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Awake, my soul, and with the sun
Author: Thomas Ken, 1637-1711 Meter: 8.8.8.8 Appears in 890 hymnals Topics: Hymns for the Young Morning and Evening Used With Tune: LAUDS
Awake, my soul, and with the sun
Jesus, holy, undefiled
Author: Emily Mary Shapcote, 1828- Meter: 7.7.7.7 Appears in 72 hymnals Topics: Hymns for the Young Morning and Evening Used With Tune: FERRIER
Jesus, holy, undefiled
O timely happy, timely wise
Author: Keble Meter: 8.8.8.8 Appears in 53 hymnals Topics: Morning and Evening Hymn
O timely happy, timely wise
CANONBURY
Meter: 8.8.8.8 Appears in 590 hymnals Composer and/or Arranger: Robert Schumann Topics: The Church at Worship Closing and Evening Hymns; liturgical Closing Songs; Christian Perfecction; Closing Hymns; Commitment; Consecration; Discipleship and Service; Eternal Life; Evening; God Grace; God Law; God Presence; Installation Services; Jesus Christ Yoke; Joy; Morning; Obedience; Recessionals; Service; Service Music Sending Forth/Commissioning; Stewardship; Venture; Wisdom; Work and Recreation; Epiphany 5 Year A; Epiphany 6 Year A; Proper 16 Year A; Proper 18 Year B; Proper 22 Year C; Proper 28 Year C Tune Key: G Major Incipit: 53334 32123 56712 Used With Text: Forth in Your Name, O Christ
CANONBURY
INNSBRUCK
Meter: 7.7.6.7.7.8 Appears in 293 hymnals Composer and/or Arranger: Heinrich Issak, c. 1450-1517; Johann Sebastian Bach Topics: Morning and Evening; Evening hymns; God--Creator; Rest; Thankfulness Tune Key: G Major Incipit: 32123 54334 5523 Used With Text: Now All the Woods Are Sleeping
INNSBRUCK
My God, how endless is thy love
Author: Watts Hymnal: Hymns for Christian Devotion #941 (1871) Meter: 8.8.8.8 Topics: Morning and Evening Hymn; Morning or Evening Hymn Languages: English
My God, how endless is thy love
Father, thy paternal care
Author: Bowring Hymnal: Hymns for Christian Devotion #943 (1871) Topics: Morning and Evening Hymn Languages: English
Father, thy paternal care
Father, breathe an evening blessing
Author: Edmeston Hymnal: Hymns for Christian Devotion #942 (1871) Topics: Morning and Evening Hymn Languages: English
Father, breathe an evening blessing
Richard Redhead
1820 - 1901 Person Name: Richard Redhead, 1820-1901 Topics: Hymns for the Young Morning and Evening Adapter of "LAUDS" in The Book of Praise Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894).
Bert Polman
Richard Redhead
John Bacchus Dykes
1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Topics: Hymns for the Young Morning and Evening Composer of "FERRIER" in The Book of Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Robert Bridges
1844 - 1930 Topics: Morning and Evening; Evening hymns; God--Creator; Rest; Thankfulness Author (st. 3) of "Now All the Woods Are Sleeping" in Moravian Book of Worship Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was considÂered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911).
Bert Polman
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Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Robert Bridges
