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Love Divine, all loves exceling

Author: Rev. Charles Wesley Appears in 1,863 hymnals Topics: Christian Responsibility Used With Tune: LOVE DIVINE
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I Heard the Voice of Jesus

Author: Horatius Bonar Meter: 8.6.8.6 D Appears in 1,225 hymnals Topics: Church in the World Renewal: Transformation; Assurance; Calling and Response; Christian Experience; Comfort/Consolation; Conversion; Courage; Faith; Guidance; Jesus Christ Friend; Jesus Christ Light; Jesus Christ Love For; Jesus Christ Person; Jesus Christ Presence; Jesus Christ Words of; Joy; Life; Light; Love; Morning; Need for God/Christ; Pilgrimage and Conflict; Promise(s); Renewal; Repentance; Rest; Salvation; Star(s); Sun; Thirst For God; Transformation; Traveller; Trust; Water; Wholeness; Christmas Eve Year A; Christmas 2 Year A; Epiphany Year A; Lent 3 Year A; Lent 4 Year A; Proper 9 Year A; Christmas 2 Year B; Proper 14 Year B; Proper 18 Year B; Epiphany 3 Year C; Proper 6 Year C; Proper 12 Year C; Proper 19 Year C First Line: I heard the voice of Jesus say Lyrics: 1 I heard the voice of Jesus say, "Come unto me and rest; lay down, O weary one, lay down your head upon my breast." I came to Jesus as I was, weary and worn and sad; I found in him a resting-place, and he has made me glad. 2 I heard the voice of Jesus say, "Behold, I freely give the living water; thirsty one, stoop down, and drink, and live." I came to Jesus, and I drank of that life-giving stream; my thirst was quenched, my soul revived, and now I live in him. 3 I heard the voice of Jesus say, "I am this dark world's light; look unto me, your morn shall rise; and all your day be bright." I looked to Jesus, and I found in him my star, my sun; and in that light of life I'll walk till travelling days are done. Used With Tune: KINGSFOLD
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Scorn not the slightest word or deed

Author: Unknown Appears in 114 hymnals Topics: Christian Responsibility Used With Tune: BYEFIELD

Tunes

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GLORIA

Meter: 7.7.7.7 with refain Appears in 215 hymnals Composer and/or Arranger: Edward Shippen Barnes; Austin C. Lovelace Topics: Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Glory; Jesus Christ; Responses, Antiphonal Tune Sources: French carol melody Tune Key: F Major Incipit: 33355 43323 53213 Used With Text: Angels We Have Heard on High
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ADESTES FIDELES

Meter: Irregular Appears in 1,337 hymnals Composer and/or Arranger: John F. Wade Topics: Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Jesus Christ; Jesus Christ Lordship; Music and Singing; Music and Singing; Processionals; Responses, Antiphonal; Service Music Greeting/Call to Worship Tune Sources: Harm. from Collections of Motetts or Antiphons, 1792 Tune Key: G Major Incipit: 11512 55323 43211 Used With Text: O Come, All Ye Faithful
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THE FIRST NOEL

Meter: Irregular with refrain Appears in 248 hymnals Topics: Christ's Gracious Life Birth and Baptism; Christian Year Christmas; Christian Year Epiphany; Christ's Gracious Life Birth and Baptism; Biblical Narrative; Christian Year Christmas; Christian Year Epiphany; Jesus Christ; Responses, Antiphonal Tune Sources: Traditional English carol; harm. from Christmas Carols New and Old, 1871 Tune Key: D Major Incipit: 32123 45671 76567 Used With Text: The First Noel

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Scorn not the slightest word or deed

Author: Unknown Hymnal: New Christian Hymn and Tune Book #301 (1882) Topics: Christian Responsibility Languages: English Tune Title: BYEFIELD
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Scorn not the slightest word or deed

Author: Unknown Hymnal: New Christian Hymn and Tune Book #301 (1887) Topics: Christian Responsibility Languages: English Tune Title: BYEFIELD
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Tomorrow, Lord, is thine

Author: Philip Doddridge Hymnal: New Christian Hymn and Tune Book #392 (1882) Topics: Christian Responsibility Languages: English

People

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Authors, composers, editors, etc.

George Herbert

1593 - 1633 Person Name: George Herbert, 1593-1633 Topics: Christian Responsibility Author of "Teach me, my God and King" in The Hymnal 1982 Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632." His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse. The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke] --John Julian, Dictionary of Hymnology (1907)

Harry Emerson Fosdick

1878 - 1969 Person Name: Harry Emerson Fosdick, 1878-1969 Topics: Christian Responsibility Author of "God of grace and God of glory" in The Hymnal 1982 Born: May 24, 1878, Buf­fa­lo, New York. Died: Oc­to­ber 5, 1969, Bronx­ville, New York. Fosdick at­tend­ed Col­gate Un­i­ver­si­ty, Un­ion The­o­lo­gic­al Sem­in­a­ry, and Co­lum­bia Un­i­ver­si­ty. Or­dained in 1903, he pas­tored at the First Bap­tist Church in Mont­clair, New Jer­sey, from 1904 to 1915. At Un­ion The­o­lo­gic­al Sem­in­a­ry, he lec­tured on Bap­tist prin­ci­ples and hom­i­le­tics (1908-1915) and was pro­fess­or of prac­ti­cal the­ol­o­gy (1915-1946). He al­so found time to serve as as­so­ci­ate min­is­ter at the First Pres­by­ter­i­an Church in Man­hat­tan, New York (1919-1925), and pas­tor of Park Av­e­nue Bap­tist Church (1929-1946). His pic­ture was on the co­ver of Time magazine, Sep­tem­ber 21, 1925. His works in­clude: A Guide to Understanding the Bi­ble, 1938 The Living of These Days (an autobiography), 1956 A Book of Pub­lic Pray­ers, 1960 © The Cyber Hymnal™ (www.hymntime.com/tch)

Louis Bourgeois

1510 - 1561 Person Name: Louis Bourgeois, 1510?-1561? Topics: Christian Responsibility Composer of "ST. MICHAEL" in The Hymnal 1982 Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman