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Let All Mortal Flesh Keep Silence (Calle Todo Ser Humano)
Author: Gerard Moultrie, 1829-1885; Lorenzo Álvarez, 1897-1969 Meter: 8.7.8.7.8.7 Appears in 172 hymnals Topics: Humildad Scripture: Isaiah 6:2-3 Used With Tune: PICARDY
Let All Mortal Flesh Keep Silence (Calle Todo Ser Humano)
O Sanctissima (O Most Holy One) (Oh Santísima)
Author: Neil Borgstrom, b. 1953 Meter: 5.5.7.5.5.7 Appears in 48 hymnals Topics: Humildad Scripture: John 19:25-27 Used With Tune: O DU FRÖLICHE Text Sources: St. 1 Stimmen der Völker in Liedern, 1807; St. 2 Arundel Hymnal, 1902; Spanish tr. traditional
O Sanctissima (O Most Holy One) (Oh Santísima)
Spirit of the Living God (Ven Espíritu de Dios)
Author: Daniel Iverson, 1890-1977; Alberto Merubia, b. 1919; Michael Baughen, b. 1930; Ronald F. Krisman, b. 1946 Meter: 7.5.7.5.8.7.5 Appears in 100 hymnals Topics: Humildad First Line: Spirit of the Living God (Ven, Espíritu de Dios) Scripture: Acts 10:44 Used With Tune: IVERSON
Spirit of the Living God (Ven Espíritu de Dios)
[Amar es entregarse]
Appears in 8 hymnals Composer and/or Arranger: Ronald F. Krisman, n. 1946 Topics: Humildad Tune Sources: Tradicional Tune Key: F Major Incipit: 55432 31665 43231 Used With Text: Amar Es Entregarse (To Love Is to Surrender)
[Amar es entregarse]
O Come, Divine Messiah! (¡Divino Mesías! El Mundo Anhela)
Author: Abbé Simon-Joseph Pellegrin, 1663-1745; Sr. Mary of St. Philip, SND, 1825-1904; Ronald F. Krisman, b. 1946 Hymnal: Oramos Cantando = We Pray In Song #359 (2013) Meter: 7.6.7.6 with refrain Topics: Humildad First Line: O come, Divine Messiah! (¡Divino Mesías!) Refrain First Line: Dear Savior, haste! (¡Ven, Salvador!) Scripture: Luke 1:78-79 Languages: English; Spanish Tune Title: VENEZ, DIVIN MESSIE
O Come, Divine Messiah! (¡Divino Mesías! El Mundo Anhela)
Pastores, a Belén (Let's Go to Bethlehem)
Author: Ronald F. Krisman, n. 1946 Hymnal: Oramos Cantando = We Pray In Song #384 (2013) Topics: Humildad First Line: Pastores, a Belén vamos con alegría (Let's go to Bethlehem; O shepherds, do not tarry) Refrain First Line: Vamos, vamos, vamos a ver (Come to Bethlehem and see) Scripture: Luke 2:15-16 Languages: English; Spanish Tune Title: [Pastores, a Belén vamos con alegría]
Pastores, a Belén (Let's Go to Bethlehem)
Vamos, Pastores, Vamos (Now Let us Go, O Shepherds)
Author: E. Ciria, siglo XVI; Martin A. Seltz, n. 1951 Hymnal: Oramos Cantando = We Pray In Song #385 (2013) Topics: Humildad First Line: Ese precioso niño (Holy and dearest Jesus) Scripture: Luke 2:15-16 Languages: English; Spanish Tune Title: [Ese precioso niño]
Vamos, Pastores, Vamos (Now Let us Go, O Shepherds)
Richard Proulx
1937 - 2010 Person Name: Richard Proulx, 1937-2010 Topics: Humildad Harmonizer of "PICARDY" in Oramos Cantando = We Pray In Song Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works.
