Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 10 of 27Results Per Page: 10 20 50

John Ellerton

1826 - 1893 Topics: Science and Technology Author of "O Grant Us, God, a Little Space" in The New Century Hymnal John Ellerton (b. London, England, 1826; d. Torquay, Devonshire, England, 1893) Educated at King William's College on the Isle of Man and at Trinity College, Cambridge, England, he was ordained in the Church of England in 1851. He served six parishes, spending the longest time in Crewe Green (1860-1872), a church of steelworkers and farmers. Ellerton wrote and translated about eighty hymns, many of which are still sung today. He helped to compile Church Hymns and wrote its handbook, Notes and Illustrations to Church Hymns (1882). Some of his other hymn texts were published in The London Mission Hymn Book (1884). Bert Polman ========================= Ellerton, John, M.A., son of George Ellerton, was born in London, Dec. 16, 1826, and educated at Trinity College, Cambridge (B.A. 1849; M.A. 1854). Taking Holy Orders he was successively Curate of Easebourne, Sussex, 1850; Brighton, and Lecturer of St. Peter's, Brighton, 1852; Vicar of Crewe Green, and Chaplain to Lord Crewe, 1860; Rector of Hinstock, 1872; of Barnes, 1876; and of White Roding, 1886. Mr. Ellerton's prose writings include The Holiest Manhood, 1882; Our Infirmities, 1883, &c. It is, however, as a hymnologist, editor, hymnwriter, and translator, that he is most widely known. As editor he published: Hymns for Schools and Bible Classes, Brighton, 1859. He was also co-editor with Bishop How and others of the Society for Promoting Christian Knowledge Church Hymns, 1871. His Notes and Illustrations of Church Hymns, their authors and translators, were published in the folio edition of 1881. The notes on the hymns which are special to the collection, and many of which were contributed thereto, are full, accurate, and of special value. Those on the older hymns are too general for accuracy. They are written in a popular form, which necessarily precludes extended research, fulness, and exactness of detail. The result is acceptable to the general public, but disappointing to the hymnological expert. Mr. Ellerton's original hymns number about fifty, and his translations from the Latin ten or more. Nearly every one of these are in common use and include:— 1. Before the day draws near its ending. Afternoon. Written April 22, 1880, for a Festival of Choirs at Nantwich, and first published in the Nantwich Festival Book, 1880. In 1883 it passed into the Westminster Abbey Hymn Book. 2. Behold us, Lord, a little space. General for Weekdays. Written in 1870 for a mid-day service in a City Church, and published in Church Hymns in 1871. It has passed into several collections. 3. Come forth, 0 Christian brothers. Processional for Choral Festival. Written for a Festival of Parochial Choirs held at Chester, May, 1870, and 1st printed in the Service-book of the same. In 1871 it passed into Church Hymns. 4. Father, Name of love and fear. Confirmation. Written in 1871 for a Confirmation in the North of England, and published in Church Hymns, 1871, and other collections. 5. God, Creator and Preserver. In Time of Scarcity. Written for and first published in The Hymnary, 1870; and again in the revised edition, 1872, and other hymnbooks. 6. Hail to the Lord Who comes. Presentation of Christ in the Temple. Written Oct. 6, 1880, for Mrs. Brock's Children's Hymn Book, and published therein, 1881. 7. In the Name which earth and heaven. Foundation of a Church. Written for and first published in Church Hymns, 1871, and repeated in several collections. The hymn sung at the re-opening of the Nave of Chester Cathedral, January 25, 1872, was compiled by Mr. Ellerton from this hymn, and his "Lift the strain of high thanksgiving.” 