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Thine Is the Glory
Author: Edmond Budry; Richard Birch Hoyle Meter: 5.5.6.5.6.5.6.5 Appears in 110 hymnals Topics: Praise of Christ; Warfare, Spiritual; liturgical Closing Songs First Line: Thine is the glory, Risen, conquering Son Refrain First Line: Thine be the glory, risen conquering Son
Thine Is the Glory
O could I speak the matchless worth
Author: Samuel Medley Meter: 8.8.6.8.8.6 Appears in 740 hymnals Topics: Adoration; Cross of Believer; Praise of Christ; Worship; Christ Beauty of
O could I speak the matchless worth
We are standing on holy ground
Author: Geron Davis Meter: 8.11.6.12 Appears in 20 hymnals Topics: God Holiness; Praise of Christ
We are standing on holy ground
LASST UNS ERFREUEN
Meter: 8.8.4.4.8.8 with refrain Appears in 482 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Praise to God Tune Key: D Major Incipit: 11231 34511 23134 Used With Text: O praise him, O praise him
LASST UNS ERFREUEN
Praise Him! Praise Him!
Author: Fanny J. Crosby Hymnal: Lutherförbundets Sångbok #E177 (1913) Meter: 12.10.12.10.11.10.12.10 Topics: Prayer and Praise First Line: Praise Him! praise Him! Jesus, our blessed Redeemer! Refrain First Line: Praise Him! praise Him! tell of His excellent greatness Lyrics: 1 Praise Him! praise Him! Jesus, our blessed Redeemer!
Sing, O earth--His wonderful love proclaim!
Hail Him! hail Him! highest archangels in glory;
Strength and honor give to His holy Name!
Like a shepherd, Jesus will guard His children,
In His arms He carries them all day long;
Praise Him! praise Him! tell of His excellent greatness;
Praise Him! praise Him ever in joyful song!
2 Praise Him! praise Him! Jesus, our blessed Redeemer!
For our sins He suffered, and bled, and died;
He our Rock, our hope of eternal salvation,
Hail Him! hail Him! Jesus, the Crucified.
Sound His praises! Jesus who bore our sorrows,
Love unbounded, wonderful, deep and strong;
Praise Him! praise Him! tell of His excellent greatness;
Praise Him! praise Him ever in joyful song!
3 Praise Him! praise Him! Jesus, our blessed Redeemer!
Heav'nly portals loud with hosannas ring!
Jesus, Saviour, reigneth forever and ever:
Crown Him! crown Him! Prophet, and Priest, and King!
Christ is coming, over the world victorious:
Pow'r and glory unto the Lord belong:
Praise Him! praise him! tell of His excellent greatness;
Praise Him! praise Him ever in joyful song! Languages: English Tune Title: PRAISE HIM
Praise Him! Praise Him!
Praise, My Soul, the King of Heaven
Author: Henry F. Lyte, 1793-1847 Hymnal: Hymns for a Pilgrim People #9 (2007) Meter: 8.7.8.7.8.7 Topics: Adoration and Praise; Comfort; Ecumenism / Interfaith; Faithfulness of God; God the Father; Grace; Healing; Heaven; Love; Mercy; Providence; Reconciliation Lyrics: 1 Praise, my soul, the King of heaven,
To God's feet your tribute bring;
Ransomed, healed, restored, forgiven,
Who, like me, God's praise should sing?
Praise Him! Praise Him! Praise Him! Praise Him!
Praise the Everlasting King!
2 Praise Him for His grace and favor
To our fathers in distress;
Praise Him, still the same forever,
Slow to chide, and swift to bless.
Praise Him! Praise Him! Praise Him! Praise Him!
Glorious in His faithfulness!
3 Father-like, He tends and spares us;
Well our feeble frame He knows;
In His hands He gently bears us,
Rescues us from all our foes.
Praise Him! Praise Him! Praise Him! Praise Him!
Widely as His mercy flows!
4 Frail as summer's flow'r we flourish,
Blows the wind and it is gone;
But while mortals rise and perish,
God endures unchanging on;
Praise Him! Praise Him! Praise Him! Praise Him!
Praise the high eternal One!