Bert Polman
Richard Proulx
Gerard Moultrie
1829 - 1885 Person Name: Gerard Moultrie, 1829-1885 Topics: Humildad Paraphraser of "Let All Mortal Flesh Keep Silence (Calle Todo Ser Humano)" in Oramos Cantando = We Pray In Song Moultrie, Gerard, M.A., son of the Rev. John Moultrie, was born at Rugby Rectory, Sept. 16, 1829, and educated at Rugby and Exeter College, Oxford (B.A. 1851, M.A. 1856). Taking Holy Orders, he became Third Master and Chaplain in Shrewsbury School; Chaplain to the Dowager Marchioness of Londonderry, 1855-59; curate of Brightwaltham, 1859; and of Brinfield, Berks, 1860; Chaplain of the Donative of Barrow Gurney, Bristol, 1864: Vicar of Southleigh, 1869, and Warden of St. James's College, Southleigh,1873. He died April 25, 1885. His publications include:
1) The Primer set forth at large for the use of the Faithful. In Family and Private Prayer. Edited from the Post Reformation editions, 1864. (2) Hymns and Lyrics for the Seasons and Saints' Days of the Church, 1867. The hymns of his sister, Mary Dunlop Moultrie (q.v.), were included in this volume. (3) The Espousals of S. Dorothea and Other Verses, 1870. (5) The Devout Communicant, 1867. (6) Six Years' work in Southleigh, 1875. (7) Cantica Sanctorum, or Hymns for the Black Letter Saints Days in the English and Scottish Calendars, to which are added a few Hymns for Special Occasions, 1880.
Mr. Moultrie's hymns include translations from the Greek, Latin, and German, in addition to original compositions. A large number appeared in the Church Times, and other papers; and many were written for special Saints' Days, and Other Festivals, for the People's Hymnal, 1867, in which some were signed "D. P." (i.e. Desiderius Pastor). The following are in common use:—
i. In The Primer, 1864.
1. Father of all, to Thee we pray. Lord's Prayer.
2. In the Name of God the Father. Laying Foundation Stone. (2nd stanza: "And as on the morning stillness.") First appeared in the Church Times, Oct. 1, 1864, and again (as rewritten for the laying of the foundation stone of St. Margaret's, East Grinstead), July 29, 1865.
ii. In Hymns and Lyrics, 1867.
3. Bishop of the souls of men. St. Matthias.
4. Come, faithful people, come away. Palm Sunday.
5. Easter-day is here, and we. Easter.
6. Heavenly Father, God alone. Harvest.
7. Mother, from whose bosom's veil. St. Anne. July 26.
8. 0 Jesu, 0 Redeemer. St. Luke.
9. Mary, maiden undefiled. Visitation of the Blessed Virgin Mary.
10. Silence reigns at eventide. Whitsuntide. In the Altar Hymnal, 1884, it begins with st. iii., "Hark, a rushing mighty sound."
11. The Marriage feast is ready. All Saints. Usually given in an abbreviated form.
12. Virgin-born the King of heaven. Christmas Midnight Hymn. ("To be sung at the Midnight Cele¬bration.") In the Church Times, Nov. 26, 1864, and revised for Hymns & Lyrics.
13. We march, we march to victory. Processional. In the Church Times, Aug, 19, 1865, and headed "Processional hymn before service (written expressly for use during present troubles)."
14. Who is this that shines so bright! St. Laurence. In the People's Hymnal, 1867.
15. Who keeps his birthday feast tonight? Beheading of St. John Baptist. In the People's Hymnal, 1867.
iii. In The People's Hymnal, 1867.
16. Heart to heart, and side by side. Holy Matrimony.
17. I know that my Redeemer liveth. Burial. A paraphrase of the Responsory in the Roman Office for the Dead.
18. Jesus Christ, we humbly pray. Opening of a School House.
19. Lord of heaven, Whose faithful love. Ember Days.
20. Lord, today we bring to Thee. Reception of a Privately Baptized Child.
21. Lord, we come today to Thee. Choir Festival.
22. 0 God, Who bad'st Thine angel sheathe. National Thanksgiving for restored Public Health. This is given in the Society for Promoting Christian Knowledge Church Hymns, 1871, as "0 God, Whose angel stayed his hand," and in the Hymnary, 1872, as "Lord, Who didst bid Thine angel sheathe."
23. 0 Lord of Hosts, Thou God of might. National Thanksgiving for Peace. In several collections.
