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The Saviour's invitation
Meter: 8.6.8.6 Appears in 324 hymnals Topics: Blessings of the Covenant The Call First Line: The Saviour calls—let ev'ry ear attend
The Saviour's invitation
Whosoever will, let him come
Meter: 8.6.8.6 Appears in 277 hymnals Topics: Blessings of the Covenant The Call First Line: O what amazing words of grace
Whosoever will, let him come
[Blest the man who fears Jehovah]
Appears in 159 hymnals Composer and/or Arranger: A. S. Sullivan Topics: Blessedness Of Those Who Fear God; Character Value of Good; Children A blessing; Covenant Promises; Faith Blessedness of; Families; Godly Fear The Blessedness of; Glory of God In Creation; Parents and Children; The Righteous Blessed; The Righteous Honor and Safety of; The Righteous Reward of; Worship Family Incipit: 55155 44366 53212 Used With Text: The blessings that follow piety
[Blest the man who fears Jehovah]
JUDE
Appears in 450 hymnals Composer and/or Arranger: William H. Jude Topics: Blessedness Of Those Fearing God; Character Value of Good; Children A blessing; Covenant Promises; Faith Blessedness of; Family; Godly Fear Blessedness of; Parents and Children; The Christian's Reward; The Righteous Blessedness of; The Righteous Honor and Safety of; Worship Family Tune Key: B Flat Major Incipit: 35222 51111 16123 Used With Text: Family Happiness
JUDE
ZEPHYR
Meter: 8.8.8.8 Appears in 218 hymnals Composer and/or Arranger: William B. Bradbury Topics: Afflictions Comfort under; Afflictions Promises for; Assurance Declared; Assurance Enjoyed; Cares; Christians Conscious of Safety; Covenant Promises; Deliverance From Sickness; Evening Psalms; Faith Confession of; God Our Guardian; God Love and Mercy; God Our Refuge; Gospel Privileges of; Praise for temporal blessings; Preservation; Protection Only from God; Protection Unceasing; The Righteous Honor and Safety of; Royalty of Christ Providential; Safety Assured; Salvation Promised; Trust in God Expression of Tune Key: C Major Incipit: 55561 65324 32354 Used With Text: Overshadowing Protection
ZEPHYR
The privileges of the sons of God
Hymnal: Psalms and Hymns, for the Use of the German Reformed Church, in the United States of America. (2nd ed.) #191 (1834) Topics: Blessings of the Covenant Adoption First Line: Blessed are the sons of God
The privileges of the sons of God
The invitation of the gospel
Hymnal: Psalms and Hymns, for the Use of the German Reformed Church, in the United States of America. (2nd ed.) #160 (1834) Meter: 8.6.8.6 Topics: Blessings of the Covenant The Call First Line: Let every mortal ear attend
The invitation of the gospel
The care of the soul the one thing needful
Hymnal: Psalms and Hymns, for the Use of the German Reformed Church, in the United States of America. (2nd ed.) #164 (1834) Meter: 8.8.8.8 Topics: Blessings of the Covenant The Call First Line: Why will ye lavish out your years
The care of the soul the one thing needful
Miriam Therese Winter
b. 1938 Person Name: Miriam Theres Winter, 1938 Topics: Commitment; Confidence; Confirmation Service; Confirmation Service; Consolation; Courage; Covenant; Endurance; Eternal Life; Evil; Faithfulness of God; Fear; God's Love to Us; Justice; Liberation; Pilgrimage; Providence; Saints Days and Holy Days Anunciation of the Blessed Virgin; Virgin Mary; Witness Paraphraser of "My soul gives glory to my God" in Together in Song
Miriam Therese Winter
William B. Bradbury
1816 - 1868 Topics: Afflictions Comfort under; Afflictions Promises for; Assurance Declared; Assurance Enjoyed; Cares; Christians Conscious of Safety; Covenant Promises; Deliverance From Sickness; Evening Psalms; Faith Confession of; God Our Guardian; God Love and Mercy; God Our Refuge; Gospel Privileges of; Praise for temporal blessings; Preservation; Protection Only from God; Protection Unceasing; The Righteous Honor and Safety of; Royalty of Christ Providential; Safety Assured; Salvation Promised; Trust in God Expression of Composer of "ZEPHYR" in The Psalter William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Joseph Gelineau
1920 - 2008 Person Name: Joseph Gelineau, SJ Topics: 24th Sunday in Ordinary Time Year A; 7th Sunday in Ordinary Time Year A; 7th Sunday in Ordinary Time Year C; 8th Sunday in Ordinary Time Year B; Blessing; Compassion; Covenant; Easter 7 Year B; Easter Season; Eucharist; Family Life; Forgiveness; Funeral; Justice; Lent 3 Year C; Liberation; Love of God for Us; Marriage; Mercy; Pastoral Care of the Sick; Penance; Social Concern; Thanksgiving Composer (Gelineau tone) of "[The Lord is kind and merciful]" in RitualSong Joseph Gelineau (1920-2008)
Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953.
The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody.
Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals.
His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California.
--www.giamusic.com
Joseph Gelineau
