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Christ knocking at the Door

Author: Rev. Joseph Grigg ( —1768) Appears in 605 hymnals Topics: Delay Danger of First Line: Behold, a Stranger at the door Scripture: Song of Solomon 5:2 Used With Tune: ZEPHYR

Macedonia

Author: Anne Ortlund Meter: 8.6.8.6 D Appears in 13 hymnals Topics: Danger of Delay First Line: The vision of a dying world Scripture: John 4:35 Used With Tune: ALL SAINTS NEW
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Softly and Tenderly

Author: Will L. Thompson, 1847-1909 Appears in 864 hymnals Topics: Danger of Delay First Line: Softly and tenderly Jesus is calling Refrain First Line: Come home, come home Lyrics: 1 Softly and tenderly Jesus is calling, Calling for you and for me; See, on the portals he's waiting and watching, Watching for you and for me. Refrain: Come home, come home, Ye who are weary, come home; Earnestly, tenderly Jesus is calling, Calling, O sinner, come home! 2 Why should we tarry when Jesus is pleading, Pleading for you and for me? Why should we linger and heed not his mercies, Mercies for you and for me? [Refrain] 3 Time is now fleeting, the moments are passing, Passing from you and from me; Shadows are gathering, deathbeds are coming, Coming for you and for me. [Refrain] 4 O for the wonderful love he has promised, Promised for you and for me; Though we have sinned, he has mercy and pardon, Pardon for you and for me. [Refrain] Scripture: John 10:3 Used With Tune: [Softly and tenderly Jesus is calling]

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BRYN CALFARIA

Meter: 8.7.8.7.4.4.4.7.7 Appears in 112 hymnals Composer and/or Arranger: William Owen Topics: Danger of Delay Tune Key: f minor Incipit: 55123 33234 54322 Used With Text: Come, Ye Sinners, Poor and Wretched
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ARISE

Meter: 8.7.8.7 Appears in 176 hymnals Topics: Danger of Delay Tune Sources: William Walker The Southern Harmony, 1835 Tune Key: f minor Incipit: 13171 33175 77171 Used With Text: Come, Ye Sinners, Poor and Needy
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THIRSTING

Meter: 8.7.8.7.7.7.8.8 Appears in 299 hymnals Composer and/or Arranger: Louis Bourgeois; Henry A. Bruinsma Topics: Danger of Delay Tune Key: G Major Incipit: 12321 76512 34321 Used With Text: Comfort, Comfort Ye My People

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Delay not, delay not, O sinner, draw near

Hymnal: Christian Hymns #160 (1898) Meter: 11.11.11.11 Topics: Danger of Delay Lyrics: 1 Delay not, delay not, O sinner, draw near, The waters of life are now flowing for thee; No price is demanded, the Saviour is here; Redemption is purchased, salvation is free. Redemption is purchased, salvation is free. 5 Delay not, delay not, why longer abuse The love and compassion of Jesus, thy God? A fountain is opened; how canst thou refuse To wash and be cleansed in His pardoning blood? To wash and be cleansed in His pardoning blood? 3 Delay not, delay not, O sinner, to come, For mercy still lingers, and calls thee to-day; Her voice is not heard in the shades of the tomb; Her message, unheeded, will soon pass away. Her message, unheeded, will soon pass away. 4 Delay not, delay not, the Spirit of grace, Long grieved and resisted, may take His sad flight, And leave thee in darkness to finish thy race, To sink in the gloom of eternity’s night. To sink in the gloom of eternity’s night. Languages: English Tune Title: ADESTE FIDELES
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Delay not, delay not, O sinner, draw near

Hymnal: Book of Worship (Rev. ed.) #290 (1870) Meter: 11.11.11.11 Topics: Delay of Repentance Lyrics: 1 Delay not, delay not, O sinner, draw near; The waters of life are now flowing for thee! No price is demanded, the Saviour is here, Redemption is purchased, salvation is free. 2 Delay not, delay not; why longer abuse The love and compassion of Jesus, thy God? A fountain is open'd, how canst thou refuse To wash and be cleansed in His pardoning blood? 3 Delay not, delay not; O sinner, to come, For mercy still lingers, and calls thee to-day; Her voice is not heard in the shades of the tomb; Her message, unheeded, will soon pass away. 4 Delay not, delay not; the Spirit of grace, Long grieved and resisted, may take His sad flight, And leave thee in darkness to finish thy race, To sink in the gloom of eternity’s night. Languages: English
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Delay not, delay not, O sinner, draw near

Author: Thomas Hastings Hymnal: Book of Worship with Hymns and Tunes #371 (1899) Meter: 11.11.11.11 Topics: Delay Danger of Lyrics: 1 Delay not, delay not, O sinner, draw near; The waters of life are now flowing for thee! No price is demanded, the Savior is here. Redemption is purchased, salvation is free. 2 Delay not, delay not; why longer abuse The love and compassion of Jesus, thy God? A fountain is opened, how canst thou refuse To wash and be cleansed in His pardoning blood? 3 Delay not, delay not, O sinner, to come, For mercy still lingers, and calls thee to-day; Her voice is not heard in the shades of the tomb; Her message, unheeded, will soon pass away. 4 Delay not, delay not; The Spirit of grace, Long grieved and resisted, may take His sad flight, And leave thee in darkness to finish thy race, To sink in the gloom of eternity's night. Amen. Languages: English Tune Title: GOSHEN

People

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Authors, composers, editors, etc.

Will L. Thompson

1847 - 1909 Topics: Danger of Delay Author of "Softly and Tenderly Jesus Is Calling" in Trinity Hymnal (Rev. ed.) Will Lamartine Thompson (1847-1909) Born: November 7, 1847, East Li­ver­pool, Ohio. Died: Sep­tem­ber 20, 1909, New York, New York. Buried: Ri­ver­view Cem­e­te­ry, East Li­ver­pool, Ohio. Rebuffed in an ear­ly at­tempt to sell his songs to a com­mer­cial pub­lish­er, Thomp­son start­ed his own pub­lish­ing com­pa­ny. He lat­er ex­pand­ed, open­ing a store to sell pi­an­os, or­gans and sheet mu­sic. Both a lyr­i­cist and com­pos­er, he en­sured he would al­ways re­mem­ber words or mel­o­dies that came to him at odd times: "No mat­ter where I am, at home or ho­tel, at the store or tra­vel­ing, if an idea or theme comes to me that I deem wor­thy of a song, I jot it down in verse. In this way I ne­ver lose it." Thompson took ill dur­ing a tour of Eur­ope, and his fam­i­ly cut short their tra­vels to re­turn home. He died a few weeks lat­er. Music-- 1.Jesus Is All the World to Me 2.Lead Me Gently Home, Father 3.Softly and Tenderly Jesus Is Calling 4.There’s a Great Day Coming --hymntime.com/tch ================================== Various biographical sketches and newspaper articles about Thompson are available in the DNAH Archives.

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan Topics: Delay; Delay Composer of "LACHRYMAE" in Laudes Domini Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Anonymous

Topics: Danger of Delay Author (st. 1) of "Great God, What Do I See and Hear!" in Trinity Hymnal (Rev. ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.