8 King Messiah, long expected. The Circumcision. Written Jan. 14, 1871, and first published in Church Hymns, 1871. It has passed into other collections. 9. King of Saints, to Whom the number. St. Bartholomew. Written for and first published in Church Hymns., 1871. It is very popular, and has been repeated in many hymnals. 10. Mary at the Master's feet. Catechizing. Written for and first published in Church Hymns, 1871. 11. O Father, all-creating. Holy Matrimony. Written Jan. 29, 1876, at the request of the Duke of Westminster, for the marriage of his daughter to the Marquess of Ormonde. It was published in Thring's Collection, 1880 and 1882. 12 O! how fair the morning broke. Septuagesima. Written March 13, 1880, for Mrs. Brock's Children's Hymn Book, and included therein, 1881. 13. O Lord of life and death, welcome. In Time of Pestilence. Written for and first published in Church Hymns, 1871. 14. O shining city of our God. Concerning the Hereafter. First published in the Rev. R. Brown-Borthwick's Sixteen Hymns with Tunes, &c, 1870; and again in Church Hymns, 1871. 15. O Son of God, our Captain of Salvation. St. Barnabas. Written April 5, 1871, and first published in Church Hymns, 1871; and again in Hymns Ancient & Modern, 1875, Thring's Collection, 1882, and others. 16. O Thou in Whom Thy saints repose. Consecration of a Burial Ground. Written for the consecration of an addition to the Parish Churchyard of Tarporley, Cheshire, 1870, and published in Church Hymns, 1871. 17. O Thou Whose bounty fills the earth. Flower Services. Written for a Flower Service at St. Luke's Church, Chelsea, June 6, 1880, and published in Mrs. Brock's Children's Hymn Book, 1881. 18. Praise to our God, Whose bounteous hand. National Thanksgiving. Written in 1870 for Church Hymns, but first published in the Rev. R. Brown-Borthwick's Select Hymns, &c., 1871, and then in Church Hymns later the same year. 19. The day Thou gavest, Lord, is ended. The darkness, &c. Evening. Written in 1870 for A Liturgy for Missionary Meetings (Frome, Hodges), and revised for Church Hymns, 1871. The revised form has passed into other collections. 20. The Lord be with us when we bend. Close of Afternoon Service. Written [in 1870] at the request of a friend for use at the close of Service on Sunday afternoons when (as in summer) strictly Evening hymns would be unsuitable. It was published in Church Hymns, 1871, Thring's Collection, 1882, and others. 21. This day the Lord's disciples met. Whitsuntide. "Originally written in 1855 for a class of children, as a hymn of 8 verses of 5 lines each, beginning, 'The Fiftieth day was come at last.’ It was abridged, revised, and compressed into C.M. for Mrs. Brock's Children's Hymn Book, 1880," and published therein, 1881. 22. Thou in Whose Name the two or three. Wednesday. Appeared in the Parish Magazine, May, 1871, as a hymn for Wednesday. After revision it was included in Church Hymns, 1871, and repeated in other collections. 23. Thou Who sentest Thine Apostles. SS. Simon and Jude. Written in June, 1874, for the revised edition of Hymns Ancient & Modern, and published in the same in 1875. 24. We sing the glorious conquest. Conversion of St. Paul. Written Feb. 28, 1871, for and published later the same year in Church Hymns. It was repeated in Hymns Ancient & Modern, 1875. 