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O Worship the King
Author: Sir Robert Grant Meter: 5.5.5.5.6.5.6.5 Appears in 1,142 hymnals Topics: Hymns with Descants Lyrics: 1 O worship the King,
all-glorious above,
O gratefully sing
his power and his love;
our shield and defender,
the Ancient of Days,
pavilioned in splendor,
and girded with praise.
2 O tell of his might,
O sing of his grace,
whose robe is the light,
whose canopy, space.
His chariots of wrath
the deep thunderclouds form,
and dark is his path
on the wings of the storm.
3 This earth with its store
of wonders untold,
Almighty, thy power
hath founded of old;
hath 'stablished it fast
by a changeless decree,
and round it hath cast,
like a mantle, the sea.
4 Thy bountiful care
what tongue can recite?
It breathes in the air,
it shines in the light;
it streams from the hills,
it descends to the plain,
and sweetly distills
in the dew and the rain.
5 Frail children of dust,
and feeble as frail,
in thee do we trust,
nor find thee to fail;
thy mercies how tender,
how firm to the end!
Our maker, defender,
redeemer, and friend.
6 O measureless Might,
ineffable love!
While angels delight
to hymn thee above,
thy humbler creation,
though feeble their lays,
with true adoration
shall sing to thy praise.
Scripture: Psalm 104:1-5 Used With Tune: HANOVER
O Worship the King
The Head That Once Was Crowned with Thorns
Author: Thomas Kelly Meter: 8.6.8.6 Appears in 511 hymnals Topics: Hymns with Descants Lyrics: 1 The head that once was crowned with thorns
Iis crowned with glory now;
a royal diadem adorns
the mighty Victor’s brow.
2 The highest place that heav'n affords
is his, is his by right,
the King of kings and Lord of lords,
and heav'n’s eternal light--
3 the joy of all who dwell above,
the joy of all below,
to whom he manifests his love,
and grants his name to know.
4 To them the cross with all its shame,
with all its grace, is giv'n,
their name, an everlasting name,
their joy, the joy of heav'n.
5 They suffer with their Lord below,
they reign with him above,
their profit and their joy to know
the mystery of his love.
6 The cross he bore is life and health,
though shame and death to him;
his people's hope, his people's wealth,
their everlasting theme!
Scripture: Matthew 27:28-29 Used With Tune: ST. MAGNUS
The Head That Once Was Crowned with Thorns
O for a Thousand Tongues to Sing
Author: Charles Wesley Meter: 8.6.8.6 Appears in 1,736 hymnals Topics: Hymns with Descants Lyrics: 1 Oh, for a thousand tongues to sing
my great Redeemer's praise,
the glories of my God and King,
the triumphs of his grace!
2 Jesus, the name that charms our fears,
that bids our sorrows cease,
'tis music in the sinner's ears,
'tis life, and health, and peace.
3 He speaks, and, list'ning to his voice,
new life the dead receive;
the mournful, broken hearts rejoice,
the humble poor believe.
4 Hear him, you deaf; his praise, ye dumb,
your loosened tongues employ;
ye blind, behold your Savior come;
and leap, you lame, for joy.
5 Look unto him, ye nations: own
your God, ye fallen race;
look, and be saved by faith alone;
be justified by grace.
6 My gracious Master and my Lord,
assist me to proclaim,
and spread through all the earth abroad
the honors of thy name. Scripture: Isaiah 61:1-3 Used With Tune: RICHMOND
O for a Thousand Tongues to Sing
GROSSER GOTT
Meter: 7.8.7.8.7.7 Appears in 223 hymnals Topics: Hymns with Descants Tune Sources: Katholisches Gesangbuch (1774) (melody) Tune Key: F Major Incipit: 11171 23213 33235 Used With Text: Holy God, We Praise Your Name
GROSSER GOTT
WESTMINSTER ABBEY
Meter: 8.7.8.7.8.7 Appears in 93 hymnals Composer and/or Arranger: Henry Purcell Topics: Hymns with Descants Tune Key: G Major Incipit: 35314 27512 32176 Used With Text: Christ Is Made the Sure Foundation
WESTMINSTER ABBEY
O Worship the King
Author: Sir Robert Grant Hymnal: Rejoice in the Lord #2 (1985) Meter: 5.5.5.5.6.5.6.5 Topics: Hymns with Descants Lyrics: 1 O worship the King,
all-glorious above,
O gratefully sing
his power and his love;
our shield and defender,
the Ancient of Days,
pavilioned in splendor,
and girded with praise.
2 O tell of his might,
O sing of his grace,
whose robe is the light,
whose canopy, space.
His chariots of wrath
the deep thunderclouds form,
and dark is his path
on the wings of the storm.
3 This earth with its store
of wonders untold,
Almighty, thy power
hath founded of old;
hath 'stablished it fast
by a changeless decree,
and round it hath cast,
like a mantle, the sea.
4 Thy bountiful care
what tongue can recite?
It breathes in the air,
it shines in the light;
it streams from the hills,
it descends to the plain,
and sweetly distills
in the dew and the rain.
5 Frail children of dust,
and feeble as frail,
in thee do we trust,
nor find thee to fail;
thy mercies how tender,
how firm to the end!
Our maker, defender,
redeemer, and friend.
6 O measureless Might,
ineffable love!
While angels delight
to hymn thee above,
thy humbler creation,
though feeble their lays,
with true adoration
shall sing to thy praise.
Scripture: Psalm 104:1-5 Languages: English Tune Title: HANOVER
O Worship the King
The Head That Once Was Crowned with Thorns
Author: Thomas Kelly Hymnal: Rejoice in the Lord #335 (1985) Meter: 8.6.8.6 Topics: Hymns with Descants Lyrics: 1 The head that once was crowned with thorns
Iis crowned with glory now;
a royal diadem adorns
the mighty Victor’s brow.
2 The highest place that heav'n affords
is his, is his by right,
the King of kings and Lord of lords,
and heav'n’s eternal light--
3 the joy of all who dwell above,
the joy of all below,
to whom he manifests his love,
and grants his name to know.
4 To them the cross with all its shame,
with all its grace, is giv'n,
their name, an everlasting name,
their joy, the joy of heav'n.
5 They suffer with their Lord below,
they reign with him above,
their profit and their joy to know
the mystery of his love.
6 The cross he bore is life and health,
though shame and death to him;
his people's hope, his people's wealth,
their everlasting theme!
Scripture: Matthew 27:28-29 Languages: English Tune Title: ST. MAGNUS
The Head That Once Was Crowned with Thorns
Bright the Vision That Delighted
Author: Richard Mant Hymnal: Rejoice in the Lord #612 (1985) Meter: 8.7.8.7 Topics: Hymns with Descants First Line: Bright the vision that delighted Lyrics: 1 Bright the vision that delighted
once the sight of Judah’s seer,
sweet the countless tongues united
to entrance the prophet’s ear.
2 Round the Lord in glory seated
cherubim and seraphim
filled His temple and repeated
each to each th'alternate hymn:
3 “Lord, thy glory fills the heaven,
earth is with its fullness stored;
unto thee be glory given,
Holy, holy, holy Lord!”
4 Heav'n is still with glory ringing,
earth takes up the angels’ cry,
“Holy, holy, holy,” singing,
“Lord of hosts, the Lord most high.”
5 With his seraph train before him,
with his holy church below,
thus conspire we to adore him,
bid we thus our anthem flow:
6 “Lord, thy glory fills the heaven;
earth is with its fullness stored;
unto thee be glory given,
Holy, holy, holy Lord.”
Scripture: Isaiah 6:1-3 Languages: English Tune Title: LAUS DEO
Bright the Vision That Delighted
Catherine Winkworth
1827 - 1878 Topics: Hymns with Descants Translator of "Open Now Thy Gates of Beauty" in Rejoice in the Lord Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
========================
Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
Reginald Heber
1783 - 1826 Person Name: Richard Heber Topics: Hymns with Descants Author of "Holy, Holy, Holy! Lord God Almighty!" in Rejoice in the Lord Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
Thomas Haweis
1734 - 1820 Person Name: T. Haweis Topics: Hymns with Descants Composer (melody, later form) of "RICHMOND" in Rejoice in the Lord Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808).
Bert Polman
============================
Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his
Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar."
The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:—
1. Dark was the night and cold the ground. Gethsemane.
2. From the cross uplifted high. Christ in Glory.
3. Great Spirit, by Whose mighty power. Whitsuntide.
4. Submissive to Thy will, my God. Resignation.
5. The happy morn is come. Easter.
6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn.
7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption.
--John Julian, Dictionary of Hymnology (1907)
Thomas Haweis
