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O thou whose glory and whose grace

Appears in 4 hymnals Topics: The Sacraments of the Lord Baptism
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Victim Divine

Author: Charles Wesley Meter: 8.8.8.8.8.8 Appears in 41 hymnals Topics: The Sacraments of the Church Eucharist (Holy Communion, Lord's Supper) First Line: Victim Divine, thy grace we claim Lyrics: 1 Victim Divine, thy grace we claim while thus thy precious death we show; once offered up, a spotless Lamb, in thy great temple here below, thou didst for all our kind atone, and standest now before the throne. 2 Thou standest in the holiest place, as now for guilty sinners slain; thy blood of sprinkling speaks, and prays, all prevalent for helpless ones; thy blood is still our ransom found, and spreads salvation all around. 3 The smoke of thy atonement here darkened the sun and rent the veil, made the new way to heaven appear, and showed the great Invisible; well pleased in thee our God looked down, and called his rebels to a crown. 4 He still respects thy sacrifice, its savor sweet doth always please; the offering smokes through earth and skies, diffusing life, and joy, and peace; to these thy lower courts it comes, and fills them with divine perfumes. 5 We need not now go up to heaven, to bring the long sought Savior down; thou art to all already given, thou dost e’en now thy banquet crown: To every faithful soul appear, and show thy real presence here! Scripture: Hebrews 10:12-22 Used With Tune: SELENA
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At thy command, our dearest Lord

Appears in 88 hymnals Topics: The Sacraments of the Lord Lord's Supper

Tunes

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DIX

Meter: 7.7.7.7.7.7 Appears in 833 hymnals Composer and/or Arranger: Conrad Kocher; W. H. Monk Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper) Tune Key: G Major Incipit: 17121 44367 16555 Used With Text: For the Beauty of the Earth
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LET US BREAK BREAD

Meter: 10.10 with refrain Appears in 113 hymnals Composer and/or Arranger: William Farley Smith Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper) Tune Sources: Afro-American spiritual Tune Key: E Flat Major Incipit: 56111 11322 11355 Used With Text: Let Us Break Bread Together
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HAMBURG

Meter: 8.8.8.8 Appears in 892 hymnals Composer and/or Arranger: Lowell Mason Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper) Tune Key: F Major Incipit: 11232 34323 33343 Used With Text: When I Survey the Wondrous Cross

Instances

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Published text-tune combinations (hymns) from specific hymnals
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At thy command, our dearest Lord

Hymnal: The Presbyterian Hymnal #672 (1878) Topics: The Sacraments of the Lord Lord's Supper
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In memory of the Saviour's love

Hymnal: The Presbyterian Hymnal #683 (1878) Topics: The Sacraments of the Lord Lord's Supper
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Bread of the world in mercy broken

Hymnal: The Presbyterian Hymnal #695 (1878) Topics: The Sacraments of the Lord Lord's Supper

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Topics: Ascension of the Lord; All Saints November 1st; All Souls November 2nd; Funeral Sacraments; Angels; Communion of Saints; Eternal Life; Joy; Music; Praise; Saints; Song; Trinity; Worship and Adoration Harmonizer of "LASST UNS ERFREUEN" in Lead Me, Guide Me (2nd ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Rowland Hugh Prichard

1811 - 1887 Person Name: Rowland H. Prichard, 1811-1887 Topics: Easter Vigil ; Easter Season Resurrection; Ascension of the Lord; Body and Blood of Christ; Christ the King; Eucharist Sacraments; Comfort; Communion; Communion of Saints; Faith; Food; Incarnation; Jesus Christ; Music; Praise; Presence of God; Providence; Redemption; Sacrifice; Sickness; Song; Worship and Adoration Composer of "HYFRYDOL" in Lead Me, Guide Me (2nd ed.) Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell. Bert Polman

Folliott Sandford Pierpoint

1835 - 1917 Person Name: Folliot S. Pierpoint Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper) Author of "For the Beauty of the Earth" in The United Methodist Hymnal In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today. Bert Polman ================== Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:— "For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn. --John Julian, Dictionary of Hymnology (1907)