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Thy people, Lord, have ever found

Appears in 13 hymnals Topics: Confidence and Resignation

Commit thou all thy griefs

Appears in 245 hymnals Topics: Confidence and Resignation

How gentle God's commands

Appears in 664 hymnals Topics: Confidence and Resignation

Appears in 84 hymnals Composer and/or Arranger: Lowell Mason Topics: Afflictions For sin; Afflictions Submission under; Aspirations For Christ; Aspirations For Peace and Rest; Christ The Saviour; Christians Believers; Enemies Many and Mighty; Hope; Penitence; Prayer Complaint in; Prayer Confession in; Prayer confidence in; Prayer Pleas in; Repentance; Resignation; Salvation God's Gift; Sin Confession of; Sin Conviction of; Sin Indwelling Tune Key: C Major Incipit: 33534 66513 32343 Used With Text: A Plea for Salvation

[For evil doers, fret thou not thyself unquietly]

Appears in 5 hymnals Composer and/or Arranger: J. B. Herbert Topics: Character Good and Bad Contrasted; Christian Charity; Christians Happiness of; Death Of the Wicked; Discontent; Faith Act of; Faith Confidence of; Glory of God In Creation; Gospel Invitations of ; Man Mortal and Frail; The Meek; Nations Ultimate Subjection of; Nature An Emblem of Grace; Nature A Type of Sinners; Patience; Prayer Promises to; Prosperity No Proof of God's Blessing; Providence of God Over Saints; Resignation; Retribution Threatened; The Righteous Contrasted with Wicked; The Righteous Reward of; Safety Assured; Trust in God Exhortation to; Waiting on God; The Wicked Fate of Incipit: 32151 23643 43213 Used With Text: An Answer to Distrust

JOSEPHINE

Appears in 16 hymnals Composer and/or Arranger: Ernest R. Kroeger Topics: Assurance Declared; Cares; Character Good and Bad Contrasted; Contentment; Death Of the Wicked; Discontent; Faith Act of; Faith Confidence of; Glory of God In Providence; Gospel Invitations of ; Heart God the Strength of; Man Mortal and Frail; Nature An Emblem of Grace; Nature Sinners Typified in; Patience; Prayer Promise to; Prosperity Without God's Blessing; Providence of God Over Saints; Resignation; Retribution Threatened; The Christian's Reward; The Righteous Contrasted with the Wicked; The Righteous Honor and Safety of; Safety Assured; Trust in God Exhortation to; The Wicked Fate of Tune Key: E Flat Major Incipit: 33321 54444 43265 Used With Text: An Answer to Distrust

Instances

Published text-tune combinations (hymns) from specific hymnals

Great Lord of earth, and seas and skies!

Hymnal: A Collection of Psalms and Hymns for Publick Worship #XCIV (1789) Topics: Confidence and Resignation Dependence and Resignation Lyrics: 1 Great Lord of earth, and seas and skies! Thy wealth the needy world supplies; On thee alone the whole depends, Thy care to ev'ry part extends. 2 To thee perpetual thanks we owe, For all our comforts here below; Our daily bread thy bounty gives, And ev'ry rising want relieves. 3 The wastes of life thy pow'r repairs, Thy mercy stills tempestuous cares, And safe beneath thy guardian arm We live secur'd from ev'ry harm. 4 To thee we cheerful homage bring, In grateful hymns thy praises sing, Direct to thee our waiting eyes, And humbly look for fresh supplies. 5 We still our indigent and poor, Indebted much, yet lacking more; On thee we ever will depend, The rich, the sure, the faithful friend. 6 And, should thy measures seem severe, Calmly may we thy chast'ning bear, Without complaint to thee submit, Th' unerring Judge of what is fit. Languages: English

O God! on thee we all depend

Hymnal: A Collection of Psalms and Hymns for Publick Worship #LXXXVI (1789) Topics: Confidence and Resignation Confidence in God our Father Lyrics: 1 O God! on thee we all depend, On thy paternal care; Thou wilt the father and the friend In every act appear. 2 With open hand and liberal hart Thou wilt our wants supply; Thy heav'nly blessings still impart, And no good thing deny. 3 Our father knows what's good and fit, And wisdom guides his love; To thine appointments we submit, and ev'ry choice approve. 4 In thy paternal love and care With cheerful hearts we trust; Thy tender mercies boundless are, And all thy ways are just. 5 We cannot want, while God provides; What he ordains is best; And Heav'n, whate'er we want besides, Will give eternal rest. Languages: English

And art thou with us, gracious Lord

Hymnal: A Collection of Psalms and Hymns for Publick Worship #LXXXVII (1789) Topics: Confidence and Resignation The Presence of God our sure Support Lyrics: 1 And art thou with us, gracious Lord, To dissipate our fear? Dost thou proclaim thyself our God, Our God forever near? 2 Doth thy right hand, which form'd the earth, And bears up all the skies, Stretch from on high its friendly aid, When dangers round us rise? 3 On this support our souls shall lean, And banish every care; The gloomy vale of death shall smile, If God be with us there. 4 While we thy gracious succour prove 'Midst all our various ways The darkest shades through which we pass Shall echo with thy praise. Languages: English

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People

Authors, composers, editors, etc.

