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When I Can Read My Title Clear
Author: Isaac Watts Meter: 8.6.8.6.6.6.8.6 Appears in 1,228 hymnals Topics: The Christian Life Death and Eternal Life Lyrics: 1 When I can read my title clear
to mansions in the skies,
I'll bid farewell to every fear,
and wipe my weeping eyes,
and wipe my weeping eyes,
and wipe my weeping eyes;
I'll bid farewell to every fear,
and wipe my weeping eyes.
2 Should earth against my soul engage
and fiery darts be hurled,
then I can smile at Satan's rage,
and face a frowning world,
and face a frowning world,
and face a frowning world;
then I can smile at Satan's rage,
and face a frowning world.
3 Let cares like a wild deluge come,
and storms of sorrow fall!
May I but safely reach my home,
my God, my heaven, my all,
my God, my heaven, my all,
my God, my heaven, my all;
may I but safely reach my home,
my God, my heaven, my all.
4 There I shall bathe my weary soul
in seas of heavenly rest,
and not a wave of trouble roll
across my peaceful breast,
across my peaceful breast,
across my peaceful breast;
and not a wave of trouble roll
across my peaceful breast.
Scripture: John 14:2 Used With Tune: PISGAH
When I Can Read My Title Clear
O God, Our Help in Ages Past
Author: Isaac Watts Meter: 8.6.8.6 Appears in 1,239 hymnals Topics: Death and Eternal Life Lyrics: 1 O God, our help in ages past,
our hope for years to come,
our shelter from the stormy blast,
and our eternal home;
2 under the shadow of your throne
your saints have dwelt secure.
Sufficient is your arm alone,
and our defense is sure.
3 Before the hills in order stood,
or earth received its frame,
from everlasting you are God,
to endless years the same.
4 A thousand ages in your sight
are like an evening gone,
short as the watch that ends the night
before the rising sun.
5 Time, like an ever-rolling stream,
soon bears us all away.
We fly forgotten, as a dream
dies at the op’ning day.
6 O God, our help in ages past,
our hope for years to come,
still be our guard while troubles last,
and our eternal home. Scripture: Job 14:1-2 Used With Tune: ST. ANNE Text Sources: based on Psalm 90:1-8; The Psalms of David [. . .], alt.
O God, Our Help in Ages Past
Abide with Me
Author: Henry F. Lyte Meter: 10.10.10.10 Appears in 1,672 hymnals Topics: Life of Discipleship Death and Eternal Life; God's Church Life of Discipleship: Death and Eternal Life First Line: Abide with me, fast falls the eventide Lyrics: 1 Abide with me, fast falls the eventide;
the darkness deepens, God, with me abide:
when other helpers fail, and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
earth's joys grow dim; its glories pass away;
change and decay in all around I see;
O thou who changest not, abide with me.
3 I need thy presence every passing hour;
what but thy grace can foil the tempter's power?
Who, like thyself, my guide and stay can be?
Through cloud and sunshine, O abide with me.
4 I fear no foe, with thee at hand to bless;
ills have no weight, and tears no bitterness;
where is death's dark sting? Where, grave, thy victory?
I triumph still, if thou abide with me.
5 Hold thou thy cross before my closing eyes;
shine through the gloom, and point me to the skies;
heaven's morning breaks, and earth's vain shadows flee;
in life, in death, O God, abide with me. Used With Tune: EVENTIDE
Abide with Me
WONDROUS LOVE
Meter: 12.9.12.12.9 Appears in 126 hymnals Composer and/or Arranger: Carlton R. Young Topics: Adoration; Atonement; Christian Year Palm Sunday; Christian Year Maundy Thursday; Christian Year Good Friday; Eternal Life; Jesus Christ Passion and Death; Love of God for Us Tune Sources: Walker’s Southern Harmony, 1835 Tune Key: d minor or modal Incipit: 11724 54211 72576 Used With Text: What Wondrous Love Is This
WONDROUS LOVE
THE OLD RUGGED CROSS
Meter: Irregular with refrain Appears in 230 hymnals Composer and/or Arranger: George Bennard Topics: New Heaven and a New Earth Death and Eternal Life Tune Key: B Flat Major Incipit: 34546 55565 76676 Used With Text: The Old Rugged Cross
THE OLD RUGGED CROSS
I Cannot Think of Them as Dead
Author: Frederick L. Hosmer Hymnal: Chalice Hymnal #645 (1995) Meter: 8.6.8.6.6 Topics: Life of Discipleship Death and Eternal Life; God's Church Life of Discipleship: Death and Eternal Life Lyrics: 1 I cannot think of them as dead,
who walk with me no more;
along the path of life I tread
they are but gone before,
they are but gone before.
