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My Times are in Thy Hand

Author: Anna Laetitia Waring (1820— ) Appears in 231 hymnals Topics: God Decrees of First Line: Father, I know that all my life Scripture: Psalm 31:15 Used With Tune: ST. BEDE
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Sovereignty

Author: Ray Palmer Appears in 59 hymnals Topics: Decrees Spiritual First Line: Lord, my weak thought in vain would climb Lyrics: 1 Lord, my weak thought in vain would climb To search the starry vault profound; In vain would wing her flight sublime, To find creation's outmost bound. 2 But weaker yet that thought must prove To search thy great eternal plan,-- Thy sovereign counsels, born of love Long ages ere the world began. 3 When my dim reason would demand Why that, or this, thou dost ordain, By some vast deep I seem to stand, Whose secrets I must ask in vain. 4 When doubts disturb my troubled breast, And all is dark as night to me, Here, as on solid rock, I rest; That so it seemeth good to thee. 5 Be this my joy, that evermore Thou rulest all things at thy will: Thy sovereign wisdom I adore, And calmly, sweetly, trust thee still. Scripture: Genesis 18:25 Used With Tune: LOUVAN
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Whate'er my God ordains is right

Author: Samuel Rodigast; Catherine Winkworth, 1829-1878 Meter: 8.7.8.7.4.4.8.8 Appears in 74 hymnals Topics: Decrees of God Lyrics: 1 Whate'er my God ordains is right: Holy his will abideth; I will be still whate'er he doth; And follow where he guideth: He is my God: Though dark my road, He holds me that I shall not fall: Wherefore to him I leave it all. 2 Whate'er my God ordains is right: He never will deceive me; He leads me by the proper path; I know he will not leave me: I take, content, What he hath sent; His hand can turn my griefs away, And patiently I wait his day. 3 Whate'er my God ordains is right: Though now this cup, in drinking, May bitter seem to my faint heart, I take it, all unshrinking: My God is true; Each morn anew Sweet comfort yet shall fill my heart, And pain and sorrow shall depart. 4 Whate'er my God ordains is right: Here shall my stand be taken; Though sorrow, need, or death be mine, Yet am I not forsaken; My Father's care Is round me there; He holds me that I shall not fall: And so to him I leave it all. Amen. Used With Tune: WAS GOTT TUT

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CANONBURY

Meter: 8.8.8.8 Appears in 590 hymnals Composer and/or Arranger: Robert Schumann; Dale Grotenhuis Topics: Decrees of God Tune Key: G Major or modal Incipit: 53334 32123 56712 Used With Text: Lord, My Weak Though in Vain Would Climb
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ST. THEODULPH

Meter: 7.6.7.6 D Appears in 579 hymnals Composer and/or Arranger: Melchior Teschner Topics: Decrees of God Tune Key: B Flat Major Incipit: 15567 11321 17151 Used With Text: O Father, You Are Sovereign
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PRAISE JEHOVAH

Meter: 8.7.8.7 D with refrain Appears in 50 hymnals Composer and/or Arranger: William J. Kirkpatrick, 1838-1921 Topics: Decrees of God Tune Key: F Major Incipit: 55151 23213 45543 Used With Text: Hallelujah, Praise Jehovah

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God's Dominions and Decrees

Hymnal: The Hartford Selection of Hymns from the Most Approved Authors #VI (1799) Meter: 8.6.8.6 Topics: God His dominion and decrees; God His dominion and decrees First Line: Keep silence all created things Lyrics: 1 Keep silence all created things, And wait your Maker's nod: My soul stands trembling, while she sings The honors of her God. 2 Life, death, and hell, and worlds unknown, Hang on his firm decree: He sits on no precarious throne, Nor borrows leave to be. 3 Chain'd to his throne, a volume lies, With all the fates of men, With every angel's form and size, Drawn by th' eternal pen. 4 His providence unfolds the book, And makes his counsels shine; Each opening leaf, and every stroke, Fulfils some deep design. 5 Here, he exalts neglected worms To sceptres and a crown; And there, the following page he turns, And treads the monarch down. 6 Not Gabriel asks the reason why, Nor God, the reason gives; Nor dares the favorite angel pry Between the folded leaves. 7 My God, I would not long to see My fate with curious eyes, What gloomy lines are writ for me, Or what bright scenes may rise. 8 In thy fair book of life and grace O may I find my name, Recorded in some humble place Beneath my Lord the lamb! Languages: English
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God's Dominions and Decrees

Hymnal: The Hartford Selection of Hymns #VI (1802) Meter: 8.6.8.6 Topics: God His dominion and decrees; God His dominion and decrees First Line: Keep silence all created things Lyrics: 1 Keep silence all created things, And wait your Maker's nod: My soul stands trembling, while she sings The honors of her God. 2 Life, death, and hell, and worlds unknown, Hang on his firm decree: He sits on no precarious throne, Nor borrows leave to be. 3 Chain'd to his throne, a volume lies, With all the fates of men, With every angel's form and size, Drawn by th' eternal pen. 4 His providence unfolds the book, And makes his counsels shine; Each opening leaf, and every stroke, Fulfils some deep design. 5 Here, he exalts neglected worms To sceptres and a crown; And there, the following page he turns, And treads the monarch down. 6 Not Gabriel asks the reason why, Nor God, the reason gives; Nor dares the favorite angel pry Between the folded leaves. 7 My God, I would not long to see My fate with curious eyes, What gloomy lines are writ for me, Or what bright scenes may rise. 8 In thy fair book of life and grace O may I find my name, Recorded in some humble place Beneath my Lord the lamb! Languages: English
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Rejoicing in God's Decrees

