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How Firm a Foundation
Meter: 11.11.11.11 Appears in 2,127 hymnals Topics: Church Nature and Foundation First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2 "Fear not! I am with thee; O be not dismayed,
For I am thy God and will still give thee aid;
I’ll strengthen thee, help thee, and cause thee to stand,
Upheld by My righteous, omnipotent hand.
3 "When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume and thy gold to refine.
4 "The soul that on Jesus hath leaned for repose;
I will not, I will not desert to its foes;
That soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake!" Used With Tune: FOUNDATION Text Sources: Rippon's Selection of Hymns, 1787
How Firm a Foundation
The Church's One Foundation
Author: Samuel J. Stone; Laurence Hall Stookey Meter: 7.6.7.6 D Appears in 859 hymnals Topics: God's Church Foundation; God's Church The Foundation Lyrics: 1 The Church’s one foundation
is Jesus Christ our Lord;
we are his new creation
by water and the Word;
from heaven he came and sought us
to be his holy bride;
with his own blood he bought us,
and for our life he died.
[Stanza 2 under copyright]
3 Though with a scornful wonder
the world sees us oppressed,
by schisms rent asunder,
by heresies distressed,
yet saints their watch are keeping,
their cry goes up, “How long?”
And soon the night of weeping
shall be the morn of song.
4 Mid toil and tribulation,
and tumult of our war,
we wait the consummation
of peace forevermore,
till with the vision glorious
our longing eyes are blest,
and the great church victorious
shall be the Church at rest.
5 We now on earth have union
with God, the Three in One,
and mystic sweet communion
with those whose rest is won.
Oh, happy ones and holy!
Lord, give us grace that we
like them, the meek and lowly,
on high may dwell with thee. Used With Tune: AURELIA
The Church's One Foundation
The Solid Rock
Author: Rev. Edward Mote Appears in 1,086 hymnals Topics: Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation First Line: My hope is built on nothing less Refrain First Line: On Christ, the solid Rock, I stand Lyrics: 1 My hope is built on nothing less
Than Jesus' blood and righteousness;
I dare not trust the sweetest frame,
But wholly lean on Jesus' name.
Refrain:
On Christ, the solid Rock, I stand;
All other ground is sinking sand,
All other ground is sinking sand.
2 When darkness seems to veil his face,
I rest on his unchanging grace;
In ev'ry high and stormy gale,
My anchor holds within the vail. [Refrain]
3 His oath, his covenant, and blood,
Support me in the whelming flood;
When all around my soul gives way,
He then is all my hope and stay. [Refrain]
4 When he shall come with trumpet sound,
O may I then in him be found;
Clad in his righteousness alone,
Faultless to stand before the throne. [Refrain] Used With Tune: [My hope is built on nothing less]
The Solid Rock
FOUNDATION
Meter: 11.11.11.11 Appears in 413 hymnals Topics: Church Nature and Foundation Tune Sources: Caldwell's Union Harmony, 1837; Traditional American Melody Tune Key: A Flat Major Incipit: 56161 51131 35561 Used With Text: How Firm a Foundation
FOUNDATION
REGENT SQUARE
Meter: 8.7.8.7.8.7 Appears in 878 hymnals Composer and/or Arranger: Henry Smart Topics: Names and Office of Christ Foundation Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: Christ, Thou Art the Sure Foundation
REGENT SQUARE
One Foundation
Author: S. J. Stone Hymnal: Christ in Song #619 (1908) Topics: Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation; Christ Christ Our Foundation First Line: The Church has one foundation Lyrics: 1 The Church has one foundation,
'Tis Jesus Christ her Lord;
She is His new creation,
By water and the word;
From heav'n He came and sought her
To be His holy bride,
With His own blood He bo't her,
And for her life He died.
2 Elect from ev'ry nation,
Yet one o'er all the earth,
Her charter of salvation,
One Lord, one faith, one birth;
One holy name she blesses,
Partakes one holy food,
And to one hope she presses,
With ev'ry grace endued.
3 Tho' with a scornful wonder,
Men see her sore opprest,
Tho' foes would rend asunder
The rock where she doth rest;
Yet saints their faith are keeping,
Their cry goes up, "How long?"
And soon the night of weeping
Shall be the morn of song.
4 'Mid toil and tribulation,
And tumult of her war,
She waits the consummation
Of peace for ever more;
Till with the vision glorious
Her longing eyes are blest,
And the great Church victorious
Shall be the Church at rest.