24. Sevenfold Spirit, Lord of life. Consecration of a Bishop. First sung at the consecration of an American bishop at New York, in 1867. Included in the author's Espousals of St. Dorothea, 1870.
25. Sounds the bell in solemn cadence. Burial. In The Espousals of S. Dorothea, 1870, p. 82, the note is added, "This hymn was first sung at the funeral of the Rev. Warwick Wroth of Clerkenwell." It is headed "Funeral Hymn for a Priest."
iv. In Cantica Sanctorum, 1880.
26. In the midst of gladness, sorrow. Annunciation in Holy Week.
27. Jesus, tender Shepherd. Holy Communion.
28. Swing the censer, wave the banner. Processional.
v. In The Altar Hymnal, 1884.
29. Our great High Priest is standing. Holy Communion.
30. Lo, the Sacrifice atoning. Holy Communion.
vi. Various.
31. Forward, Christians, forward. Processional. Written for the Church of England Working Men's Society in 1879, and issued as a leaflet, of which 40,000 copies were sold during the first year.
32. Laid in this garden full of bloom. Easter Eve. In the Churchman's Companion, April, 1879.
33. On the wings of the wind fell a hymn from the sky. Christmas. In Husband's Supplemental Hymns, N.D. [1873].
34. Shades of night are falling round us. Evening. Novello & Co., with Music by Shad Frost.
35. There is a sound of rejoicing around the great throne. Processional. Written for St. Michael's Church, Folkestone, and published in E. Husband's Appendix to Hymns Ancient & Modern, N.D. [1873]. It was set to music by Mr. Husband, and is commonly known as "The Folkestone Processional."
36. This is the festal day of jubilation. Sunday School Anniversary. A hymn to be sung alternately by men and boys during the collection, written in 1877 for St. Agnes's, Kennington, London.
37. This is the hour of peace and blest communion. Holy Communion. Written for the English Church Union Commemoration held at St. Agnes's, Kennington Park, London, June 9, 1880.
From the subjects of the hymns noted above it will be seen that Mr. Moultrie wrote principally on matters not usually dealt with by hymnwriters. This is specially the case with his Cantica Sanctorum, in which most of the 103 hymns are for "Black Letter Saints' Days."
--John Julian, Dictionary of Hymnology (1907)
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Moultrie, G., p. 771, ii. We find that Mr. Moultrie wrote the preface to the Cantica Sanctorum, 1880, but did not edit the book. He and others contributed some thirteen hymns thereto. It was edited by Miss Isabella Leefe, p. 1663, i., who wrote 90 of the hymns.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
See also in:
Hymn Writers of the Church
Gerard Moultrie
Pablo D. Sosa
1933 - 2020 Person Name: Pablo Sosa, n. 1933 Topics: Humildad Composer of "SUS HECHOS" in Oramos Cantando = We Pray In Song Pablo Sosa (b. 1933 - d. 2020) grew up and was educated in Argentina, the U.S. (Westminster Choir College), and Germany. For years he pastored a large Methodist congregation in Buenos Aires, Argentina while composing songs, leading choirs, editing hymnals, producing religious broadcasts, and teaching liturgy and hymnology at a seminary.
Meanwhile, life in Argentina pushed him to question his assumptions about what’s best for congregational singing. During Argentina’s “dirty war,” two young women from his church were disappeared, possibly for working among the poor. As Catholic and Protestant churches hesitated whether to speak out, remain silent, or support the government, many people lost faith. Economic meltdown after the war plunged many middle-class Argentinians into poverty. Sosa’s growing social awareness widened his vision for “lifting up hope with a song.” He often describes worship as “the fiesta of the faithful,” where all are welcome and all music is seen as “part of the ‘song of the earth,’ which answers the psalmist’s call ‘Sing joyfully to God, all the earth!’ (Psalm 98:4).”
Whether in his home church, Iglesia Evangélica Metodista La Tercera (Third Methodist Church) in Buenos Aires, or at churches or conferences around the world, he urges people, “Put your body into worship!” And he reminds them of the biblical connection between justice and worship.
CICW Website Bio (http://www.calvin.edu/worship)
Pablo D. Sosa