5 Angels, help us to adore Him,
You behold Him face to face;
Sun and moon, bow down before Him;
Dwellers in all time and space,
Praise Him! Praise Him! Praise Him! Praise Him!
Praise with us the God of grace!
Amen.
Scripture: Psalm 103 Languages: English Tune Title: LAUDA ANIMA
Praise, My Soul, the King of Heaven
O Praise the Lord
Author: I-to Loh Hymnal: Hymns from the Four Winds #15 (1983) Topics: Praise and Adoration The Trinity; God Love of God; Responses to God Doxologies, Amens, Blessings; Responses to God Praise and Worship; Useful Musical Types Call and Response First Line: O praise the Lord, O praise the Lord Scripture: Revelation 4:8 Languages: English Tune Title: BHAGWAN
O Praise the Lord
Catherine Winkworth
1827 - 1878 Topics: Songs Suitable for Juniors; God, the Creator; God's Mercy; Jesus, Our Savior; Praise Hymns Translator of "Praise to the Lord" in Children's Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
========================
Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
John Fawcett
1740 - 1817 Person Name: Rev. John Fawcett, D. D. Topics: Praise Author of "Praise to Thee, Thou Great Creator!" in Light in the Valley An orphan at the age of twelve, John Fawcett (b. Lidget Green, Yorkshire, England, 1740; d. Hebden Bridge, Yorkshire, 1817) became apprenticed to a tailor and was largely self-educated. He was converted by the preaching of George Whitefield at the age of sixteen and began preaching soon thereafter. In 1765 Fawcett was called to a small, poor, Baptist country church in Wainsgate, Yorkshire. Seven years later he received a call from the large and influential Carter's Lane Church in London, England. Fawcett accepted the call and preached his farewell sermon. The day of departure came, and his family's belongings were loaded on carts, but the distraught congregation begged him to stay. In Singers and Songs of the Church (1869), Josiah Miller tells the story associated with this text:
This favorite hymn is said to have been written in 1772, to commemorate the determination of its author to remain with his attached people at Wainsgate. The farewell sermon was preached, the wagons were loaded, when love and tears prevailed, and Dr. Fawcett sacrificed the attraction of a London pulpit to the affection of his poor but devoted flock.
Fawcett continued to serve in Wainsgate and in the nearby village of Hebden Bridge for the remainder of his active ministry.
Bert Polman
===============
Fawcett, John, D.D., was born Jan. 6, 1739 or 1740, at Lidget Green, near Bradford, Yorks. Converted at the age of sixteen under the ministry of G. Whitefield, he at first joined the Methodists, but three years later united with the Baptist Church at Bradford. Having begun to preach he was, in 1765, ordained Baptist minister at Wainsgate, near Hebden Bridge, Yorks. In 1772 he was invited to London, to succeed the celebrated Dr. J. Gill, as pastor of Carter's Lane; the invitation had been formally accepted, the farewell sermon at Wainsgate had been preached and the wagons loaded with his goods for removal, when the love and tears of his attached people prevailed and he decided to remain. In 1777 a new chapel was built for him at Hebden Bridge, and about the same time he opened a school at Brearley Hall, his place of residence. In 1793 he was invited to become President of the Baptist Academy at Bristol, but declined. In 1811 he received from America the degree of D.D., and died in 1817, at the age of 78. Dr. Fawcett was the author of a number of prose works on Practical Religion, several of which attained a large circulation. His poetical publications are:—
(1) Poetic Essays, 1767; (2) The Christian's Humble Plea, a Poem, in answer to Dr. Priestley against the Divinity of our Lord Jesus Christ, 1772; (3) Three hymns, in the Gospel Magazine, 1777; (4) The Death of Eumenio, a Divine Poem, 1779; (5) Another poem, suggested by the decease of a friend, The Reign of Death, 1780; and (6) Hymns adapted to the circumstances of Public Worship and Private Devotion, Leeds, G. Wright & Son. 1782. They are 166 in number, and were mostly composed to be sung after sermons by the author.
