Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 10 of 63Results Per Page: 10 20 50

Isaac Watts

1674 - 1748 Topics: Assurance; Blessing; Church Year All Saints' Day; Church Year Maundy Thursday; Church Year Transfiguration; Comfort and Encouragement; Daily Prayer Evening Prayer; Daily Prayer Night Prayer; Darkness; Discipleship; Elements of Worship Baptism; Elements of Worship Lord's Supper; Emmaus Road; Enemies; Evil; Fear; Freedom from Fear; God as Shepherd; God's Forgiveness; God's Goodness; God's House; God's Love; God's Name; God's Presence; God's Protection; God's Providence; God's Strength; God's Way; Grace; Jesus Christ Confidence in; Jesus Christ Good Shepherd; Joy; Life Stages Death; Love; New Creation; Occasional Services Funerals; Peace; People of God / Church Citizens of Heaven; People of God / Church Suffering; Rest; Temple; Trust; Year A, B, C, Easter, 4th Sunday; Year A, Ordinary Time after Pentecost, October 9-15; Year B, Ordinary Time after Pentecost, June 17-23; Texts in Languages Other than English Korean Author of "My Shepherd Will Supply My Need" in Psalms for All Seasons Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Topics: Assurance; Blessing; Church Year All Saints' Day; Church Year Maundy Thursday; Church Year Transfiguration; Comfort and Encouragement; Daily Prayer Evening Prayer; Daily Prayer Night Prayer; Darkness; Discipleship; Elements of Worship Baptism; Elements of Worship Lord's Supper; Emmaus Road; Enemies; Evil; Fear; Freedom from Fear; God as Shepherd; God's Forgiveness; God's Goodness; God's House; God's Love; God's Name; God's Presence; God's Protection; God's Providence; God's Strength; God's Way; Grace; Jesus Christ Confidence in; Jesus Christ Good Shepherd; Joy; Life Stages Death; Love; New Creation; Occasional Services Funerals; Peace; People of God / Church Citizens of Heaven; People of God / Church Suffering; Rest; Temple; Trust; Year A, B, C, Easter, 4th Sunday; Year A, Ordinary Time after Pentecost, October 9-15; Year B, Ordinary Time after Pentecost, June 17-23 Composer of "DOMINUS REGIT ME" in Psalms for All Seasons As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

M. M. Wells

1815 - 1895 Person Name: Marcus M. Wells Topics: Assurance; Biblical Names and Places Israel; Comfort and Encouragement; Daily Prayer Evening Prayer; Daily Prayer Midday Prayer; Disciples / Calling; Elements of Worship Sending; Endurance; Evil; God as Refuge; God as Shepherd; God as Creator; God's Will; God's Armor; God's Love; God's Majesty; God's Nearness; God's People (flock, sheep); God's Presence; God's Protection; God's Strength; New Creation; Occasional Services Christian Marriage; Occasional Services Funerals; Peace; People of God / Church Citizens of Heaven; People of God / Church Family of God; Prayer; Songs of Zion; Year A, Lent, 2nd Sunday; Year C, Ordinary Time after Pentecost, October 16-22 Composer of "GUIDE" in Psalms for All Seasons Converted to Christianity as a youth at a mission in Buffalo, New York, Marcus Morris Wells (b. Cooperstown, NY, 1815; d. Hartwick, NY, 1895) spent most of his life near Hartwick as a farmer and maker of farm implements. He is remembered in hymnody for writing both the text and tune of "Holy Spirit, Faithful Guide." "On a Saturday afternoon, October 1858, while at work in my cornfield, the sentiment of the hymn came to me," writes Wells. "The next day, Sunday, being a very stormy day, I finished the hymn and wrote the tune for it and sent it to Prof. I. B. Woodbury." Isaac Woodbury was the editor of the New York Musical Pioneer, and the original text and tune were first published in that periodical's November 1858 issue. Bert Polman ================= Wells, Marcus M. Concerning this author and his hymn we have no information beyond the following facts:— Holy Spirit, faithful Guide. [Whitsuntide.] Appeared in The Sacred Lute, by T. E. Perkins, N.Y., undated [1864], p. 373, with music. Both words and music are attributed therein to M. M. Wells. The hymn has since been repeated in several English and American collections, including I. D. Sankey's Sacred Songs and Solos, 1878. It is dated 1858. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Zundel

1815 - 1882 Topics: Adoration; Anger of God Righteous; Backsliding; Christ Communion with; Christ Glorying in; Christ The Saviour; Christ Worshiped; Christians Duties of; Danger of Delay; God Adored and Exalted; God Creator of All; God Glorious; God Kingly Character of; God Sovereignty of ; Gospel Invitations of ; Heart Evil, Hard, and Stubborn; The Holy Spirit; Idolatry; Invitation and Divine Pleading; Joy Exhortations to; Joy Reasons for; Life Time for Salvation; Missions Encouragements of; Pardon Set Forth; Praise Calls to; Praise For Works of Creation; Praise For Works of Providence; Praise Part of Public Worship; Procrastination; Salvation Accepted Time of; Salvation Thanksgiving for; The Sea; The Wicked Warned; Worship Acts of; Worship Only as God Appoints Composer of "LOVE DIVINE" in The Psalter John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882 Evangelical Lutheran Hymnal, 1908

Hugh Wilson

1766 - 1824 Topics: Church Year Good Friday; Church Year Lent; Church Year Passion/Palm Sunday; Church Year Transfiguration; Cry to God; Enemies; Evil; Freedom; God Daily Experience of; God Trust in; God's Sorrow; God's Face; God's Faithfulness; God's Love; Grace; Impatience; Lament General; Lament Illness; Life Stages Death; Longing for God; People of God / Church Suffering; Poverty; Temptation And Trial; Trust; Year A, Ordinary Time after Pentecost, June 26-July 2 Composer of "MARTYRDOM" in Psalms for All Seasons Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

