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Topics:new+heaven+and+new+earth

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Come, Ye Disconsolate (Vengan con su dolor, desconsolados)

Author: Thomas Moore, 1779-1852; Thomas Hastings, 1784-1872; Georgina Pando-Connolly, b. 1946 Meter: 11.10.11.10 Appears in 1,055 hymnals Topics: New Heaven and New Earth First Line: Come, ye disconsolate, where'er you languish (Vengan con su dolor, desconsolados) Scripture: Exodus 25:17-22 Used With Tune: CONSOLATOR
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Christ, Whose Glory Fills the Skies

Author: Charles Wesley Meter: 7.7.7.7.7.7 Appears in 475 hymnals Topics: New Heaven and Earth Lyrics: 1 Christ, whose glory fills the skies, Christ, the true and only Light, Sun of Righteousness, arise, triumph o'er the shade of night; Dayspring from on high, be near; Daystar, in my heart appear. 2 Dark and cheerless is the morn unaccompanied by thee; joyless is the day's return till thy mercy's beams I see, till they inward light impart, glad my eyes and warm my heart. 3 Visit, then, this soul of mine, pierce the gloom of sin and grief; fill me, Radiancy divine, scatter all my unbelief; more and more thyself display, shining to the perfect day! Scripture: Psalm 27 Used With Tune: LUX PRIMA
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This Is My Father’s World

Author: Maltbie D. Babcock Meter: 6.6.8.6 D Appears in 316 hymnals Topics: A New Heaven and a New Earth First Line: This is my Father's world Lyrics: 1 This is my Father's world, and to my listening ears all nature sings, and round me rings the music of the spheres. This is my Father's world; I rest me in the thought of rocks and trees, of skies and seas, his hand the wonders wrought. 2 This is my Father's world. O, let me ne'er forget that though the wrong seems oft so strong, God is the ruler yet. This is my Father's world. The battle is not done: Jesus who died shall be satisfied, and earth and heaven be one. Scripture: Genesis 3:8-15 Used With Tune: TERRA BEATA

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BEECHER

Meter: 8.7.8.7 D Appears in 769 hymnals Composer and/or Arranger: John Zundel Topics: New Heaven and a New Earth The Completion of Creation (The City of God) Tune Key: B Flat Major Incipit: 55653 23217 61654 Used With Text: Love Divine, All Loves Excelling
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EVENTIDE

Meter: 10.10.10.10 Appears in 977 hymnals Composer and/or Arranger: W. H. Monk Topics: New Heaven and a New Earth Death and Eternal Life Tune Key: E Flat Major Incipit: 33215 65543 34565 Used With Text: Abide with Me
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SINE NOMINE

Meter: 10.10.10 with alleluias Appears in 222 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: New Heaven and a New Earth Communion of the Saints; New Heaven and a New Earth Communion of the Saints Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For All the Saints

Instances

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Published text-tune combinations (hymns) from specific hymnals

Cielo nuevo, tierra nueva (Heaven and Earth Will Be Renewed)

Author: Anónima; Greg Scheer, n. 1966 Hymnal: Santo, Santo, Santo #371 (2019) Topics: New Heaven and New Earth First Line: Cielo nuevo, tierra nueva ¿dónde vamos a vivir? (Heav'n and earth will be renewed and we will live forevermore!) Scripture: Revelation 21:1-2 Languages: English; Spanish Tune Title: [Cielo nuevo, tierra nueva ¿dónde vamos a vivir?]

Camina, pueblo de Dios (Go Forth, O People of God)

Author: Cesáreo Gabaráin, 1936-1991; George Lockwood, n. 1946 Hymnal: Santo, Santo, Santo #530 (2019) Topics: New Heaven and New Earth First Line: Mira allá en el Calvario (Look on Calvary's summit) Scripture: Psalm 68:7-10 Languages: English; Spanish Tune Title: NUEVA CREACIÓN

주 예 수 의 크 신 사 랑 (Sing the Wondrous Love of Jesus)

Author: E. E. Hewitt Hymnal: 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship #381 (2001) Meter: 8.7.8.7 with refrain Topics: New Heaven and New Earth Refrain First Line: 천 국 에 들 어 가 서 (When we all get to heaven) Languages: English; Korean Tune Title: HEAVEN

People

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Authors, composers, editors, etc.

Samuel Stennett

1727 - 1795 Person Name: Samuel Stennet, 1727-1795 Topics: New Heaven and New Earth Author of "On Jordan's Stormy Banks I Stand (En las orillas del Jordán)" in Santo, Santo, Santo Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel Topics: New Heaven and New Earth Composer of "HIGHER GROUND" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

James M. Black

1856 - 1938 Person Name: James M. Black, 1856-1938 Topics: New Heaven and New Earth Author of "When the Trumpet of the Lord Shall Sound (Cuando la trompeta suene)" in Santo, Santo, Santo James Milton Black USA 1856-1938 Born in South Hill, NY, Black was an American hymn composer, choir leader and Sunday school teacher. He worked, lived,and died in Williamsport, PA. An active member, he worked at the Pine Tree Methodist Episcopal Church there. He married Lucy Love Levan. He started his music career with John Howard of New York and Daniel B. Towner of the Moody Bible Institute in Chicago. He edited a dozen gospel song books and wrote nearly 1500 songs. He also served on the commission for the 1905 Methodist Hymnal. John Perry