2 And still their silent ministry
within my heart hath place,
as when on earth they walked with me,
and met me face to face,
and met me face to face.
3 Their lives are made forever mine;
what they to have been
has left henceforth its seal and sign
engraven deep within,
engraven deep within.
4 Mine are they by an ownership
nor time nor death can free;
for God hath given to love to keep
its own eternally,
its own eternally. Languages: English Tune Title: DISTANT BELOVED
I Cannot Think of Them as Dead
What Wondrous Love Is This
Hymnal: The United Methodist Hymnal #292 (1989) Meter: 12.9.12.9 Topics: New Heaven and a New Earth Death and Eternal Life First Line: What wondrous love is this, O my soul, O my soul Lyrics: 1 What wondrous love is this, O my soul, O my soul,
what wondrous love is this, O my soul!
What wondrous love is this that caused the Lord of bliss
to bear the dreadful curse for my soul, for my soul,
to bear the dreadful curse for my soul.
2 What wondrous love is this, O my soul, O my soul,
what wondrous love is this, O my soul!
What wondrous love is this, that caused the Lord of life
to lay aside his crown for my soul, for my soul,
to lay aside his crown for my soul.
3 To God and to the Lamb I will sing, I will sing,
to God and to the Lamb, I will sing;
to God and to the Lamb who is the great I AM,
while millions join the theme I will sing, I will sing;
while millions join the theme I will sing.
4 And when from death I’m free, I’ll sing on, I’ll sing on,
and when from death I’m free, I’ll sing on;
and when from death I’m free, I’ll sing and joyful be,
and through eternity I’ll sing on, I’ll sing on,
and through eternity I’ll sing on.
Languages: English Tune Title: WONDROUS LOVE
What Wondrous Love Is This
Abide with Me
Author: Henry F. Lyte Hymnal: Chalice Hymnal #636 (1995) Meter: 10.10.10.10 Topics: Life of Discipleship Death and Eternal Life; God's Church Life of Discipleship: Death and Eternal Life First Line: Abide with me, fast falls the eventide Lyrics: 1 Abide with me, fast falls the eventide;
the darkness deepens, God, with me abide:
when other helpers fail, and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
earth's joys grow dim; its glories pass away;
change and decay in all around I see;
O thou who changest not, abide with me.
3 I need thy presence every passing hour;
what but thy grace can foil the tempter's power?
Who, like thyself, my guide and stay can be?
Through cloud and sunshine, O abide with me.
4 I fear no foe, with thee at hand to bless;
ills have no weight, and tears no bitterness;
where is death's dark sting? Where, grave, thy victory?
I triumph still, if thou abide with me.
5 Hold thou thy cross before my closing eyes;
shine through the gloom, and point me to the skies;
heaven's morning breaks, and earth's vain shadows flee;
in life, in death, O God, abide with me. Languages: English Tune Title: EVENTIDE
Abide with Me
Thomas Andrew Dorsey
1899 - 1993 Person Name: Thomas A. Dorsey Topics: Death and Eternal Life Author of "Precious Lord, Take My Hand" in Voices Together Thomas Andrew Dorsey was born in Villa Rica, a small rural town near Atlanta, Georgia. In 1919 he moved to Chicago. Most of his musical training was in the church, but he also studied and played jazz and blues. He later combined jazz and blues with religious texts, giving birth to gospel music. In 1931, along with Magnolia Lewis-Butts and Theodore Roosevelt Frye, he established the first gospel choir at Ebenezer Baptist Church in Chicago. He went on to lead the gospel choir at Pilgrim Baptist Church, which he led for 60 years. Dorsey was also instrumental in founding the National Convention of Gospel Choirs and Choruses (NCGCC) in 1933. The convention taught choirs all over the country how to sing gospel music.
Dianne Shapiro, from "Gospel" in Encyclopedia of Chicago (accessed 8/12/2020)
Thomas Andrew Dorsey
W. Howard Doane
1832 - 1915 Person Name: William H. Doane Topics: Death and Eternal Life Composer of "TO GOD BE THE GLORY" in Voices Together An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks.
Bert Polman
============
Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===================
Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:—
(1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c.
His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c.
- John Julian, Dictionary of Hymnology (1907)
W. Howard Doane
Isaac Watts
1674 - 1748 Topics: The Christian Life Death and Eternal Life Author of "When I Can Read My Title Clear" in The Worshiping Church Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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