Whilst not attaining a high degree of excellence as poetry, they are "eminently spiritual and practical," and a number of them are found in all the Baptist and Congregational hymn-books that have appeared during the last 100 years. The best known of these are, “Infinite excellence is Thine;" "How precious is the Book divine;" "Thus far my God hath led me on;" "Religion is the chief concern;" "Blest be the tie that binds;" “I my Ebenezer raise;" and "Praise to Thee, Thou great Creator." These hymns, together with others by Fawcett, are annotated under their respective first lines. [Rev. W. R. Stevenson, M.A.]
In addition the following hymns, also by Fawcett, but of less importance, are in common use:
1. Behold the sin-atoning Lamb. Passiontide. No. 60 of his Hymns, 1782, in 7 stanzas of 4 lines. In several hymnals in Great Britain and America.
2. I my Ebenezer raise. Birthday. No. 102 of his Hymns, in 10 stanzas of 4 lines. Usually given in an abbreviated form.
3. Infinite excellence is Thine. Jesus the Desire of Nations. No. 42 of his Hymns, in 12 stanzas of 4 lines. In several hymn-books in Great Britain and America in an abridged form.
4. Jesus, the heavenly Lover, gave. Redemption in Christ. No. 10 of his Hymns, &c., 1782, in 7 stanzas of 4 lines, and headed, "The marriage between Christ and the Soul." In Snepp's Songs of Grace & Glory, 1872, it reads, “Jesus, the heavenly Bridegroom, gave," and stanza v. is omitted.
5. Lord, hast Thou made me know Thy ways? Perseverance. No. 122 of his Hymns, &c., 1782, in 8 stanza of 4 lines. In the Baptist Hymnal, 1879, No. 451, stanzas iv.-vii. are omitted.
6. 0 God, my Helper, ever near. New Year. No. 108 of his Hymns, &c., 1782, in 6 stanzas of 4 lines. The New Congregational Hymn Book, 1859-69 omits st. vi.
7. 0, my soul, what means this sadness? Sorrow turned to Joy. No. 111 of his Hymns, &c., 1782, in 5 stanzas of 6 lines, and based upon the words, "Why art Thou cast down, O my soul?" &c. It is in common use in America, and usually with the omission of stanza ii. as in Dr. Hatfield's Church Hymn Book, 1872.
8. Sinners, the voice of God regard. Invitation to Repentance. No. 63 of his Hymns, &c., 1782, in 7 stanzas of 4 lines on Isaiah lv. 7, "Let the wicked forsake his way," &c. It is in common use in America, but usually in an abbreviated form.
9. Thy presence, gracious God, afford. Before Sermon. No 165 in his Hymns, &c., in 4 stanzas of 4 lines, and a chorus of two lines. In Dr. Hatfield's Church Hymnbook, 1872, No. 126, the chorus is omitted. Fawcett has another hymn on the same subject (No. 79) and beginning, "Thy blessing, gracious God, afford," but this is not in common use.
10. Thy way, 0 God, is in the sea. Imperfect Knowledge of God. No. 66 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on 1 Corinthians xiii. 9, "We know in part," &c. It is in several American collections, usually abbreviated, and sometimes as, "Thy way, O Lord, is in the sea." In this form it is in The Sabbath Hymn Book, 1858, &c.
11. With humble heart and tongue. Prayer for Guidance in Youth. No. 86 in his Hymns, &c., 1782, in 7 stanzas of 4 lines on Psalms cxix. 9. "Wherewith shall a young man cleanse his way." It is No. 954 in the Baptist Psalms and Hymns, 1858-80.
About 20 of Fawcett's hymns are thus still in common use. Two hymns which have been ascribed to him from time to time, but concerning which there are some doubts, are fully annotated under their respective first lines. These are," Humble souls that seek salvation," and "Lord, dismiss us with Thy blessing."
-- John Julian, Dictionary of Hymnology (1907)
John Fawcett
Folliott Sandford Pierpoint
1835 - 1917 Person Name: F. S. Pierpont Topics: God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; Special Occasions The Seasons Author of "Our Song of Praise" in Christ in Song In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today.
Bert Polman
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Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:—
"For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn.
--John Julian, Dictionary of Hymnology (1907)
Folliott Sandford Pierpoint
