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Topics:loyalty+and+courage

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This is my Father's world

Author: Rev. Maltbie D. Babcock Meter: 6.6.8.6 D Appears in 316 hymnals Topics: Courage and Loyalty; Loyalty and Courage Lyrics: 1 This is my Father's world, And to my listening ears, All nature sings, and round me rings The music of the spheres. This is my Father's world: I rest me in the thought Of rocks and trees, of skies and seas; His hand the wonders wrought. 2 This is my Father's world: The birds their carols raise, The morning light, the lily white, Declare their Maker's praise. This is my Father's world: He shines in all that's fair; In the rustling grass I hear Him pass, He speaks to me everywhere. 3 This is my Father's world: O let me ne'er forget That though the wrong seems oft so strong, God is the Ruler yet. This is my Father's world: The battle is not done; Jesus who died shall be satisfied, And earth and heaven be one. Amen. Used With Tune: TERRA PATRIS
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Fight the Good Fight

Author: John S. B. Monsell Appears in 483 hymnals Topics: Loyalty and Courage First Line: Fight the good fight with all thy might! Scripture: 1 Timothy 6:12 Used With Tune: PENTECOST
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God of Grace and God of Glory

Author: Harry E. Fosdick Meter: 8.7.8.7.8.7.7 Appears in 155 hymnals Topics: The Christian Life Loyalty and Courage Lyrics: 1 God of grace and God of glory, on your people pour your power; crown your ancient Church’s story, bring its bud to glorious flower. Grant us wisdom, grant us courage for the facing of this hour, for the facing of this hour. 2 Lo! the hosts of evil round us scorn your Christ, assail his ways! Fears and doubts too long have bound us– free our hearts to work and praise. Grant us wisdom, grant us courage for the living of these days, for the living of these days. 3 Heal your children’s warring madness, bend our pride to your control; shame our wanton, selfish gladness, rich in things and poor in soul. Grant us wisdom, grant us courage lest we miss your kingdom’s goal, lest we miss your kingdom’s goal. 4 Save us from weak resignation to the evils we deplore; let the gift of your salvation be our glory evermore. Grant us wisdom, grant us courage, serving you whom we adore, serving you whom we adore. Scripture: Esther 4:14 Used With Tune: CWM RHONDDA

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ARLINGTON

Meter: 8.6.8.6 Appears in 1,033 hymnals Composer and/or Arranger: Thomas A. Arne Topics: Life in Christ Loyalty and Courage Tune Key: G Major Incipit: 13332 11123 54332 Used With Text: Am I a Soldier of the Cross
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ANGEL'S STORY

Meter: 7.6.7.6 D Appears in 344 hymnals Composer and/or Arranger: Arthur H. Mann Topics: The Life in Christ Loyalty and Courage; Courage and Loyalty; Loyalty and Courage Tune Key: G Major Incipit: 33321 17544 32325 Used With Text: O Jesus, I have promised
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ARMAGEDDON

Appears in 229 hymnals Composer and/or Arranger: John Goss Topics: The Life in Christ Loyalty and Courage; Courage and Loyalty; Loyalty and Courage Tune Key: C Major Incipit: 55321 56611 55561 Used With Text: Who is on the Lord's side

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Fight the good fight with all thy might

Author: Rev. John S. B. Monsell Hymnal: The Hymnal #270b (1950) Meter: 8.8.8.8 with refrain Topics: The Life in Christ Loyalty and Courage; Courage and Loyalty; Loyalty and Courage Lyrics: 1 Fight the good fight with all thy might; Christ is thy Strength, and Christ thy Right: Lay hold on life, and it shall be Thy joy and crown eternally; Lay hold on life, and it shall be Thy joy and crown eternally. 2 Run the straight race through God's good grace, Lift up thine eyes, and seek His face; Life with its way before us lies, Christ is the Path, and Christ the Prize; Life with its way before us lies, Christ is the Path, and Christ the Prize. 3 Cast care aside, lean on thy Guide; His boundless mercy will provide; Trust, and thy trusting soul shall prove Christ is its Life, and Christ its Love; Trust, and thy trusting soul shall prove Christ is its Life, and Christ its Love. 4 Faint not nor fear, His arms are near; He changeth not, and thou art dear; Only believe, and thou shalt see That Christ is All in all to thee; Only believe, and thou shalt see That Christ is All in all to thee. Amen. Languages: English Tune Title: COURAGE
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Loyalty to Christ

Author: E. Taylor Cassel, 1849-1930 Hymnal: Worship and Service Hymnal #413 (2006) Topics: The Christian Way of Life Loyalty and Courage First Line: From over hill and plain Refrain First Line: On to victory! Lyrics: 1 From over hill and plain There comes the signal strain, ’Tis loyalty, loyalty, loyalty to Christ; Its music rolls along, The hills take up the song, Of loyalty, loyalty, Yes, loyalty to Christ. Refrain: “On to victory! On to victory!” Cries our great Commander “On!” We’ll move at His command, We’ll soon possess the land, Thro' loyalty, loyalty, Yes, loyalty to Christ. 2 O hear, ye brave, the sound That moves the earth around, ’Tis loyalty, loyalty, loyalty to Christ; Arise to dare and do, Ring out the watchword true, Of loyalty, loyalty, Yes, loyalty to Christ. (Refrain) 3 Come, join our loyal throng, We’ll rout the giant wrong, ’Tis loyalty, loyalty, loyalty to Christ; Where Satan’s banners float We’ll send the bugle note, Of loyalty, loyalty, Yes, loyalty to Christ. (Refrain) 4 The strength of youth we lay At Jesus’ feet today, ’Tis loyalty, loyalty, loyalty to Christ; His Gospel we’ll proclaim, Throughout the world’s domain, Of loyalty, loyalty, Yes, loyalty to Christ. (Refrain) Languages: English Tune Title: [From over hill and plain]
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Stand up, stand up for Jesus

