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Author: Tomás J. González Carvajal Meter: 8.8.8.8 Appears in 41 hymnals Topics: Dios Su Naturaleza y Alabanza; Dios Su Alabanza First Line: Cantad alegres al Señor, mortales Scripture: Psalm 100 Used With Tune: DUKE STREET

De boca y corazón

Author: Martin Rinkhart; Federico Fliedner Appears in 17 hymnals Topics: Alabanza Lyrics: 1 De boca y corazón load al Dios del cielo, pues dionos bendición, salud, paz y consuelo. tan sólo a su bondad debemos nuestro ser; su santa voluntad nos guía por doquier. 2 Oh Padre celestial, danos en este día un corazón filial y lleno de alegría. Consérvanos la paz; tu brazo protector nos lleve a ver tu faz en tu ciudad, Señor. 3 Dios Padre, Creador, con gozo te adoramos. Dios Hijo, Redentor, tu salvación cantamos. Dios Santificador, te honramos en verdad. Te ensalza nuestra voz, bendita Trinidad. Used With Tune: [De boca y corazón]

Oh criaturas del Señor

Author: Francisco de Asís; J. Miguez Bonino Appears in 19 hymnals Topics: Alabanza Refrain First Line: ¡Alabadle, alabadle! Used With Tune: [Oh criaturas del Señor]

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Tunes

Tune authorities

DUKE STREET

Meter: 8.8.8.8 Appears in 1,443 hymnals Composer and/or Arranger: John Hatton, c. 1710-1793 Topics: Alabanza Tune Key: D Major Incipit: 13456 71765 55565 Used With Text: I Know That My Redeemer Lives! (Yo Sé Vive el Salvador)

RESIGNATION

Meter: 8.6.8.6 D Appears in 101 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Topics: Alabanza Tune Sources: Funk's Compilation of Genuine Church Music, 1832 Tune Key: B Flat Major Incipit: 13532 35165 31351 Used With Text: My Shepherd, you Supply My Need (Señor, Tú Eres Mi Pastor)

DIADEMATA

Meter: 6.6.8.6 D Appears in 700 hymnals Composer and/or Arranger: George J. Elvey, 1816-1893 Topics: Alabanza Tune Key: D Major Incipit: 11133 66514 32235 Used With Text: Crown Him with Many Crowns (Al Salvador Jesús)

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Instances

Published text-tune combinations (hymns) from specific hymnals

A Dios gloria, alabanza (Give praise to God)

Author: A. Martorell; Gracia Grindal Hymnal: Libro de Liturgia y Cántico #577 (1998) Topics: Alabanza First Line: A Dios gloria, alabanza, que todo lo creó (Give praise to God, creator, who made the earth and heav'n) Refrain First Line: ¡Que Dios sea alabado por su infinito amor! (Sing praise to God who loves us in all all eternity) Languages: English; Spanish Tune Title: [A Dios gloria, alabanza, que todo lo creó]

Salmo 21: El Señor Es Mi Alabanza

Hymnal: Flor Y Canto (2nd ed.) #179 (2001) Topics: Alabanza First Line: Compliré mis votos Refrain First Line: El Señor es mi alabanza Scripture: Psalm 22:26-28 Tune Title: [El Señor es mi alabanza]

Praise the LORD, Sing Hallelujah (Al Señor dé su alabanza)

Author: Martin Tel; Juan N. de los Santos, 1876-1944 Hymnal: Santo, Santo, Santo #22 (2019) Meter: 8.7.8.7 with refrain Topics: Alabanza Refrain First Line: Praise the LORD, sing hallelujah (Al Señor alaben todos) Scripture: Psalm 148 Languages: English; Spanish Tune Title: PRAISE JEHOVAH

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People

Authors, composers, editors, etc.

John Cennick

1718 - 1755 Topics: Culto Adoracion y Alabanza Author of "Hijos del Celeste Rey" in El Himnario John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)

Godfrey Thring

1823 - 1903 Topics: Alabanza Author (st. 2) of "Crown Him with Many Crowns (Al Salvador Jesús)" in Oramos Cantando = We Pray In Song Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring returned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respected A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

William B. Bradbury

1816 - 1868 Person Name: William B. Bradbury, 1816-1868 Topics: Alabanza Composer of "BRADBURY" in Santo, Santo, Santo William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

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