25. When the day of toil is done. Eternal Best. Written in Jan., 1870, and first published in the Rev. R. Brown-Borthwick's Sixteen Hymns with Tunes, &c. 1870, Church Hymns, 1871, and subsequently in several Scottish hymn-books. The tune "Preston," in Church Hymns was written for this hymn. To these hymns must be added those which are annotated under their respective first lines, and the translations from the Latin. The grandest of his original compositions is, "Throned upon the awful tree," and the most beautiful and tender, "Saviour, again to Thy dear Name we raise"; and of his translations, "Sing Alleluia forth in duteous praise," and "Welcome, happy morning, age to age shall say," are the most successful and popular. The subjects of Mr. Ellerton's hymns, and the circumstances under which they were written, had much to do with the concentration of thought and terseness of expression by which they are characterized. The words which he uses are usually short and simple; the thought is clear and well stated; the rhythm is good and stately. Ordinary facts in sacred history and in daily life are lifted above the commonplace rhymes with which they are usually associated, thereby rendering the hymns bearable to the cultured, and instructive to the devout. His antitheses are frequent and terse, almost too much so for devotional verse, and are in danger of interrupting the tranquil flow of devotion. His sympathy with nature, especially in her sadder moods, is great; he loves the fading light and the peace of eve, and lingers in the shadows. Unlike many writers who set forth their illustrations in detail, and then tie to them the moral which they are to teach, he weaves his moral into his metaphor, and pleases the imagination and refreshes the spirit together. Now and again he falls into the weakness of ringing changes on words; but taken as a whole his verse is elevated in tone, devotional in spirit, and elegant in diction. -- John Julian, Dictionary of Hymnology (1907) ===================== Ellerton, John, p. 326, i. Other hymns are:— 1. O Father, bless the children. Holy Baptism. Written in 1886, and published in his Hymns, &c, 1888, in 4 stanzas of 8 lines. Also in the 1889 Suppl. Hymns to Hymns Ancient & Modern. 2. O Thou Who givest food to all. Temperance. Written Aug. 30, 1882, and printed in the Church of England Temperance Chronicle, Sept. 1882. Also in his Hymns, &c, 1888. 3. Praise our God for all the wonders. St. Nicholas's Day. Dated in his Hymns, 1888, "December 1882." It was written for the Dedication Festival of St. Nicholas's Church, Brighton, and first printed as a leaflet in 1882. 4. Praise our God, Whose open hand. Bad Harvest. Written as a hymn for the bad harvest of 1881, and printed in the Guardian in August of that year. Also in his Hymns, &c, 1888. 5. Praise to the Heavenly Wisdom. St. Matthias's Day. Dated in his Hymns, &c, 1888, "January, 1888." Also in the 1889 Suppl. Hymns to Hymns Ancient & Modern. 6. Shine Thou upon us, Lord. For a Teachers' Meeting. Contributed to the 1889 Suppl. Hymns to Hymns Ancient & Modern. 7. Thou Who wearied by the well. Temperance. Written for the Opening of a Workmen's Coffee Tavern, and dated in his Hymns, &c, 1888, "September 23, 1882." It was printed in the Church of England Temperance Chronicle the same year. 8. Throned upon the awful Tree. Good Friday. Written in 1875, and published in the 1875 ed. of Hymns Ancient & Modern. It has passed into many collections, and is one of the finest of Mr. Ellerton's productions. Mr. Ellerton's original and translated hymns to the number of 76 were collected, and published by Skeffington & Son in 1888, as Hymns, Original and Translated. By John Ellerton, Rector of White Roding. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Ellerton, J., pp. 326, ii.; 1561, ii. He was appointed Hon. Canon of St. Albans in 1892. and died June 15, 1893. His Life and Works, by H. Housman, was published in 1896. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Darwall

1732 - 1789 Person Name: John Darwall (1731-1789) Topics: Science and Technology Composer of "DARWALL'S 148TH" in Ancient and Modern John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman

William Moore

1790 - 1850 Topics: Science and Technology Composer of "HOLY MANNA" in The New Century Hymnal William B Moore USA 1790-1850. He was born, possibly in TN. He was a composer, having contributed tunes to” Wyeth’s Repository” (1810) and known for his tunebook “Columbian Harmony” (1825) in TN. He also composed and arranged several tunes in William Walker’s “Southern Harmony” (1835). John Perry

Albert F. Bayly

1901 - 1984 Person Name: Albert Frederick Bayly (1901-1984) Topics: Science and Technology Author of "Great God of every shining constellation" in Church Hymnary (4th ed.) Albert F. Bayly was born on September 6, 1901, Bexhill on Sea, Sussex, England. He received his education at London University (BA) and Mansfield College, Oxford. Bayly was a Congregationalist (later United Reformed Church) minister from the late 1920s until his death in 1984. His life and ministry spanned the Depression of the 1930s, the Second World War, and the years of reconstruction which followed. After retiring in 1971, he moved to Springfield, Chelmsford, and was active in the local United Reformed Church. He wrote several pageants on mission themes, and librettos for cantatas by W. L. Lloyd Webber. He died on July 26, 1984 in Chichester, Sussex, England. NN, Hymnary editor. Sources: www.hymntime.com/tch and Church Times, an Anglican newspaper, Tuesday 20 October 2015

Carolyn Winfrey Gillette

b. 1961 Topics: Science and Technology; Science and Technology Author of "At the Dawn of Your Creation" in Voices Together Carolyn Winfrey Gillette has been a pastor in rural, small town, suburban, and city churches; she has also served as a hospice chaplain, a hospital chaplain, and a school bus aide helping children with special needs. She and her husband Bruce are pastors of the First Presbyterian Union Church in Owego, NY. Carolyn is a gifted hymn writer who has written over 400 hymns. These hymns have been sung by congregations throughout the United States and around the world — from the Washington National Cathedral to St. Giles' Cathedral in Edinburgh, Scotland to St. George's Cathedral in Cape Town, South Africa to small town churches and small household congregations; they have also been sung at national church and international ecumenical meetings. She has written four books: "I Sing to My Savior: New Hymns from the Stories in Luke's Gospel", "God's World is Changing: New Hymns for Advent and Christmas", "Gifts of Love: New Hymns for Today's Worship" (Geneva Press) and "Songs of Grace: New Hymns for God and Neighbo"r (Upper Room Books). Her hymns have been published in over 20 books. Two of her hymns have been published by the Choristers Guild as anthems. Carolyn was commissioned to write the lead article for the special issue on "Singing Our Lives" for Baylor University's "Christian Reflectio"n journal. Her hymns have also been in "Call to Worship" journal, "The Chorister" (cover story), "Reformed Worship," "The Presbyterian Outlook" and posted on thousands of web sites. All of her hymns can be found on her website with indices to scriptural references, topics, tunes, and the three-year cycle of the Revised Common Lectionary: http://www.carolynshymns.com The World Council of Churches, National Council of Churches, Church World Service and Churches Uniting in Christ have asked her to write hymns. Habitat for Humanity International used a hymn by Carolyn for their 30th anniversary celebration. Family Promise (Interfaith Hospitality Network) did a music video of her hymn for their ministry with homeless families. The Humane Society of the United States did a music video contest of her hymn for their Blessing of the Animals service. The Presbyterian Church (USA) 216th General Assembly presented her with the "Ecumenical and Interreligious Service Recognition." Sojourners did a short video about her hymn writing. A Canadian scholar wrote her biography for the "Cambridge Dictionary for Hymnology." Feature stories about Carolyn's hymns addressing concerns facing the Church, nation and world, were done by The New Yorker, The Christian Century, America, National Public Radio, national PBS-TV, and newspapers (Philadelphia Inquirer, Washington Post, New Jersey Courier Post, Delaware News Journal, and others). Carolyn is a graduate of Lebanon Valley College and Princeton Theological Seminary. She finds joy in parish ministry, hymn writing, and most of all in her family as a wife, mother (and foster mother), grandmother, sister, and human parent to a rescue dog, "Annie." Carolyn sees her hymn writing as a partnership and is very grateful for prayers for her hymn writing, suggestions for hymns, gifts for hymn use and commissions, and invitations to speak at conferences, workshops, and church gatherings (in person and online). She hopes her hymns nurture people in their discipleship and support churches in their worship and service in the world. Sing to the Lord a new song! Copied from "About the Author" in "I Sing to My Savior: New Hymns from the Stories in Luke's Gospel." Email from Bruce Gillette

