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Religion and Justice, Goodness and Truth; or, Duties to God and Man; or, the qualifications of a Christian

Appears in 121 hymnals Topics: Duty to God and Man First Line: Who shall ascend thy heavn'ly Place Lyrics: 1 Who shall ascend thy heav'nly Place, Great GOD, and dwell before thy Face? The Man that minds Religion now, And humbly walks with GOD below. 2 Whose Hands are pure, whose Heart is clean; Whose Lips still speak the Thing they mean; No Slanders dwell upon his Tongue; He hates to do his Neighbour Wrong. 3 [Scarce will he trust an ill Report, Nor vents it to his Neighbour's Hurt: Sinners of State he can despise, But Saints are honour'd in his Eyes.] 4 [Firm to his Word he ever stood, And always makes his Promise good; Nor dares to change the Thing he swears, Whatever Pain or Loss he bears.] 5 [He never deals in bribing Gold, And mourns that Justice should be sold; While others gripe and grind the Poor, Sweet Charity attends his door.] 6 He loves his Enemies, and prays For those that curse him to his Face: And doth to all Men still the same That he would hope or wish from them. 7 Yet, when his holiest Works are done, His Soul depends on Grace alone; This is the Man thy Face shall see, And dwell for ever, Lord, with Thee. Scripture: Psalm 15
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Dwelling with GOD

Appears in 36 hymnals Topics: Duty to God and Man First Line: The Earth for ever is the Lord's Lyrics: 1 The Earth for ever is the Lord's, With Adam's num'rous Race; He rais'd its Arches o'er the Floods, And built it on the Seas. 2 But who among the Sons of Men May visit thine Abode? He that has Hands from Mischief clean, Whose Heart is right with GOD. 3 This is the Man may rise and take The Blessings of his Grace; This is the Lot of those that seek The GOD of Jacob's Face. 4 Now let our Souls immortal Pow'rs To meet the Lord prepare, Lift up their everlasting Doors, The King of Glory's near. 5 The King of Glory! Who can tell The Wonders of his Might? He rules the Nations; but to dwell With Saints is his Delight. Scripture: Psalm 24
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Psalm 15

Author: Isaac Watts Meter: 8.6.8.6 Appears in 55 hymnals Topics: Duty to God and man First Line: Who shall inhabit in thy hill Lyrics: Who shall inhabit in thy hill, O God of holiness? Whom will the Lord admit to dwell So near his throne of grace? The man that walks in pious ways, And works with righteous hands; That trusts his Maker's promises, And follows his commands. He speaks the meaning of his heart, Nor slanders with his tongue; Will scarce believe an ill report, Nor do his neighbor wrong. The wealthy sinner he contemns, Loves all that fear the Lord; And though to his own hurt he swears, Still he performs his word. His hands disdain a golden bribe, And never gripe the poor: This man shall dwell with God on earth, And find his heav'n secure. Scripture: Psalm 15

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TOPLADY

Meter: 7.7.7.7 Appears in 1,097 hymnals Composer and/or Arranger: Thomas Hastings Topics: Aspirations For Grace; Aspirations For Holiness; Aspirations For the Holy Spirit; Assurance Desired; Baptism; Cares; Character Depraved from Birth; Character New Birth Essential to Good; Christians Duties of; Christians Graces of; Christians Saved by Grace; Deliverance From Sin; Faith Act of; Faith Walking by; God Love and Mercy; Gospel Freeness of ; Gospel Sanctifying and Saving; Grace Abounding; Grace Justifying; Grace Redeeming; Grace Restoring; Heart Broken and Contrite; Heart Claimed of God; Heart Good, Perfect, Pure and Upright; Holiness Of Christians; Humility; Joy Prayer for; Man Sinful and Lost Condition; Mercy of God Prayer for; Pardon Sought; Parents and Children; Penitence; Prayer Confession in; Prayer For Grace and Salvation; Prayer For Pardon; Prayer Promise to; Regeneration; Repentance; Revival; Sin Confession of; Sin Conviction of; Sin Hatred of; Sin Original; Sin Salvation from; Sin Washed away; Truth; Worship Sincerity in Tune Key: B Flat Major Incipit: 56531 65123 21717 Used With Text: Penitential Prayers
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AJALON