Languages: English Tune Title: AURELIA
One Foundation
Foundation True, Art Thou, O Lord
Author: Wilmer D. Swope; John J. Overholt Hymnal: The Christian Hymnary. Bks. 1-4 #169 (1972) Topics: Jesus Christ Foundation Scripture: 1 Corinthians 3:11 Languages: English Tune Title: PARK STREET
Foundation True, Art Thou, O Lord
How Firm a Foundation
Hymnal: The Hymnal for Worship and Celebration #275 (1986) Meter: 11.11.11.11 Topics: Church Nature and Foundation First Line: How firm a foundation, ye saints of the Lord Lyrics: 1 How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2 "Fear not! I am with thee; O be not dismayed,
For I am thy God and will still give thee aid;
I’ll strengthen thee, help thee, and cause thee to stand,
Upheld by My righteous, omnipotent hand.
3 "When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume and thy gold to refine.
4 "The soul that on Jesus hath leaned for repose;
I will not, I will not desert to its foes;
That soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake!" Tune Title: FOUNDATION
How Firm a Foundation
Frederick William Faber
1814 - 1863 Person Name: Frederick W. Faber Topics: The Living Church Nature and Foundation Author of "Faith of Our Fathers" in The Celebration Hymnal Raised in the Church of England, Frederick W. Faber (b. Calverly, Yorkshire, England, 1814; d. Kensington, London, England, 1863) came from a Huguenot and strict Calvinistic family background. He was educated at Balliol College, Oxford, and ordained in the Church of England in 1839. Influenced by the teaching of John Henry Newman, Faber followed Newman into the Roman Catholic Church in 1845 and served under Newman's supervision in the Oratory of St. Philip Neri. Because he believed that Roman Catholics should sing hymns like those written by John Newton, Charles Wesley, and William Cowpe, Faber wrote 150 hymns himself. One of his best known, "Faith of Our Fathers," originally had these words in its third stanza: "Faith of Our Fathers! Mary's prayers/Shall win our country back to thee." He published his hymns in various volumes and finally collected all of them in Hymns (1862).
Bert Polman
=================
Faber, Frederick William, D.D., son of Mr. T. H. Faber, was born at Calverley Vicarage, Yorkshire, June 28, 1814, and educated at Balliol College, Oxford, graduating B.A. in 1836. He was for some time a Fellow of University College, in the same University. Taking Holy Orders in 1837, he became Rector of Elton, Huntingdonshire, in 1843, but in 1846 he seceded to the Church of Rome. After residing for some time at St. Wilfrid's, Staffordshire, he went to London in 1849, and established the London "Oratorians," or, "Priests of the Congregation of St. Philip Neri," in King William Street, Strand. In 1854 the Oratory was removed to Brompton. Dr. Faber died Sept. 26, 1863. Before his secession he published several prose works, some of which were in defence of the Church of England; and afterwards several followed as Spiritual Conferences, All for Jesus, &c. Although he published his Cherwell Waterlily and Other Poems, 1840; The Styrian Lake, and Other Poems, 1842; Sir Lancelot, 1844; and The Rosary and Other Poems, 1845; and his Lives of the Saints, in verse, before he joined the Church of Rome, all his hymns were published after he joined that communion. They were included in his:—
(1) A small book of eleven Hymns1849, for the School at St. Wilfrid's, Staffordshire. (2) Jesus and Mary: or, Catholic Hymns for Singing and Reading, London 1849. In 1852 the 2nd edition was published with an addition of 20 new hymns. (3) Oratory Hymns, 1854; and (4) Hymns, 1862, being a collected edition of what he had written and published from time to time.
Dr. Faber's account of the origin of his hymn-writing is given in his Preface to Jesus & Mary. After dwelling on the influence, respectively, of St. Theresa, of St. Ignatius, and of St. Philip Neri, on Catholicism; and of the last that "sanctity in the world, perfection at home, high attainments in common earthly callings…was the principal end of his apostolate," he says:—
“It was natural then that an English son of St. Philip should feel the want of a collection of English Catholic hymns fitted for singing. The few in the Garden of the Soul were all that were at hand, and of course they were not numerous enough to furnish the requisite variety. As to translations they do not express Saxon thought and feelings, and consequently the poor do not seem to take to them. The domestic wants of the Oratory, too, keep alive the feeling that something of the sort was needed: though at the same time the author's ignorance of music appeared in some measure to disqualify him for the work of supplying the defect. Eleven, however, of the hymns were written, most of them, for particular tunes and on particular occasions, and became very popular with a country congregation. They were afterwards printed for the Schools at St. Wilfrid's, and the very numerous applications to the printer for them seemed to show that, in spite of very glaring literary defects, such as careless grammar and slipshod metre, people were anxious to have Catholic hymns of any sort. The manuscript of the present volume was submitted to a musical friend, who replied that certain verses of all or nearly all of the hymns would do for singing; and this encouragement has led to the publication of the volume."