Author: Rev. George Duffield Hymnal: The Hymnal #265a (1950) Meter: 7.6.7.6 D Topics: The Life in Christ Loyalty and Courage; Courage and Loyalty; Loyalty and Courage Lyrics: 1 Stand up, stand up for Jesus, Ye soldiers of the cross; Lift high His royal banner, It must not suffer loss: From victory unto victory His army He shall lead, Till every foe is vanquished, And Christ is Lord indeed. 2 Stand up, stand up for Jesus, The trumpet call obey; Forth to the mighty conflict, In this His glorious day: Ye that are men now serve Him Against unnumbered foes; Let courage rise with danger, And strength to strength oppose. 3 Stand up, stand up for Jesus, Stand in His strength alone; The arm of flesh will fail you, Ye dare not trust your own: Put on the gospel armor, Each piece put on with prayer; Where duty calls, or danger, Be never wanting there. 4 Stand up, stand up for Jesus, The strife will not be long; This day the noise of battle, The next the victor's song: To him that overcometh A crown of life shall be; He with the King of Glory Shall reign eternally. Amen. Languages: English Tune Title: WEBB

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P. P. Bliss

1838 - 1876 Person Name: Philip P. Bliss, 1838-1876 Topics: Loyalty and Courage Author of "Dare to Be a Daniel" in Rejoice Hymns Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives. Bert Polman ================= Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:— i. The Prize, 1870. 1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds. 2. Through the valley of the shadow I must go. Death anticipated. 3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16. ii. The Charm, 1871. 4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost." 5. Ho! my comrades! see the signal. Faithfulness. 6. O! Jerusalem, the golden city, bright, &c. Heaven. 7. On what Foundation do [did] you build? Christ the Foundation. iii. The Song Tree, 1872. 8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c. iv. The Joy, 1873. 9. In me ye may have peace. Peace. 10. To die is gain. Death anticipated. v. Sunshine, 1873. 11. Down life's dark vale we wander. Death anticipated. 12. More holiness give me. For Holiness. 13. Only an armour-bearer. Soldiers of the Cross. 14. Standing by a purpose true. Faithfulness. 15. This loving Saviour stands patiently. Invitation. vi. Gospel Songs, 1874. 16. A long time I wandered. Peace and Joy. 17. Brightly beams our Father's mercy. Mercy. 18. Come, brethren, as we march along. Praise. 19. Free from the law, O happy condition. Redemption. 20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known." 21. How much owest thou? Divine Claims. 22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar. 23. See the gentle Shepherd standing. The Good Shepherd. 24. Though the way be sometimes dreary. Divine Leading. 25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'" vii. Gospel Hymns, No. 1, 1875. 26. One offer of salvation. The Name of Jesus. 27. Wandering afar from the dwellings of men. The Lepers. viii. The International Lesson Monthly, 1875. 28. Weary gleaner, whence comest thou? Duty. 29. The whole world was lost in the darkness of Sin. Light of the world. 30. Man of sorrows! what a name. Redemption. 31. The Spirit, O sinner, in mercy doth move. Holy Spirit. ix. Gospel Hymns, No. 2, 1876. 32. At the feet of Jesus. The good choice. 33. Come, sing the Gospel's joyful sound. Salvation. 34. Cut it down, cut it down. Justice and Mercy. 35. Do you see the Hebrew captive? Prayer. 36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people. 37. In Zion's rock abiding. Safety. 38. Repeat the story o'er and o'er. Grace and Peace. 39. Tenderly the Shepherd. The Good Shepherd. x. Gospel Hymns, No. 3, 1878. 40. Hear ye the glad good news from heaven. Faith and Salvation. 41. I will sing of my Redeemer. Praise. xi. Gospel Hymns, No. 4, 1881. 42. 'Tis known on earth and heaven too. More about Jesus. xii. Various. 43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:— 44. March to the battle-field. Duty and Victory. 45. There is sin in the camp. Hinderances. 46. 'Tis the promise of God. Praise. 47. While the silvery moon-beams, fall, New Birth. 48. God is always near me. Omnipresence. Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877. Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.) -John Julian, Dictionary of Hymnology (1907) ======================== Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:— 1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877. 2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906. These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:— “Do you see the Hebrew captive kneeling?" p. 294. "Down life's dark vale we wander." p. 285. "Ho! my comrades, see the signal." p. 105. "'Tis the promise of God full salvation to give." p. 99. --John Julian, Dictionary of Hymnology, New Supplement (1907)

E. E. Hewitt

1851 - 1920 Person Name: Eliza E. Hewitt, 1851-1920 Topics: The Christian Way of Life Loyalty and Courage Author of "Stepping in the Light" in Worship and Service Hymnal Pseudonym: Li­die H. Ed­munds. Eliza Edmunds Hewitt was born in Philadelphia 28 June 1851. She was educated in the public schools and after graduation from high school became a teacher. However, she developed a spinal malady which cut short her career and made her a shut-in for many years. During her convalescence, she studied English literature. She felt a need to be useful to her church and began writing poems for the primary department. she went on to teach Sunday school, take an active part in the Philadelphia Elementary Union and become Superintendent of the primary department of Calvin Presbyterian Church. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

James McGranahan

1840 - 1907 Topics: Loyalty and Courage Composer of "ROYAL BANNER" in Baptist Hymnal (1975 ed) James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry