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Texts

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I Love To Tell The Story

Author: Katherine Hankey Appears in 1,211 hymnals Topics: Christian Education Refrain First Line: I love to tell the story! Used With Tune: [I love to tell the story] (Fischer)
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Lead On, O King Eternal

Author: Ernest W. Shurtleff Meter: 7.6.7.6 D Appears in 397 hymnals Topics: Christian Education Lyrics: 1 Lead on, O King Eternal, The day of march has come; Henceforth in fields of conquest Thy tents shall be our home. Through days of preparation Your grace has made us strong, And now, O King Eternal, We lift our battle song. 2 Lead on, O King Eternal, Till sin's fierce war shall cease, And holiness shall whisper The sweet Amen of peace; For not with swords loud clashing, Nor roll of stirring drums, With deeds of love and mercy The heav'nly kingdom comes. 3 Lead on, O King Eternal, We follow, not with fears; For gladness breaks like morning Where'er Your face appears; Thy cross is lifted o'er us; We journey in its light: The crown awaits the conquest; Lead on, O God of might. Amen. Used With Tune: LANCASHIRE

Walk in the Light

Author: Bernard Barton, 1784-1849 Meter: 8.6.8.6 Appears in 476 hymnals Topics: The Christian Experience Songs of Assurance and Trust; Admonition; Education; Fellowship with God First Line: Walk in the light! so shalt thou know Used With Tune: CAMPMEETING

Tunes

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RHOSYMEDRE

Meter: 6.6.6.6.8.8.8 Appears in 87 hymnals Composer and/or Arranger: John D. Edwards, 1805-85 Topics: Christian Home and Education; Christian Education Tune Sources: The Hymnal, 1940 (Setting) Tune Key: F Major Incipit: 51122 31443 21511 Used With Text: Our Father, by Whose Name
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SLANE

Meter: Irregular Appears in 251 hymnals Topics: Christian Home and Education; Christian Education Tune Sources: Lutheran Service Book, 2006 (Setting) Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Christ Be My Leader
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CANTERBURY

Meter: 7.7.7.7 Appears in 130 hymnals Composer and/or Arranger: Orlando Gibbons Topics: Sanctifiying and Perfecting Grace Prayer, Trust, Hope; Christian Year Pentecost; Church Education; Commitment; Holy Spirit; Hope; Integrity Tune Key: D Major Incipit: 34562 23567 16653 Used With Text: Holy Spirit, Truth Divine

Instances

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Published text-tune combinations (hymns) from specific hymnals

We Thank You, God, for Teachers (A Hymn for Christian Education)

Author: Carolyn Winfrey Gillette Hymnal: Gifts of Love #18 (2000) Meter: 7.6.7.6 D Topics: Christian Education First Line: We thank you, God, for teachers Scripture: Deuteronomy 6:4-7 Languages: English

Bless All Those Who Nurture Children

Author: John A. Dalles Hymnal: Moravian Book of Worship #665 (1995) Meter: 8.7.8.7 D Topics: Christian Education and Nurture; Christian Education Scripture: Matthew 19:13-15 Languages: English Tune Title: HYMN TO JOY

Praise the Source of Faith and Learning

Author: Thomas H. Troeger Hymnal: Moravian Book of Worship #664 (1995) Meter: 8.7.8.7 D Topics: Christian Education and Nurture; Christian Education Scripture: 1 Corinthians 2 Languages: English Tune Title: LAKE MILLS

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Topics: Other Observances Christian Education Arranger and Harmonizer of "KINGSFOLD" in The Worshipbook Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

W. G. Fischer

1835 - 1912 Person Name: William G. Fischer Topics: Christian Education Composer of "[I love to tell the story] (Fischer)" in Christian Service Songs William Gustavus Fischer In his youth, William G. Fischer (b. Baltimore, MD, 1835; d. Philadelphia, PA, 1912) developed an interest in music while attending singing schools. His career included working in the book bindery of J. B. Lippencott Publishing Company, teaching music at Girard College, and co-owning a piano business and music store–all in Philadelphia. Fischer eventually became a popular director of music at revival meetings and choral festivals. In 1876 he conducted a thousand-voice choir at the Dwight L. Moody/Ira D. Sankey revival meeting in Philadelphia. Fischer composed some two hundred tunes for Sunday school hymns and gospel songs. Bert Polman

Frederick C. Maker

1844 - 1927 Topics: Other Observances Christian Education Composer of "REST" in The Worshipbook Frederick C. Maker (b. Bristol, England, August 6, 1844; d. January 1, 1927) received his early musical training as a chorister at Bristol Cathedral, England. He pursued a career as organist and choirmaster—most of it spent in Methodist and Congregational churches in Bristol. His longest tenure was at Redland Park Congregational Church, where he was organist from 1882-1910. Maker also conducted the Bristol Free Church Choir Association and was a long-time visiting professor of music at Clifton College. He wrote hymn tunes, anthems, and a cantata, Moses in the Bulrushes. Bert Polman