J. B. Herbert

1852 - 1927 Topics: Character Good and Bad Contrasted; Christian Charity; Christians Happiness of; Death Of the Wicked; Discontent; Faith Act of; Faith Confidence of; Glory of God In Creation; Gospel Invitations of ; Man Mortal and Frail; The Meek; Nations Ultimate Subjection of; Nature An Emblem of Grace; Nature A Type of Sinners; Patience; Prayer Promises to; Prosperity No Proof of God's Blessing; Providence of God Over Saints; Resignation; Retribution Threatened; The Righteous Contrasted with Wicked; The Righteous Reward of; Safety Assured; Trust in God Exhortation to; Waiting on God; The Wicked Fate of Composer of "[For evil doers, fret thou not thyself unquietly]" in Bible Songs

Lowell Mason

1792 - 1872 Topics: Afflictions For sin; Afflictions Submission under; Aspirations For Christ; Aspirations For Peace and Rest; Christ The Saviour; Christians Believers; Enemies Many and Mighty; Hope; Penitence; Prayer Complaint in; Prayer Confession in; Prayer confidence in; Prayer Pleas in; Repentance; Resignation; Salvation God's Gift; Sin Confession of; Sin Conviction of; Sin Indwelling Composer of "MOUNT VERNON" in The Psalter Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

Ernest R. Kroeger

1862 - 1934 Topics: Assurance Declared; Cares; Character Good and Bad Contrasted; Contentment; Death Of the Wicked; Discontent; Faith Act of; Faith Confidence of; Glory of God In Providence; Gospel Invitations of ; Heart God the Strength of; Man Mortal and Frail; Nature An Emblem of Grace; Nature Sinners Typified in; Patience; Prayer Promise to; Prosperity Without God's Blessing; Providence of God Over Saints; Resignation; Retribution Threatened; The Christian's Reward; The Righteous Contrasted with the Wicked; The Righteous Honor and Safety of; Safety Assured; Trust in God Exhortation to; The Wicked Fate of Composer of "JOSEPHINE" in The Psalter Born: August 10, 1862, St. Louis, Missouri. Died: April 7, 1934, St. Louis, Missouri. Buried: Bellefontaine Cemetery, St. Louis, Missouri. Kroeger was a charter member of the American Guild of Organists; member the National Institute of Arts of Letters; conductor of the Amphion Male Chorus in St. Louis (1883-84); organist at the Unitarian Church of the Messiah, St. Louis (1886); director of the College of Music at Forest Park University (1887); president of the Music Teachers’ National Association (1896-97); president of the Missouri State Music Teachers’ Association (1897-99); instrumental adjudicator at the annual Kansas Jubilee (1900-03); master of programs in the Bureau of Music at the St. Louis World’s Fair, 1904; adjudicator at the Welsh Eisteddfod in Canton, Ohio (1906); and director of the music department at Washington University, St. Louis (1925-34). He also ran the Kroeger School of Music in St. Louis (1904-34). --www.hymntime.com/tch/ ============ Successful American composer and teacher; born at St. Louis, Mo. He began studying violin and piano when he was five years old, and received his entire musical education in this country, principally in St. Louis, where he is located at present, and holds a prominent position as a teacher, pianist and composer. He is director of the College of Music at the Forest Park University for Women and is concert pianist of the Kroeger School of Music. Was president of the Music Teachers' National Association from 1895 to 1896, and of the Missouri State Music Teachers' Association from 1897 to 1899. Is a fellow of the American Guild of Organists and was master of programs of the Bureau of Music at the St. Louis Exposition in 1904. He has written a great many different kinds of music, and is one of a very few Americans who have published fugues. Mr. Kroeger says that some of his ideas are entirely musical, while others are attempts to illustrate poems in tones, such as his symphony, a suite, and overtures on Endymion, Thanatopis, Sardanapalus and Hiawatha. He has also published a very clever group of sonnets, on various themes; Twelve Concert Studies, which Hughes says "show the influence of Chopin upon a composer who writes with a strong German accent;" an etude, Castor and Pollux; a Romanze; and other studies. A Danse Negre and Caprice Negre resemble similar works of Gottschalk; and his Dance of the Elves is dedicated to Mme. Rive-King. --grandemusica.net/musical-biographies

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