In the same Preface he clearly points to the Olney Hymns and those of the Wesleys as being the models which for simplicity and intense fervour he would endeavour to emulate. From the small book of eleven hymns printed for the schools at St. Wilfrid's, his hymn-writing resulted in a total of 150 pieces, all of which are in his Hymns, 1862, and many of them in various Roman Catholic collections for missions and schools. Few hymns are more popular than his "My God, how wonderful Thou art," "O come and mourn with me awhile," and "Sweet Saviour, bless us ere we go." They excel in directness, simplicity, and pathos. "Hark, hark, my soul, angelic songs are swelling," and "O Paradise, O Paradise," are also widely known. These possess, however, an element of unreality which is against their permanent popularity. Many of Faber's hymns are annotated under their respective first lines; the rest in common use include:—
i. From his Jesus and Mary, 1849 and 1852.
1. Fountain of love, Thyself true God. The Holy Ghost.
2. How shalt thou bear the Cross, that now. The Eternal Years.
3. I come to Thee, once more, O God. Returning to God.
4. Joy, joy, the Mother comes. The Purification.
5. My soul, what hast thou done for God? Self-Examination
6. O how the thought of God attract. Holiness Desired.
7. O soul of Jesus, sick to death. Passiontide. Sometimes this is divided into two parts, Pt. ii. beginning, “My God, my God, and can it be."
ii. From his Oratory Hymns, 1854.
8. Christians, to the war! Gather from afar. The Christian Warfare.
9. O come to the merciful Saviour that calls you. Divine Invitation. In many collections.
10. O God, Thy power is wonderful. Power and Eternity of God.
11. O it is sweet to think, Of those that are departed. Memory of the Dead.
12. O what are the wages of sin? The Wages of Sin.
13. O what is this splendour that beams on me now? Heaven.
14. Saint of the Sacred Heart. St. John the Evangelist.
iii. From his Hymns, 1862.
15. Father, the sweetest, dearest Name. The Eternal Father.
16. Full of glory, full of wonders, Majesty Divine. Holy Trinity.
17. Hark ! the sound of the fight. Processions.
18. How pleasant are thy paths, 0 death. Death Contemplated.
19. O God, Whose thoughts are brightest light. Thinking no Evil.
20. O why art thou sorrowful, servant of God? Trust in God.
21. Souls of men, why will ye scatter? The Divine Call.
22. The land beyond the sea. Heaven Contemplated.
23. The thought of God, the thought of thee. Thoughts of God.
24. We come to Thee, sweet Saviour. Jesus, our Rest.
In addition to these there are also several hymns in common use in Roman Catholic hymn-books which are confined to those collections. In the Hymns for the Year, by Dr. Rawes, Nos. 77, 110, 112, 117, 120, 121, 122, 125, 127, 128, 131, 140, 152, 154,169, 170, 174, 179, 180, 192, 222, 226, 230, 271, 272, are also by Faber, and relate principally to the Blessed Virgin Mary. Several of these are repeated in other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907
==================
Faber, Frederick William, p. 361, i. To this article the following additions have to be made:—
1. Blood is the price of heaven. Good Friday. (1862.)
2. Exceeding sorrowful to death. Gethsemane. This in the Scottish Ibrox Hymnal, 1871, is a cento from "O soul of Jesus, sick to death," p. 362, i., 7.
3. From pain to pain, from woe to woe. Good Friday. (1854.)
4. I wish to have no wishes left. Wishes about death. (1862.)
5. Why is thy face so lit with smiles? Ascension. (1849.)
The dates here given are those of Faber's works in which the hymns appeared. In addition to these hymns there are also the following in common use:—
6. Dear God of orphans, hear our prayer. On behalf of Orphans. This appeared in a miscellaneous collection entitled A May Garland, John Philip, n.d. [1863], No. 1, in 7 stanzas of 4 lines. In the Roman Catholic Parochial Hymn Book, 1880, it begins, "O God of orphans, hear our prayer."