H. W. Baker

1821 - 1877 Person Name: Henry Williams Baker Topics: Assurance; Blessing; Church Year All Saints' Day; Church Year Maundy Thursday; Church Year Transfiguration; Comfort and Encouragement; Daily Prayer Evening Prayer; Daily Prayer Night Prayer; Darkness; Discipleship; Elements of Worship Baptism; Elements of Worship Lord's Supper; Emmaus Road; Enemies; Evil; Fear; Freedom from Fear; God as Shepherd; God's Forgiveness; God's Goodness; God's House; God's Love; God's Name; God's Presence; God's Protection; God's Providence; God's Strength; God's Way; Grace; Jesus Christ Confidence in; Jesus Christ Good Shepherd; Joy; Life Stages Death; Love; New Creation; Occasional Services Funerals; Peace; People of God / Church Citizens of Heaven; People of God / Church Suffering; Rest; Temple; Trust; Year A, B, C, Easter, 4th Sunday; Year A, Ordinary Time after Pentecost, October 9-15; Year B, Ordinary Time after Pentecost, June 17-23 Author of "The King of Love My Shepherd Is" in Psalms for All Seasons Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Christopher M. Idle

b. 1938 Person Name: Christopher Idle Topics: Church Year Good Friday; Church Year Lent; Church Year Passion/Palm Sunday; Church Year Transfiguration; Cry to God; Enemies; Evil; Freedom; God Daily Experience of; God Trust in; God's Sorrow; God's Face; God's Faithfulness; God's Love; Grace; Impatience; Lament General; Lament Illness; Life Stages Death; Longing for God; People of God / Church Suffering; Poverty; Temptation And Trial; Trust; Year A, Ordinary Time after Pentecost, June 26-July 2 Author of "How Long Will You Forget Me" in Psalms for All Seasons Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary. Bert Polman

Nolan Williams

Person Name: Nolan Williams Jr. Topics: Church Year Good Friday; Church Year Lent; Church Year Passion/Palm Sunday; Church Year Transfiguration; Cry to God; Enemies; Evil; Freedom; God Daily Experience of; God Trust in; God's Sorrow; God's Face; God's Faithfulness; God's Love; Grace; Impatience; Lament General; Lament Illness; Life Stages Death; Longing for God; People of God / Church Suffering; Poverty; Temptation And Trial; Trust; Year A, Ordinary Time after Pentecost, June 26-July 2 Arranger of "MARTYRDOM" in Psalms for All Seasons

James Leith Macbeth Bain

1840 - 1925 Person Name: J. L. Macbeth Bain, 1840-1925 Topics: Assurance; Blessing; Church Year All Saints' Day; Church Year Maundy Thursday; Church Year Transfiguration; Comfort and Encouragement; Daily Prayer Evening Prayer; Daily Prayer Night Prayer; Darkness; Discipleship; Elements of Worship Baptism; Elements of Worship Lord's Supper; Emmaus Road; Enemies; Evil; Fear; Freedom from Fear; God as Shepherd; God's Forgiveness; God's Goodness; God's House; God's Love; God's Name; God's Presence; God's Protection; God's Providence; God's Strength; God's Way; Grace; Jesus Christ Confidence in; Jesus Christ Good Shepherd; Joy; Life Stages Death; Love; New Creation; Occasional Services Funerals; Peace; People of God / Church Citizens of Heaven; People of God / Church Suffering; Rest; Temple; Trust; Year A, B, C, Easter, 4th Sunday; Year A, Ordinary Time after Pentecost, October 9-15; Year B, Ordinary Time after Pentecost, June 17-23; Texts in Languages Other than English Spanish Composer of "BROTHER JAMES' AIR" in Psalms for All Seasons James Leith Macbeth Bain (b. Scotland, c. 1840; d. Liverpool, England, 1925), was a healer, mystic, and poet known simply as Brother James. The tune BROTHER JAMES AIR was first published in his volume The great peace: being a New Year's greeting ... (1915). Born in a devout Christian home, Bain came to doubt the faith but later regained a mystical belief with the aid of the Christo Theosophic Society. He founded the Brotherhood of Healers, and he and his fellow healers often sang to their patients during healing sessions. In the latter years of his life he worked among the poor in the slums of Liverpool. He published a book on healing entitled The Brotherhood of Healers ... (1906). Psalter Hymnal Handbook, 1988

Mary Louise Bringle

b. 1953 Person Name: Mary Louise Bringle, b. 1953 Topics: Atheism; Blessing; Church Year All Saints' Day; Commitment; Conflict; Discipleship; Elements of Worship Praise and Adoration; Emmaus Road; Endurance; Evil; God Obedience to; God's Seeing; God's Will; God's Word; God's law; God's Love; Jesus Christ Good Shepherd; Jesus Christ Mind of; Jesus Christ Teacher; Jesus Christ Way, Truth, and Life; Judgment; Mercy; Obedience; Remnant of Isarel; Servants of God; Truth; Wisdom Psalms; Year A, Ordinary Time after Pentecost, October 23-29; Year B, Easter, 7th Sunday; Year B, Ordinary Time after Pentecost, September 18-24; Year C, Ordinary Time after Epiphany, 6th Sunday; Year C, Ordinary Time after Pentecost; September 4-10; Texts in Languages Other than English Spanish Translator of "Feliz la gente (How Blest the People)" in Psalms for All Seasons