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Lord, Dismiss Us with Your Blessing

Author: John Fawcett Meter: 8.7.8.7.8.7 Appears in 1,293 hymnals Topics: Close of Worship; Close of Worship Lyrics: 1 Lord, dismiss us with your blessing; fill our hearts with joy and peace. Let us each, your love possessing, triumph in redeeming grace. O direct us and protect us traveling through this wilderness. 2 Thanks we give and adoration for your gospel's joyful sound. May the fruits of your salvation in our hearts and lives abound. Ever faithful, ever faithful to your truth may we be found. Scripture: Numbers 6:24-26 Used With Tune: SICILIAN MARINERS

Let All Things Now Living

Author: Katherine K. Davis Meter: 6.6.1.1.6.6.1.1 D Appears in 55 hymnals Topics: Close of Worship Scripture: Genesis 1 Used With Tune: ASH GROVE

Take the Name of Jesus with You

Author: Lydia Baxter Meter: 8.7.8.7 with refrain Appears in 640 hymnals Topics: Closing of Worship Refrain First Line: Precious name, O how sweet! Lyrics: 1 Take the name of Jesus with you, Child of sorrow and of woe; It will; joy and comfort give you– Take it, then, where'er you go. Refrain: Precious name, O how sweet! Hope of earth and joy of heav'n; Precious name, O how sweet! Hope of earth and joy of heav'n. 2 Take the name of Jesus ever, As a shield from every snare; If temptations round you gather, Breathe that holy name in prayer. [Refrain] 3 O the precious name of Jesus! How it thrills our souls with joy, When His loving arms receive us And His songs our tongues employ! [Refrain] 4 At the name of Jesus bowing, Falling prostrate at His feet; King of kings in heav'n we'll crown Him When our journey is complete. [Refrain] Used With Tune: PRECIOUS NAME

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Tunes

Tune authorities

SICILIAN MARINERS

Meter: 8.7.8.7.8.7 Appears in 599 hymnals Topics: Close of Worship; Close of Worship Tune Sources: Sicilian melody, 18th century Tune Key: D Major Incipit: 56543 45654 35567 Used With Text: Lord, Dismiss Us with Your Blessing

BEACH SPRING

Meter: 8.7.8.7 D Appears in 212 hymnals Composer and/or Arranger: B. F. White; Ronald A. Nelson Topics: Particular Times of Worship Closing of Worship Tune Key: F Major Incipit: 11213 32161 16561 Used With Text: Lord, Whose Love Through Humble Service

GOD BE WITH YOU

Meter: 9.8.8.9 with refrain Appears in 700 hymnals Composer and/or Arranger: William G. Tomer Topics: Particular Times of Worship Closing of Worship Tune Key: C Major Incipit: 33333 35236 66666 Used With Text: God Be with You till We Meet Again

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Instances

Published text-tune combinations (hymns) from specific hymnals

Close of Worship

Author: Fawcett Hymnal: Psalms and Hymns and Spiritual Songs #366 (1875) Topics: Close of Worship First Line: Lord, dismiss us with thy blessing

While now upon this Sabbath eve

Author: Anonymous Hymnal: Hymns for Christian Devotion #97 (1871) Meter: 8.8.8.8 Topics: Close of Worship; Worship Introduction and Close of; Worship evening, close of Languages: English

Closing hour

Author: E. T. Fitch Hymnal: Psalms and Hymns and Spiritual Songs #358 (1875) Topics: Close of Worship First Line: Lord, at this closing hour

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People

Authors, composers, editors, etc.

Hans G. Nägeli

1773 - 1836 Person Name: Johann G. Nägeli Topics: Close of Worship; Close of Worship Composer (attr.) of "DENNIS" in Psalter Hymnal (Gray) Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Topics: Closing of Worship; Worship Closing of Worship Composer of "ELLERS" in The Hymnbook Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Felice Giardini

1716 - 1796 Person Name: Felice de Gieardini, 1716-1796 Topics: Close of Worship / Sending Forth Composer of "ITALIAN HYMN" in Hymns for a Pilgrim People Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died. John Perry

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