7. Sleep, sleep my beautiful babe. Christmas Carol. This carol we have failed to trace.
8. By the Archangel's word of love. Pt. i. Life of our Lord. This, and Pt. ii., “By the blood that flowed from Thee"; Pt. iii., "By the first bright Easter day"; also, "By the word to Mary given"; "By the name which Thou didst take"; in The Crown Hymn Book and other Roman Catholic collections, we have seen ascribed to Dr. Faber, but in the Rev. H. Formby's Catholic Hymns, 1853, they are all signed "C. M. C," i.e. Cecilia M. Caddell (p. 200, i.).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
======================
Faber, F. W., pp. 361, i.; 1562, ii. We are informed by members of Dr. Faber's family that his father was Mr. Thomas Henry Faber, sometime Lay Secretary of the Bishop of Durham. In addition to his hymns already noted in this Dictionary, the following are found in various Roman Catholic collections, viz.:—
i. From St. Wilfrid's Hymns, 1849:—
1. Dear Father Philip, holy Sire. S. Philip Neri.
2. Hail, holy Joseph, hail. S. Joseph.
3. Mother of Mercy, day by day. Blessed Virgin Mary.
ii. Jesus and Mary, 1849:—
4. Ah ! dearest Lord! I cannot pray. Prayer.
5. Dear Husband of Mary. S. Joseph.
6. Dear Little One, how sweet Thou art. Christmas.
7. Father and God! my endless doom. Predestination.
8. Hail, holy Wilfrid, hail. S. Wilfrid.
9. O Jesus, if in days gone by. Love of the World.
10. O turn to Jesus, Mother, turn. B. V. M.
11. Sing, sing, ye angel bands. Assum. B. V. M.
iii. Jesus and Mary, 1852:—
12. All ye who love the ways of sin. S. Philip Neri.
13. Day set on Rome! its golden morn. S. Philip Neri.
14. Hail, bright Archangel! Prince of heaven. S. Michael.
15. Hail, Gabriel, hail. S. Gabriel.
16. O Flower of Grace, divinest Flower. B. V. M.
17. Saint Philip! 1 have never known. S. Philip Neri.
18. Sweet Saint Philip, thou hast won us. S. Philip Neri. Previously in the Rambler, May, 1850, p. 425.
iv. Oratory Hymns, 1854:—
19. Day breaks on temple roofs and towers. Expect. of B. V. M.
20. How gently flow the silent years. S. Martin and S. Philip.
21. How the light of Heaven is stealing. Grace.
22. Like the dawning of the morning. Expect. of B. V. M.
23. Mother Mary ! at thine altar. For Orphans.
24. My God! Who art nothing but mercy and kindness. Repentance.
25. O blessed Father! sent by God. S. Vincent of Paul.
26. O do you hear that voice from heaven? Forgiveness.
27. The chains that have bound me. Absolution.
28. The day, the happy day, is dawning. B. V. M.
29. The moon is in the heavens above. B. V. M.
30. Why art thou sorrowful, servant of God? Mercy.
v. Hymns, 1862:—
31. At last Thou art come, little Saviour. Christmas.
32. By the spring of God's compassions. S. Raphael.
33. Fair are the portals of the day. B. V. M.
34. Father of many children. S. Benedict.
35. From the highest heights of glory. S. Mary Magdalene.
36. Like the voiceless starlight falling. B. V. M.
37. Mary! dearest mother. B. V. M.
38. Mother of God, we hail thy heart. B. V. M.
39. O Anne! thou hadst lived through those long dreary years. S. Anne. Previously in Holy Family Hymns, 1860.
40. O balmy and bright as moonlit night. B. V. M.
41. O Blessed Trinity! Thy children. Holy Trinity.
42. O dear Saint Martha, busy saint. S. Martha
43. O Mother, will it always be. B. V. M.
44. O vision bright. B. V. M.
45. Summer suns for ever shining. B. V. M.
46. There are many saints above. S. Joseph. Previously in Holy Family Hymns, 1860.
vi. Centos and altered forms:—
47. Confraternity men to the fight. From "Hark the sound of the fight," p. 362, i.
48. Hail, sainted Mungo, hail. From No. 8.
49. I bow to Thee, sweet will of God. From "I worship Thee," p. 559, ii.
50. They whom we loved on earth. From "0 it is sweet to think," p. 362, i.
51. Vincent! like Mother Mary, thou. From No. 25.
When Dr. Faber's hymns which are in common use are enumerated, the total falls little short of one hundred. In this respect he outnumbers most of his contemporaries. [Rev. James Mearns]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Frederick William Faber
John Darwall
1732 - 1789 Person Name: John Darwall, 1731-1789 Topics: The Church's Life and Work Foundation and Nature Composer of "DARWALL" in Hymnal and Liturgies of the Moravian Church John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are."
Bert Polman
John Darwall
John Oxenham
1852 - 1941 Topics: Church--Foundation and nature Author of "In Christ There Is No East or West" in Moravian Book of Worship John Oxenham is a pseudonym for William Arthur Dunkerley, and is used as the name authority by the Library of Congress.
John Oxenham
