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How Shall the Young Secure Their Hearts

Author: Isaac Watts Meter: 8.6.8.6 Appears in 474 hymnals Topics: Acrostic Psalms Lyrics: 1 How shall the young secure their hearts and guard their lives from sin? Your Word, O LORD, the truth imparts to keep the conscience clean. 2 Your Word is like a heav'nly light that guides us all the day, and through the dangers of the night a lamp to lead our way. 3 The starry heav'ns your rule obey, the earth maintains its place; and these your servants night and day your skill and pow'r express. 4 But still your law and gospel, LORD, have lessons more divine; not earth stands firmer than your Word nor stars so nobly shine. 5 Your Word is everlasting truth; how pure is ev'ry page! That holy book will guide our youth and well support our age. Scripture: Psalm 119 Used With Tune: ST. PETER
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O Give the LORD Wholehearted Praise

Meter: 8.8.8.8 Appears in 11 hymnals Topics: Acrostic Psalms First Line: O give the LORD whole-hearted praise Lyrics: 1 O give the LORD wholehearted praise. To him thanksgiving I will bring; with all his people I will raise my voice and of his glory sing. 2 His saints delight to search and trace his mighty works and wondrous ways. Majestic glory, boundless grace, and righteousness his work displays. 3 God's wondrous deeds of faithfulness his people ever keep in mind. His works of love and graciousness reveal that God the LORD is kind. 4 God's promise shall forever stand; he cares for those who trust his word. Upon his saints his mighty hand the wealth of nations has conferred. 5 His works are true and just indeed; his precepts are forever sure. In truth and righteousness decreed, they shall forevermore endure. 6 By God's own hand redemption came; his covenant sure no change can know. Let all revere his holy name in heaven above and earth below. 7 In reverence and in godly fear we find the key to wisdom's ways; the wise his holy name revere. Through endless ages sound his praise! Scripture: Psalm 111 Used With Tune: GERMANY Text Sources: Psalter, 1912, alt.
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I Will Exalt My God and King

Meter: 8.8.8.8 D Appears in 12 hymnals Topics: Acrostic Psalms Lyrics: 1 I will exalt my God and King, and I will ever praise your name. I will extol you every day and evermore your praise proclaim. You, LORD, are greatly to be praised; your greatness is beyond all thought. From age to age your people tell the mighty wonders you have wrought. 2 On your most glorious majesty and on your deeds my mind will dwell. Your deeds will fill the world with awe, and all your greatness I will tell. Your matchless goodness and your grace your people will commemorate; and all your truth and righteousness our joyful song will celebrate. 3 The LORD our God is rich in grace, tender to us, compassionate. His anger is most slow to rise; his love and kindness are most great. The LORD is good in all his ways; his creatures know his constant care. To all his works his love extends; all creatures in his mercies share. 4 All you have made will praise you, LORD; your mighty acts your saints will show, till all the peoples on the earth the splendor of your kingdom know. Eternal is your kingdom, LORD, forever strong and ever sure; while generations rise and die, your glorious reign will still endure. 5 The LORD is faithful to his word; he will extend his gracious hand. The LORD upholds the faltering feet and makes the weak securely stand. The eyes of all look up to you for food and drink, which you supply; your open hand is bountiful, and every need you satisfy. 6 The LORD is just in all his ways; in all his works the LORD is kind, and all who call on him in truth in him a present helper find. He will fulfill the heart's desire of those who fear him and obey. The LORD will surely hear their cry, will save them when to him they pray. 7 The LORD in grace preserves his saints, redeeming those who love his name. The wicked he will overthrow and put his enemies to shame. My mouth will sing the glorious praise of God, whom earth and heaven adore. Let every creature praise his name forever and forevermore! Scripture: Psalm 145 Used With Tune: JERUSALEM Text Sources: Psalter, 1912, alt.

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ST. PETER

Meter: 8.6.8.6 Appears in 678 hymnals Composer and/or Arranger: Alexander R. Reinagle Topics: Acrostic Psalms Tune Key: D Major Incipit: 51765 54332 14323 Used With Text: How Shall the Young Secure Their Hearts
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ST. CRISPIN

Meter: 8.8.8.8 Appears in 249 hymnals Composer and/or Arranger: George J. Elvey Topics: Acrostic Psalms Tune Key: D Major Incipit: 33351 22355 51766 Used With Text: How Shall the Young Direct Their Way?
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JERUSALEM

Meter: 8.8.8.8 D Appears in 66 hymnals Composer and/or Arranger: C. Hubert H. Parry, 1848-1918; Janet Wyatt Topics: Acrostic Psalms Tune Key: C Major Incipit: 13561 65456 54532 Used With Text: I Will Exalt My God and King

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Psalm 34 (A Responsorial Setting)

Hymnal: Psalms for All Seasons #34A (2012) Topics: Acrostic Psalms First Line: Taste and see, taste and see the goodness of the Lord Scripture: Psalm 34 Tune Title: [Taste and see, taste and see, the goodness of the Lord]

Psalm 34 (A Responsorial Setting)

Hymnal: Psalms for All Seasons #34A(alt) (2012) Topics: Acrostic Psalms First Line: I will bless the Lord, the Lord at all times Scripture: Psalm 34 Tune Title: [I will bless the Lord, the Lord at all times]

Psalm 37:1-11, 39-40 (A Responsorial Reading)

Author: The Community of Taize; Jacques Berthier, 1923-1994 Hymnal: Psalms for All Seasons #37B (2012) Topics: Acrostic Psalms First Line: Wait for the Lord, whose day is near Languages: English Tune Title: [Wait for the Lord, whose day is near]

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Isaac Watts

1674 - 1748 Topics: Acrostic Psalms Author of "How Shall the Young Secure Their Hearts" in Christian Worship Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

George J. Elvey

1816 - 1893 Topics: Acrostic Psalms Composer of "ST. CRISPIN" in Psalms for All Seasons George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Hal H. Hopson

b. 1933 Topics: Acrostic Psalms Author of "Psalm 112 (A Responsorial Setting)" in Psalms for All Seasons Hal H. Hopson (b. Texas, 1933) is a prolific composer, arranger, clinician, teacher and promoter of congregational song, with more than 1300 published works, especially of hymn and psalm arrangements, choir anthems, and creative ideas for choral and organ music in worship. Born in Texas, with degrees from Baylor University (BA, 1954), and Southern Baptist Seminary (MSM, 1956), he served churches in Nashville, TN, and most recently at Preston Hollow Presbyterian Church in Dallas, Texas. He has served on national boards of the Presbyterian Association of Musicians and the Choristers Guild, and taught numerous workshops at various national conferences. In 2009, a collection of sixty four of his hymn tunes were published in Hymns for Our Time: The Collected Tunes of Hal H. Hopson. Emily Brink