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Jerusalem the Golden

Author: Bernard of Cluny, 12th century; John Mason Neale, 1818-1866 Appears in 910 hymnals Topics: The Life to Come Used With Tune: EWING Text Sources: St. 4, "Hymns Ancient and Modern," 1861
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For All the Saints, Who from Their Labors Rest

Author: William Walsham How, 1823-1897 Appears in 570 hymnals Topics: The Life to Come Used With Tune: SINE NOMINE
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Hark, hark, my soul! angelic songs are swelling

Author: Rev. Frederick W. Faber, 1814-1863 Appears in 604 hymnals Topics: Life to Come Used With Tune: VOX ANGELICA

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JESUS LOVES ME

Meter: 7.7.7.7 with refrain Appears in 355 hymnals Composer and/or Arranger: William Batchelder Bradbury, 1816-68 Topics: God's Love to Us; Hymns Specially Suitable for Children; Jesus Christ Coming today; Jesus Christ Earthly life; Jesus Christ Redeemer; Personal Response to Jesus; Scripture; Word of God Tune Key: D Major Incipit: 53323 55661 66555 Used With Text: Yes, Jesus loves me
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PREPARE THE WAY

Meter: Irregular Appears in 24 hymnals Composer and/or Arranger: Jacques Berthier; Community of Taizé Topics: Christ's Gracious Life Promised Coming; Christian Year Advent; Jesus Christ; Rounds; Service Music Greeting/Call to Worship Tune Key: E Flat Major Incipit: 55566 61133 4445 Used With Text: Prepare the Way of the Lord
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EVENTIDE

Meter: 10.10.10.10 Appears in 976 hymnals Composer and/or Arranger: William H. Monk Topics: Death and Life to Come Tune Key: E Flat Major Incipit: 33215 65543 34565 Used With Text: Abide with Me; Fast Falls the Eventide

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Christ the Victorious

Author: Carl P. Daw, Jr. Hymnal: Moravian Book of Worship #813 (1995) Meter: 11.10.11.9 Topics: Death and Life to Come; Life to Come First Line: Christ the Victorious, give to your servants Lyrics: 1 Christ the Victorious, give to your servants rest with your saints in the regions of light. Grief and pain ended, and sighing no longer, there may they find everlasting life. 2 Only Immortal One, Mighty Creator! We are your creatures and children of earth. From earth you formed us, both glorious and mortal, and to the earth shall we all return. 3 God-spoken prophecy, word at creation: "You came from dust and to dust shall return." Yet at the grave shall we raise up our glad song, "Alleluia, alleluia!" 4 Christ the Victorious, give to your servants rest with your saints in the regions of light. Grief and pain ended, and sighing no longer, there may they find everlasting life. Scripture: Revelation 7:9-17 Languages: English Tune Title: RUSSIAN HYMN
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In Heav'n Above

Author: Laurentius L. Laurinus, 1573-1655; William Maccall, 1812-1888 Hymnal: Moravian Book of Worship #810 (1995) Meter: 8.6.8.6.8.8.6 Topics: Death and Life to Come; Life to Come First Line: In heav'n above, in heav'n above Lyrics: 1 In heav'n above, in heav'n above, where God our Father dwells; how boundless there the blessedness! No tongue its greatness tells. There face to face and full and free, the everliving God we see, our God, the Lord of hosts! 2 In heav'n above, in heav'n above, what glory deep and bright! The splendor of the noonday sun grows pale before its light. The mighty sun that goes not down, before whose face clouds never frown, is God, the Lord of hosts! 3 In heav'n above, in heav'n above, no tears of pain are shed, for nothing there can fade or die; life’s fullness round is spread, and like an ocean joy o’erflows, and with immortal mercy glows our God, the Lord of hosts! 4 In heav'n above, in heav'n above, God has a joy prepared, which mortal ear has never heard, nor mortal vision shared, which never entered mortal thought, in mortal dreams was never sought, O God, the Lord of hosts! Scripture: Revelation 21 Languages: English Tune Title: I HIMMELEN, I HIMMELEN
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Jerusalem the Golden

Author: Bernard of Cluny; John M. Neale Hymnal: Moravian Book of Worship #814 (1995) Meter: 7.6.7.6 D Topics: Death and Life to Come; Life to Come Lyrics: 1 Jerusalem the golden, descending from above, the city of God's presence, the vision of God's love - I know not, O I know not what joys await us there, what radiancy of glory, what bliss beyond compare! 2 They stand, those halls of Zion, all jubilant with song, so bright with many an angel, And all the martyr throng. The Prince is ever in them, the daylight is serene; the tree of life and healing has leaves of richest green. 3 There is the throne of David, and there, from pain released, the shout of those who triumph, the song of those who feast. And all who with their leader have conquered in the fight, forever and forever are robed in purest white. 4 How lovely is that city, the home of God's elect! How beautiful the country that eager hearts expect! O Christ, in mercy bring us to that eternal shore where Father, Son, and Spirit are worshiped evermore. Scripture: Joshua 5:6 Languages: English Tune Title: EWING

People

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Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Person Name: Henry J. Gauntlett, 1805-1876 Topics: Life to Come Composer of "ST. ALPHEGE" in Hymnal and Liturgies of the Moravian Church Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes, 1823-1876 Topics: Life to Come Composer of "ST. SYLVESTER" in Hymnal and Liturgies of the Moravian Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

William Walsham How

1823 - 1897 Person Name: William Walsham How, 1823-1897 Topics: The Life to Come Author of "For All the Saints, Who from Their Labors Rest" in Hymnal and Liturgies of the Moravian Church William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)