B. F. White

1800 - 1879 Topics: Science and Technology; Science and Technology Composer (attributed) of "BEACH SPRING" in Voices Together Benjamin F. White (b. Spartanburg, SC, 1800; d. Atlanta, GA, 1879), was coeditor of The Sacred Harp (1844). He came from a family of fourteen children and was largely self-taught. Eventually White became a popular singing-school teacher and editor of the weekly Harris County newspaper. Bert Polman

John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Topics: Science and Technology Author of "Who would think that what was needed" in Ancient and Modern John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Brian A. Wren

b. 1936 Person Name: Brian Wren (b. 1936) Topics: Science and Technology Author of "Let all creation dance" in Ancient and Modern Brian Wren (b. Romford, Essex, England, 1936) is a major British figure in the revival of contemporary hymn writing. He studied French literature at New College and theology at Mansfield College in Oxford, England. Ordained in 1965, he was pastor of the Congregational Church (now United Reformed) in Hockley and Hawkwell, Essex, from 1965 to 1970. He worked for the British Council of Churches and several other organizations involved in fighting poverty and promoting peace and justice. This work resulted in his writing of Education for Justice (1977) and Patriotism and Peace (1983). With a ministry throughout the English-speaking world, Wren now resides in the United States where he is active as a freelance lecturer, preacher, and full-time hymn writer. His hymn texts are published in Faith Looking Forward (1983), Praising a Mystery (1986), Bring Many Names (1989), New Beginnings (1993), and Faith Renewed: 33 Hymns Reissued and Revised (1995), as well as in many modern hymnals. He has also produced What Language Shall I Borrow? (1989), a discussion guide to inclusive language in Christian worship. Bert Polman

Thomas H. Troeger

1945 - 2022 Topics: Science and Technology Author of "Praise the Source of Faith and Learning" in The New Century Hymnal Thomas Troeger (1945-2022), professor of Christian communication at Yale Divinity school, was a well known preacher, poet, and musician. He was a fellow of Silliman College, held a B.A. from Yale University; B.D. Colgate Rochester Divinity School; S.T. D. Dickinson College, and was awarded an honorary D.D. from Virginia Theological Seminary. He was ordained in the Presbyterian Church in 1970 and the Episcopal Church in 1999, and remained dually aligned with both traditions. Troerger led conferences and lectures in worship and preaching throughout North America, as well as in Denmark, Holland, Australia, Japan, and Africa. He served as national chaplain to the American Guild of Organists, and for at least three years he hosted the Season of Worship broadcast for Cokesbury. He was president of the Academy of Homiletics as well as Societas Homiletica. He had, as of 2009, written 22 books in the areas of preaching, poetry, hymnody, and worship. Many of his hymn texts are found in New Hymns for the Lectionary (Oxford, 1992), and God, You Made All Things for Singing (Oxford, 2009). Laura de Jong

Richard Runciman Terry

1865 - 1938 Person Name: Richard Runciman Terry (1865-1938) Topics: Science and Technology Composer of "HIGHWOOD" in Church Hymnary (4th ed.) Terry, Richard R., was born at Morpeth, Jan. 3, 1868, and was Tate Choral Scholar at King's College, Cambridge. In 1896 he became organist and music-master at Downside R. C. College and Abbey, Bath; and in 1901 organist and director of the choir at Westminster Cathedral (R. C.) London. He contributed to A. E. Tozer's Catholic Hymns, 1898, thirteen tunes and the words of two hymns:— 1. Christ, the Lord, is my true Shepherd. Ps. xxiii. 2. Peaceful eve, so still and holy. Christmas Carol. It is marked as D. C. B., i.e. for Downside Coll., Bath. The tune by Mr. Tozor was published in 1881 to a carol beginning with the same first line, but otherwise entirely different. --John Julian, Dictionary of Hymnology, New Supplement (1907)