Meter: 7.7.7.7 Appears in 455 hymnals Composer and/or Arranger: Richard Redhead Topics: Aspirations For Grace; Aspirations For Holiness; Aspirations For the Holy Spirit; Assurance Desired; Baptism; Cares; Character Depraved from Birth; Character New Birth Essential to Good; Christians Duties of; Christians Graces of; Christians Saved by Grace; Deliverance From Sin; Faith Act of; Faith Walking by; God Love and Mercy; Gospel Freeness of ; Gospel Sanctifying and Saving; Grace Abounding; Grace Justifying; Grace Redeeming; Grace Restoring; Heart Broken and Contrite; Heart Claimed of God; Heart Good, Perfect, Pure and Upright; Holiness Of Christians; Humility; Joy Prayer for; Man Sinful and Lost Condition; Mercy of God Prayer for; Pardon Sought; Parents and Children; Penitence; Prayer Confession in; Prayer For Grace and Salvation; Prayer For Pardon; Prayer Promise to; Regeneration; Repentance; Revival; Sin Confession of; Sin Conviction of; Sin Hatred of; Sin Original; Sin Salvation from; Sin Washed away; Truth; Worship Sincerity in Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: Penitential Prayers
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[How blest the man that fears the Lord]

Appears in 1 hymnal Composer and/or Arranger: Henry Burton Topics: Almsgiving; Blessedness Of Those Who Fear God; Character Good and Bad Contrasted; Character Value of Good; Christian Charity; Christians Conscious of Safety; Christians Graces of; Enemies Restrained; Godly Fear The Blessedness of; Fearlessness; Heart Claimed of God; Heart Good, Perfect, Pure, and Upright; Liberality; Love to man; Parents and Children; Patience; The Poor Duty Towards; Providence of God Over Saints; Riches; The Righteous Blessed; The Righteous Character of; The Righteous Reward of; Safety Enjoyed; Steadfastness; The Wicked Fate of; Worship Commanded Incipit: 51123 54324 33215 Used With Text: The Rewards of True Piety

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Religion and Justice, Goodness and Truth; or, Duties to God and Man; or, the Qualifications of a Christian

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #26 (1786) Topics: Duty to God and Man; Duty to God and Man First Line: Who shall ascend thy heavenly place Lyrics: 1 Who shall ascend thy heavenly place, Great God, and dwell before thy face? The man who minds religion now, And humbly walk with God below: 2 Whose hands are pure, whose heart is clean; Whose lips shall speak the things they mean; No slanders dwell upon his tongue; He hates to do his neighbour wrong. 3 [Scarce will he trust an ill report, Nor vent it to his neighbour's hurt: Sinners of state he can despise, But saints are honour'd in his eyes.] 4 [Firm to his word he ever stood, And always makes his promise good Nor dares to change the thing he swears, Whatever pain or loss he bears.] 5 [He never deals in bribing gold, And mourns that justice should be sold: While others scorn and wrong the poor, Sweet charity attends his door.] 6 He loves his enemies, and prays For those that curse him to his face; And doth to all men still the same That he would hope or wish from them. 7 Yet, when his holiest works are done, His soul depends on grace alone: This is the man thy face shall see, And dwell for ever, Lord, with thee. Scripture: Psalm 15 Languages: English
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Religion and Justice, Goodness and Truth; or, Duties to God and Man; or, the Qualifications of a Christian

Hymnal: Doctor Watts's Imitation of the Psalms of David #26 (1790) Topics: Duty to God and Man; Duty to God and Man First Line: Who shall ascend thy heavenly place Lyrics: 1 Who shall ascend thy heavenly place, Great God, and dwell before thy face? The man who minds religion now, And humbly walk with God below: 2 Whose hands are pure, whose heart is clean; Whose lips shall speak the things they mean; No slanders dwell upon his tongue; He hates to do his neighbour wrong. 3 [Scarce will he trust an ill report, Nor vent it to his neighbour's hurt: Sinners of state he can despise, But saints are honour'd in his eyes.] 4 [Firm to his word he ever stood, And always makes his promise good Nor dares to change the thing he swears, Whatever pain or loss he bears.] 5 [He never deals in bribing gold, And mourns that justice should be sold: While others scorn and wrong the poor, Sweet charity attends his door.] 6 He loves his enemies, and prays For those that curse him to his face; And doth to all men still the same That he would hope or wish from them. 7 Yet, when his holiest works are done, His soul depends on grace alone: This is the man thy face shall see, And dwell for ever, Lord, with thee. Scripture: Psalm 15 Languages: English
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Religion and Justice, Goodness and Truth; or, Duties to God and Man; or, the Qualifications of a Christian

Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #30 (1786) Topics: Duty to God and Man; Duty to God and Man First Line: Who shall ascend thy heavenly place Lyrics: 1 Who shall ascend thy heavenly place, Great God, and dwell before thy face? The man who minds religion now, And humbly walk with God below: 2 Whose hands are pure, whose heart is clean; Whose lips shall speak the things they mean; No slanders dwell upon his tongue; He hates to do his neighbour wrong. 3 [Scarce will he trust an ill report, Nor vent it to his neighbour's hurt: Sinners of state he can despise, But saints are honour'd in his eyes.] 4 [Firm to his word he ever stood, And always makes his promise good Nor dares to change the thing he swears, Whatever pain or loss he bears.] 5 [He never deals in bribing gold, And mourns that justice should be sold: While others scorn and wrong the poor, Sweet charity attends his door.] 6 He loves his enemies, and prays For those that curse him to his face; And doth to all men still the same That he would hope or wish from them. 7 Yet, when his holiest works are done, His soul depends on grace alone: This is the man thy face shall see, And dwell for ever, Lord, with thee. Scripture: Psalm 15 Languages: English

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Isaac Watts

1674 - 1748 Topics: Duty to God and man Author of "Psalm 15" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Richard Redhead

1820 - 1901 Topics: Aspirations For Grace; Aspirations For Holiness; Aspirations For the Holy Spirit; Assurance Desired; Baptism; Cares; Character Depraved from Birth; Character New Birth Essential to Good; Christians Duties of; Christians Graces of; Christians Saved by Grace; Deliverance From Sin; Faith Act of; Faith Walking by; God Love and Mercy; Gospel Freeness of ; Gospel Sanctifying and Saving; Grace Abounding; Grace Justifying; Grace Redeeming; Grace Restoring; Heart Broken and Contrite; Heart Claimed of God; Heart Good, Perfect, Pure and Upright; Holiness Of Christians; Humility; Joy Prayer for; Man Sinful and Lost Condition; Mercy of God Prayer for; Pardon Sought; Parents and Children; Penitence; Prayer Confession in; Prayer For Grace and Salvation; Prayer For Pardon; Prayer Promise to; Regeneration; Repentance; Revival; Sin Confession of; Sin Conviction of; Sin Hatred of; Sin Original; Sin Salvation from; Sin Washed away; Truth; Worship Sincerity in Composer of "AJALON" in The Psalter Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

Joseph P. Holbrook

1822 - 1888 Topics: Christian Activity; Aspirations For Grace; Aspirations For Holiness; Assurance Desired; Baptism; Character Depraved from Birth; Character New Birth Essential to Good; Christ Confessing; Christians Debt of; Christians Duties of; Christians Evangelists; Christians Graces of; Christians Saved by Grace; Deliverance From Sin; Faith Act of; Faith Walking by; God Love and Mercy; Gospel Freeness of ; Gospel Preaching of; Gospel Prevalence and Power of; Gospel Sanctifying and Saving; Grace Justifying; Grace Restoring; Grace Sovereign ; Heart Claimed of God; Heart Good, Perfect, Pure and Upright; Holiness Of Christians; The Holy Spirit; Humility; Joy Prayer for; Man Sinful and Lost Condition; Pardon Sought; Parents and Children; Penitence; Praise For Work of Redemption; Prayer Confession in; Prayer For Grace and Salvation; Prayer For Pardon; Regeneration; Repentance; Revival; The Righteous Contrasted with the Wicked; Sin Confession of; Sin Conviction of; Sin Hatred of; Sin Original; Sin Salvation from; Sin Washed away; Thanksgiving For God's Mercies; Truth; Worship Sincerity in Composer of "REFUGE" in The Psalter Joseph P. Holbrook was a tune writer in the parlor music style, and used the popular melodies of Mason and Hastings, Bradbury and Root, Greatorex and Kingsley in his collections. He furnished settings for the choir hymns in Songs for the Sanctuary in his Quartet and chorus Choir (New York, 1871, and sought more recogniation than had been given him in a hymnal of his own, Worship in Song (New York, 1880); a book that found no welcome. from The English hymn: its development and use in worship By Louis FitzGerald Benson