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Ash WednesdayYear AYear BYear C

Texts

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Create in Me a Clean Heart

Meter: Irregular Appears in 30 hymnals First Line: Create in me a clean heart, O God, And renew a right spirit within me

Change My Heart, O God

Author: Eddie Espinosa Meter: Irregular Appears in 20 hymnals
Text

Dust and Ashes Touch Our Face

Author: Brian Wren Meter: Irregular Appears in 8 hymnals Topics: Christian Year Ash Wednesday; Ash Wednesday Year ABC Refrain First Line: Take us by the hand and lead us Lyrics: 1 Dust and ashes touch our face, mark our failure and our falling. Holy Spirit, come, walk with us tomorrow, take us as disciples, washed and wakened by your calling. [Refrain:] Take us by the hand and lead us, lead us through the desert sands, bring us living water, Holy Spirit, come. 2 Dust and ashes soil our hands -- greed of market, pride of nation. Holy Spirit, come, walk with us tomorrow, as we pray and struggle through the meshes of oppression. [Refrain] 3 Dust and ashes choke our tongue in the wasteland of depression. Holy Spirit, come, walk with us tomorrow. through all gloom and grieving to the paths of resurrection. [Refrain] Used With Tune: NEWELL

Tunes

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LAND OF REST

Meter: 8.6.8.6 Appears in 185 hymnals Composer and/or Arranger: Annabel Morris Buchanan; Charles H. Webb Topics: Christian Year Ash Wednesday; Christian Year Ash Wednesday Tune Sources: USA folk melody Tune Key: F Major Incipit: 51123 51165 51123 Used With Text: Lord, Who Throughout These Forty Days
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SLANE

Meter: 10.10.10.10 Appears in 251 hymnals Topics: Ash Wednesday; Ash Wednesday Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Be Thou My Vision
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HOLLINGSIDE

Meter: 7.7.7.7 D Appears in 285 hymnals Composer and/or Arranger: J. B. Dykes, 1823-1876 Topics: Ash Wednesday Tune Key: E Flat Major Incipit: 35655 43176 53123 Used With Text: Jesu, lover of my soul

Instances

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Published text-tune combinations (hymns) from specific hymnals

Sunday's Palms Are Wednesday's Ashes

Author: Rae E. Whitney Hymnal: Voices United #107 (1996) Meter: 8.7.8.7 D Topics: Christian Year Ash Wednesday Languages: English Tune Title: SUNDAY'S PALMS
Text

Dust and Ashes Touch Our Face

Author: Brian Wren Hymnal: The New Century Hymnal #186 (1995) Meter: Irregular with refrain Topics: Ash Wednesday; Year A Ash Wednesday; Year B Ash Wednesday; Year C Ash Wednesday Refrain First Line: Take us by the hand and lead us Lyrics: 1 Dust and ashes touch our face, mark our failure and our falling. Holy Spirit, come, walk with us tomorrow, take us as disciples, washed and wakened by your calling. Refrain: Take us by the hand and lead us, lead us through the desert sands, bring us living water, Holy Spirit, come. 2 Dust and ashes soil our hands - greed of market, pride of nation. Holy Spirit, come, walk with us tomorrow, as we pray and struggle through the meshes of oppression. [Refrain] 3 Dust and ashes choke our tongue in the wasteland of depression. Holy Spirit, come, walk with us tomorrow through all gloom and grieving to the paths of resurrection. [Refrain] Scripture: Genesis 3:1-7 Languages: English Tune Title: DUST AND ASHES

Merciful God

Author: Mary Louise Bringle, b. 1953 Hymnal: One Lord, One Faith, One Baptism #302 (2018) Meter: 8.8.8.8 with refrain Topics: The Celebration of the Gospel Story Ash Wednesday and Lent; Christian Year Ash Wednesday First Line: Surely, You alone can save us Refrain First Line: Sign us with ashes (Gather Your people) (Feed us and guide us) Scripture: Joel 2:12-18 Languages: English Tune Title: INDIGO

People

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Authors, composers, editors, etc.

Hugh Wilson

1766 - 1824 Topics: Ash Wednesday and Lent Composer of "MARTYRDOM" in The Hymnal Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Topics: Years A, B, and C Ash Wednesday Composer of "CLOISTERS" in Complete Anglican Hymns Old and New Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Charlotte Elliott

1789 - 1871 Topics: Ash Wednesday Year ABC; Ash Wednesday Year ABC Author of "Just As I Am" in Voices United Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)