Author: Ryland Hymnal: A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) #64 (1844) Topics: Election and God's Decrees First Line: Sovereign Ruler of the Skies Lyrics: 1 Sovereign Ruler of the skies, Ever gracious, ever wise; All my times are in thy hand, All events at thy command. 2 His decree who formed the earth Fixed my first and second birth; Parents, native place, and time, All appointed were by him. 3 He that formed me in the womb, He shall guide me to the tomb: All my times shall ever be Ordered by his wise decree. 4 [Times of sickness; times of health; Times of penury and wealth; Times of trial and of grief; Times of triumph and relief; 5 Times the tempter’s power to prove; Times to taste the Saviour’s love; All must come, and last, and end, As shall please my heavenly Friend.] 6 Plagues and deaths around me fly; Till he bids, I cannot die; Not a single shaft can hit, Till the God of love sees fit. Languages: English

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Catherine Winkworth

1827 - 1878 Topics: God's Work His Decrees Translator of "Whate'er My God Ordains Is Right" in Trinity Hymnal (Rev. ed.) Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Anna Letitia Waring

1823 - 1910 Person Name: Anna Laetitia Waring (1820— ) Topics: God Decrees of Author of "My Times are in Thy Hand" in Songs of Praise with Tunes See also in: Hymn Writers of the Church ================ Waring, Anna Laetitia, daughter of Elijah Waring, and niece of Samuel Miller Waring, was born at Neath, Glamorganshire, in 1820. In 1850 she published her Hymns and Meditations, by A. L. W., a small book of 19 hymns. The 4th edition was published in 1854. The 10th edition, 1863, is enlarged to 38 hymns. She also published Additional Hymns, 1858, and contributed some pieces to the Sunday Magazine, 1871. Her most widely known hymns are: "Father, I know that all my life," "Go not far from me, O my Strength," and "My heart is resting, O my God." The rest in common use include:— 1. Dear Saviour of a dying world. Resurrection. (1854.) 2. In heavenly love abiding. Safety in God. (1850.) 3. Jesus, Lord of heaven above. Love to Jesus desired. (1854.) 4. Lord, a happy child of Thine. Evening. (1850.) 5. My Saviour, on the [Thy] words of truth. Hope in the Word of God. (1850.) Sometimes stanza iv., "It is not as Thou wilt with me," is given separately. 6. O this is blessing, this is rest. Rest in the Love of Jesus. (1854.) 7. O Thou Lord of heaven above. The Resurrection. 8. Source of my life's refreshing springs. Rest in God. (1850.) 9. Sunlight of the heavenly day. New Year (1854.) 10. Sweet is the solace of Thy love. Safety and Comfort in God. (1850.) 11. Tender mercies on my way. Praise of Divine Mercies. (1850.) 12. Thanksgiving and the voice of melody. New Year (1854). 13. Though some good things of lower worth. Love of God in Christ, (1860.) These hymns are marked by great simplicity, concentration of thought, and elegance of diction. They are popular, and deserve to be so. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907) =============== Waring, Anna L., p. 1233, ii. Of her hymns we have found the following in Lovell Squire's Selection of Scriptural Poetry, 3rd ed., 1848: 1. Father, I know that all my life, p. 367, ii. 2. Sweet is the solace of Thy love, p. 1233, ii. 10. 3. Though some good things of, &c., p. 1233, ii. 13. The statement in J. Telford's The Methodist Hymn Book Illustrated, 1906, p. 271, that Miss Waring contributed to her uncle's (S. M. Waring's) Sacred Melodies, 182G, cannot be correct, as she was then only six years old. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Samuel Rodigast

1649 - 1708 Person Name: Samuel Rodigast, 1649-1708 Topics: God's Work His Decrees Author of "Whate'er My God Ordains Is Right" in Trinity Hymnal (Rev. ed.) Samuel Rodigast, son of Johann Rodigast, pastor at Groben near Jena, was born at Groben Oct. 19, 1649. He entered the University of Jena in 1668 (M.A. 1671), and was in 1676 appointed adjunct of the philosophical faculty. In 1680 he became conrector of the Greyfriars Gymnasium at Berlin. While in this position he refused the offers of a professorship at Jena and the Rectorships of the Schools at Stade and Stralsund. Finally, in 1698, he became rector of the Greyfriars Gymnasium, and held this post till his death. His tombstone in the Koster-Kirche in Berlin says he died "die xxix. Mart. a. MDCCVII . . . aetatis anno lix." ...Two hymns have been ascribed to him, on of which has passed into English, viz.:--"Whatever God ordains is right." --John Julian, Dictionary of Hymnology (1907)