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Texts

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Safe in the Arms of Jesus

Author: Fanny J. Crosby Appears in 432 hymnals Topics: Comfort and Guidance Used With Tune: [Safe in the arms of Jesus]
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God Will Take Care of You

Author: Civilla D. Martin Meter: 8.6.8.6 with refrain Appears in 391 hymnals Topics: Assurance; Comfort and Encouragement; God Father; God Guidance and Care; Promises First Line: Be not dismayed whate'er betide Lyrics: 1 Be not dismayed whate'er betide, God will take care of you; Beneath His wings of love abide, God will take care of you. Refrain: God will take care of you, Thro' every day, o'er all the way. He will take care of you; God will take care of you. 2 Thro' days of toil when heart doth fail, God will take care of you; When dangers fierce your path assail, God will take care of you. [Refrain] 3 All you may need he will provide, God will take care of you; Nothing you ask will be denied, God will take care of you. [Refrain] 4 No matter what may be the test, God will take care of you; Lean, weary one, upon His breast, God will take care of you. [Refrain] Used With Tune: GOD CARES
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He leadeth me, he leadeth me

Author: Joseph H. Gilmore Meter: 8.8.8.8 D Appears in 1,270 hymnals Topics: Christian Life Pilgrimage and Guidance; Comfort; Death Trusting God in; Discipleship; God Abiding Presence of; Patience of Christians First Line: He leadeth me: O blessed thought! Lyrics: 1 He leadeth me: O blessed thought! O words with heav'nly comfort fraught! Whate'er I do, where'er I be, Still 'tis God's hand that leadeth me. Refrain: He leadeth me, he leadeth me; By his own hand he leadeth me: His faithful foll'wer I would be, For by his hand he leadeth me. 2 Sometimes 'mid scenes of deepest gloom, Sometimes where Eden's bowers bloom, By waters calm, o'er troubled sea, Still 'tis his hand that leadeth me. [Refrain] 3 Lord, I would clasp thy hand in mine, Nor ever murmur nor repine; Content, whatever lot I see, Since 'tis my God that leadeth me. [Refrain] 4 And when my task on earth is done, When, by thy grace, the vict'ry's won, E'en death's cold wave I will not flee, Since God through Jordan leadeth me. [Refrain] Scripture: Psalm 73:23-24 Used With Tune: HE LEADETH ME

Tunes

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[Jesus, Lover of my soul]

Appears in 850 hymnals Composer and/or Arranger: Simeon B. Marsh Topics: Comfort and Guidance Tune Key: F Major Incipit: 33312 22335 43213 Used With Text: Jesus, Lover of My Soul

I LOVE THE LORD

Meter: 8.6.8.6 Appears in 4 hymnals Composer and/or Arranger: Floyd Knight, Jr. Topics: Life of Discipleship Prayer and Guidance; God's Church Life of Discipleship: Prayer and Guidance; Comfort; Love: For Christ; Prayer; Guidance Tune Sources: Traditional African-American chant Tune Key: g minor Incipit: 13554 13171 5 Used With Text: I Love the Lord
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HE LEADETH ME

Meter: 8.8.8.8 D Appears in 583 hymnals Composer and/or Arranger: William B. Bradbury Topics: Christian Life; Comfort; Death Trusting God in; Discipleship; God Abiding Presence of; Patience; Pilgrimage and Guidance Tune Key: C Major Incipit: 53215 64465 33213 Used With Text: He Leadeth Me: O Blessed Thought!

Instances

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Published text-tune combinations (hymns) from specific hymnals

Jesus! Jesus! Jesus!

Hymnal: Soul-stirring Songs and Hymns (Rev. ed.) #85 (1989) Topics: Comfort and Guidance First Line: Jesus! Jesus! Jesus! Sing aloud the Name Tune Title: [Jesus! Jesus! Jesus! Sing aloud the Name]
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Just When I Need Him Most

Author: William Poole Hymnal: Soul-stirring Songs and Hymns (Rev. ed.) #87 (1989) Topics: Comfort and Guidance First Line: Just when I need Him, Jesus is near Tune Title: [Just when I need Him, Jesus is near]
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Some Time We’ll Understand

Author: Maxwell N. Cornelius Hymnal: Soul-stirring Songs and Hymns (Rev. ed.) #88 (1989) Topics: Comfort and Guidance First Line: Not now, but in the coming years Refrain First Line: Then trust in God through all the days Tune Title: [Not now, but in the coming years]

People

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Authors, composers, editors, etc.

Thomas Moore

1779 - 1852 Topics: Comfort and Guidance Author of "Come, Ye Disconsolate" in Soul-stirring Songs and Hymns (Rev. ed.) Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England. John Perry ================== Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:— 1. As down in the sunless retreats of the ocean. Private Prayer. 2. But who shall see the glorious day. The Final Bliss of Man. 3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c. 4. Fallen is thy throne, O Israel. Israel in Exile. 5. Like morning when her early breeze. Power of Divine Grace. 6. O Thou Who driest the mourner's tear. Lent. 7. Since first Thy word [grace] awaked my heart. God All and in All. 8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel. 9. The bird [dove] let loose in eastern skies. Prayer for Constancy. 10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken. 11. Thou art, O God, the Life and Light. God, the Light and Life of Men. 12. Were not the sinful Mary's tears? Lent. Of these hymns No. 11 has attained the greatest popularity. --John Julian, Dictionary of Hymnology (1907)

William Croft

1678 - 1727 Topics: Comfort and Guidance Composer of "[O God, our help in ages past]" in Soul-stirring Songs and Hymns (Rev. ed.) William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel Topics: Comfort and Guidance Composer of "[Just when I need Him, Jesus is near]" in Soul-stirring Songs and Hymns (Rev. ed.) Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman