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There's Wideness in God's Mercy

Author: Frederick W. Faber Appears in 900 hymnals Topics: God Love and Mercy; God Love and Mercy First Line: There's a wideness in God's mercy Lyrics: 1 There’s a wideness in God’s mercy, Like the wideness of the sea; There’s a kindness in His justice, Which is more than liberty. 2 There is welcome for the sinner And more graces for the good; There is mercy with the Savior; There is healing in His blood. 3 For the love of God is broader Than the measures of the mind; And the heart of the Eternal Is most wonderfully kind. 4 If our love were but more simple We should take Him at His word, And our lives would be all sunshine In the sweetness of our Lord. Amen. Used With Tune: [There's a wideness in God's mercy]
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God of Mercy, God of Grace

Author: Henry F. Lyte Meter: 7.7.7.7.7.7 Appears in 198 hymnals Topics: Mercy Lyrics: 1 God of mercy, God of grace, show the brightness of your face. Shine upon us, Savior, shine; fill your church with light divine; and your saving health extend unto earth's remotest end. 2 Let the people praise you, Lord; be by all that live adored. Let the nations shout and sing glory to their gracious King; at your feet their tribute pay, and your holy will obey. 3 Let the people praise you, Lord; earth shall then its fruits afford. Unto us your blessing give; we to your devoted live, all below and all above, one in joy and light and love. Scripture: Psalm 67 Used With Tune: DIX
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Come, Thou Fount of Every Blessing

Author: Margaret Clarkson; Robert Robinson Meter: 8.7.8.7 D Appears in 2,202 hymnals Topics: Christ Grace, Love and Mercy Lyrics: 1 Come, Thou Fount of every blessing, Tune my heart to sing Thy grace; Streams of mercy, never ceasing, Call for songs of loudest praise. Teach me some melodious sonnet, Sung by flaming tongues above; Praise His name - I'm fixed upon it - Name of God's redeeming love. 2 Hitherto Thy love has blest me; Thou hast bro't me to this place; And I know Thy hand will bring me Safely home by thy good grace. Jesus sought me when a stranger, Wandering from the fold of God; He, to rescue me from danger, Bought me with His precious blood. 3 O to grace how great a debtor Daily I'm constrained to be! Let Thy goodness, like a fetter, Bind my wandering heart to Thee: Prone to wander, Lord, I feel it, Prone to leave the God I love; Here's my heart, O take and seal it; Seal it for Thy courts above. Amen. Used With Tune: NETTLETON

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RESIGNATION

Meter: 8.6.8.6 D Appears in 101 hymnals Composer and/or Arranger: J. Harold Moyer Topics: Mercy Tune Sources: American folk melody, 1828; Version from Genuine Church Music, 1832 Tune Key: D Major Incipit: 13532 35165 31351 Used With Text: My Shepherd Will Supply My Need
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FAITHFULNESS

Meter: 11.10.11.10 with refrain Appears in 160 hymnals Composer and/or Arranger: William M. Runyan Topics: Mercy Tune Key: D Major Incipit: 33332 24444 36765 Used With Text: Great Is Thy Faithfulness
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LOBE DEN HERREN

Meter: 14.14.4.7.8 Appears in 413 hymnals Composer and/or Arranger: C. S. Lang (1891-1971) Topics: God, Father Gracious and Merciful Tune Sources: Stralsund Gesangbuch 1665 Tune Key: G Major Incipit: 11532 17656 7121 Used With Text: Praise to the Lord, the almighty, the king of creation!

Instances

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Published text-tune combinations (hymns) from specific hymnals

Hold Us in Your Mercy: Penitential Litany

Author: Rory Cooney, b.1952 Hymnal: Lead Me, Guide Me (2nd ed.) #291 (2012) Topics: Mercy, Forgiveness First Line: Maker's love poured out from heaven Refrain First Line: Hold us in your mercy Scripture: Isaiah 61:1 Languages: English Tune Title: [Maker's love poured out from heaven]

Mercy, Mercy, Lord

Author: Lynn DeShazo; Gary Sadler Hymnal: Voices Together #169 (2020) Meter: Irregular Topics: Mercy First Line: You have been patient with our offenses Scripture: Psalm 51 Tune Title: MERCY MERCY

Lord, have mercy, Lord have mercy

Hymnal: Journeysongs (2nd ed.) #146 (2003) Topics: Sunday Celebrations in the Absence of a Priest Litany in Praise of God's Mercy Languages: English Tune Title: [Lord, have mercy, Lord have mercy]

People

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Authors, composers, editors, etc.

Hans Leo Hassler

1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Topics: Mercy, Forgiveness Composer of "PASSION CHORALE" in Lead Me, Guide Me (2nd ed.) Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany. John Perry

John Chandler

1806 - 1876 Topics: God Mercy; Mercy Translator of "On Jordan's Bank" in Voices United John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

William Williams

1717 - 1791 Topics: God the Father Grace and Mercy Author of "Guide Me, O Thou Great Jehovah" in The Baptist Standard Hymnal William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ===================== Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:— (1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859. (2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts. From these volumes the following hymns are in common use:— i. From the Hosannah, 1759:— 1. Jesus, my Saviour is enough. Jesus, All in All. 2. My God, my God, Who art my all. Communion with God desired. 3. The enormous load of human guilt. God's love unspeakable. ii. From the Gloria in Excelsis, 1772. 4. Awake, my soul, and rise. Passiontide. 5. Beneath Thy Cross I lay me down. Passiontide. 6. Hark! the voice of my Beloved. The Voice of Jesus. 7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power." 8. Jesus, Whose Almighty sceptre. Jesus as King. 9. Saviour, look on Thy beloved. The Help of Jesus desired. 10. White and ruddy is my Beloved. Beauties of Jesus. Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas] -- John Julian, Dictionary of Hymnology (1907) ================= See also in: Hymn Writers of the Church