyond the river. 2 Near the cross, a trembling soul, love and mercy found me; there the Bright and Morning Star shed His beams around me. [Refrain] 3 Near the cross! O Lamb of God, bring its scenes before me; help me walk from day to day with its shadow o'er me. [Refrain] 4 Near the cross I'll watch and wait, hoping, trusting ever, till I reach the golden strand, just beyond the river. [Refrain] Used With Tune: NEAR THE CROSS

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RATHBUN

Meter: 8.7.8.7 Appears in 794 hymnals Composer and/or Arranger: Ithamar Conkey; Michael Evers Topics: Jesus Christ-Cross Tune Key: A Flat Major Incipit: 51317 65155 63234 Used With Text: In the Cross of Christ I Glory
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ST. GERTRUDE

Meter: 6.5.6.5 D with refrain Appears in 1,007 hymnals Composer and/or Arranger: Arthur S. Sullivan, 1842-1900 Topics: Jesus Christ His Cross Tune Key: E Flat Major Incipit: 55555 65221 23135 Used With Text: Onward, Christian Soldiers
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ST. CHRISTOPHER

Meter: 7.6.8.6.8.6.8.6 Appears in 379 hymnals Composer and/or Arranger: Frederick C. Maker, 1844-1927 Topics: Jesus Christ His Cross Tune Key: D Flat Major Incipit: 55546 53123 443 Used With Text: Beneath the Cross of Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals

I Take the Cross of Jesus Christ

Author: R.G. Huff Hymnal: Celebrating Grace Hymnal #168 (2010) Meter: 8.6.8.6 D Topics: Jesus Christ-Cross First Line: I take the cross of Jesus Christ Languages: English Tune Title: KINGSFOLD
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Lift High the Cross

Author: George William Kitchin; Michael Robert Newbolt Hymnal: Voices United #151 (1996) Meter: 10.10.10.10 Topics: Jesus Christ Cross First Line: Come, Christians, follow where your Saviour trod Refrain First Line: Lift high the cross, the love of Christ proclaim Lyrics: [Refrain:] Lift high the cross, the love of Christ proclaim till all the world adore his sacred name. 1 Come, Christians, follow where our Saviour trod, the Lamb victorious, Christ the Son of God. [Refrain] 2 Led on their way by this triumphant sign, the hosts of God in conquering ranks combine. [Refrain] 3 Each newborn servant of the Crucified bears on the brow the seal of him who died. [Refrain] 4 Saviour, once lifted on the glorious tree, your death has brought us life eternally. [Refrain] 5 So shall our song of triumph ever be praise to the Crucified for victory. [Refrain] Languages: English Tune Title: CRUCIFER
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Beneath the Cross of Jesus

Author: Elizabeth Cecilia Clephane Hymnal: Voices United #135 (1996) Meter: 7.6.8.6.8.6.8.6 Topics: Jesus Christ Cross Lyrics: 1 Beneath the cross of Jesus I fain would take my stand: the shadow of a mighty rock within a weary land, a home within the wilderness, a rest upon the way, from the burning of the noontide heat and the burden of the day. 2 Upon the cross of Jesus my eyes at times can see the very dying form of one who suffered there for me; and from my smitten heart with tears two wonders I confess, the wonder of his glorious love, and my unworthiness. 3 I take, O cross, your shadow for my abiding place; I ask no other sunshine than the sunshine of his face; content to let the world go by, to know no gain nor loss, my sinful self my only shame, my glory all, the cross. Languages: English Tune Title: ST CHRISTOPHER

People

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Authors, composers, editors, etc.

Frederick C. Maker

1844 - 1927 Person Name: Frederick Charles Maker Topics: Jesus Christ Cross Composer of "ST CHRISTOPHER" in Voices United Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Topics: Cross of Jesus Christ Arranger of "MARTYRDOM" in One Lord, One Faith, One Baptism Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Samuel Crossman

1623 - 1684 Topics: Jesus Christ Cross Author of "My Song Is Love Unknown" in Voices United Crossman, Samuel , B.D. From A. Wood's Athenae Oxonienses (1720, vol. ii. p. 730) we gather all that is known of this hymnwriter. Wood says concerning him:— "Samuel Crossman, Bachelor of Divinity of Cambridge, and Prebendary of Bristol, son of Samuel Crossman, of Bradfield Monachorum, in Suffolk. He hath written and published several things, as The Young Man's Monitor, &c, London, 1664, 8vo., and several sermons, among which are two sermons preached in the Cathedral of Bristol, 30th Jan., 1679, and 30th Jan., 1680, being the days of public humiliation for the execrable murder of King Charles I, printed at London, 1681, &c.; also a sermon preached 23rd April, 1680, in the Cathedral Church of Bristol, before the Gentlemen of the Artillery Company newly raised in that City, printed at London, 1680, &c; and, "An Humble Plea for the quiet rest of God's Ark," preached before Sir Joh. Moore, Lord Mayor of London, at St. Mildred's Church in the Poultrey, 5th February, 1681, London, 1682, 4to, &c. He died 4th February, 1683, aged 69 years, and was buried in the South Aisle of the Cathedral Church in Bristol" [of which he had been appointed Dean a few weeks before]. Crossman's contributions to hymnody were given in a small pamphlet entitled:— The Young Man's Meditation, or some few Sacred Poems upon Select Subjects, and Scriptures. By Samuel Crossman, B.D. London, Printed by J. H., &c, 1664. This pamphlet, which was reprinted by D. Sedgwick, London, 1863, contains 9 sacred poems. Of these the following are in common use:— 1. My life's a shade, my days. Resurrection. This is in 6 stanzas of 4 lines, together with a chorus to each stanza of 4 Lines. It is sometimes given as "Life is a shade, my days," as in Kennedy, 1863. 2. Sweet place, sweet place alone, Pt. i. Jerusalem on high, Pt. ii. These two parts form one poem on Heaven. The most popular portion is Pt. ii. This is given in numerous collections in Great Britain and America. Part i. is not so extensively used. From the two parts the cento "Earth's but a sorry tent," in the Dutch Reformed Hymns of the Church, N. Y. 1869, is also taken. 3. Farewell, poor world, I must be gone. Death anticipated. This is given in the Comprehensive Rippon, 1844, and in a few of the older American hymnbooks. 4. My song is love unknown. In the Anglican Hymnbook, 1863 -- John Julian, Dictionary of Hymnology (1907)