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O Jesus, Joy of Loving Hearts
Author: Ray Palmer Meter: 8.8.8.8.8 with refrain Appears in 558 hymnals Topics: Longing for Christ and God Lyrics: 1 O Jesus, joy of loving hearts,
thou fount of life, thou light of men,
from fullest bliss that earth imparts
we turn unfilled to thee again,
we turn unfilled to thee again.
2 Thy truth unchanged has ever stood,
thou savest those that on thee call;
to them that seek thee, thou art good,
to them that find thee, all in all,
to them that find thee, all in all.
3 We taste thee, O thou living bread,
and long to feast upon thee still;
we drink of thee, the fountainhead,
and thirst our souls from thee to fill,
and thirst our souls from thee to fill.
4 Our restless spirits yearn for thee,
where'er our changeful lot is cast,
glad that thy gracious smile we see,
blest that our faith can hold thee fast,
blest that our faith can hold thee fast.
5 O Jesus, ever with us stay,
make all our moments calm and bright;
chase the dark night of sin away,
shed o'er the world thy holy light,
shed o'er the world thy holy light. Scripture: Luke 1:78-79 Used With Tune: BACA Text Sources: Latin, 11th cent.
O Jesus, Joy of Loving Hearts
There is a longing in our hearts, O Lord
Author: Anne Quigley Meter: Irregular Appears in 12 hymnals Topics: Longing First Line: For justice, for freedom, for mercy Scripture: Ecclesiastes 7:25 Used With Tune: LONGING
There is a longing in our hearts, O Lord
Nearer, My God To Thee
Author: Sarah F. Adams, 1805-1878 Meter: 6.4.6.4.6.6.6.4 Appears in 2,490 hymnals Topics: Longing for God; Longing for God; Longing for God First Line: Nearer, my God, to thee Lyrics: 1 Nearer, my God, to thee,
Nearer to thee!
E'en tho' it be a cross
That raiseth me,
Still all my song shall be,
Nearer, my God, to thee;
Nearer, my God, to thee,
Nearer to thee!
2 Though like the wanderer,
The sun gone down,
Darkness be over me,
My rest a stone;
Yet in my dreams I'd be
Nearer, my God, to thee;
Nearer, my God, to thee,
Nearer to thee!
3 There let the way appear,
Steps unto heav'n;
All that thou sendest me,
In mercy given;
Angels to beckon me
Nearer, my God, to thee;
Nearer, my God, to thee,
Nearer to thee!
4 Then, with my waking thoughts
Bright with thy praise,
Out of my stony griefs
Bethel I'll raise;
So by my woes to be
Nearer, my God, to thee;
Nearer, my God, to thee,
Nearer to thee!
5 Or if, on joyful wing
Cleaving the sky,
Sun, moon, and stars forgot,
Upward I fly,
Still all my song shall be,
Nearer, my God, to thee;
Nearer, my God, to thee,
Nearer to thee!
Scripture: Genesis 28:10-22 Used With Tune: BETHANY
Nearer, My God To Thee
HERR JESU CHRIST DICH ZU UNS WEND
Meter: 8.8.8.8 Appears in 190 hymnals Composer and/or Arranger: Johann Sebastian Bach, 1685-1750 Topics: Longing for Christ and God Tune Sources: Pensum Sacrum, Görlitz, 1648 Tune Key: F Major or modal Incipit: 13532 34565 32117 Used With Text: O Thou That Hear'st When Sinners Cry
HERR JESU CHRIST DICH ZU UNS WEND
Christ, be our light!
Author: Bernadette Farrell (b. 1957) Hymnal: Ancient and Modern #42 (2013) Topics: Longing First Line: Longing for light, we wait in darkness Scripture: John 13:14-17 Languages: English Tune Title: CHRIST BE OUR LIGHT
Christ, be our light!
Christ, be our light!
Author: Bernadette Farrell (b. 1957) Hymnal: Church Hymnary (4th ed.) #543 (2005) Meter: 9.8.9.6 with refrain Topics: Longing First Line: Longing for light, we wait in darkness Scripture: 1 Corinthians 3:9 Languages: English Tune Title: CHRIST BE OUR LIGHT
Christ, be our light!
Christ, be our light!
Author: Bernadette Farrell (b. 1957) Hymnal: Hymns of Glory, Songs of Praise #543 (2008) Meter: 9.8.9.6 with refrain Topics: Longing First Line: Longing for light, we wait in darkness Scripture: 1 Corinthians 3:9 Languages: English Tune Title: CHRIST BE OUR LIGHT
Christ, be our light!
John Wesley
1703 - 1791 Person Name: J. Wesley, 1703-1791 Topics: Longing For Christ Translator of "Thou Lamb of God, Thou Prince of Peace" in Methodist Hymn and Tune Book John Wesley, the son of Samuel, and brother of Charles Wesley, was born at Epworth, June 17, 1703. He was educated at the Charterhouse, London, and at Christ Church, Oxford. He became a Fellow of Lincoln College, Oxford, and graduated M.A. in 1726. At Oxford, he was one of the small band consisting of George Whitefield, Hames Hervey, Charles Wesley, and a few others, who were even then known for their piety; they were deridingly called "Methodists." After his ordination he went, in 1735, on a mission to Georgia. The mission was not successful, and he returned to England in 1738. From that time, his life was one of great labour, preaching the Gospel, and publishing his commentaries and other theological works. He died in London, in 1791, in his eighty-eighth year. His prose works are very numerous, but he did not write many useful hymns. It is to him, however, and not to his brother Charles, that we are indebted for the translations from the German.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
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John Wesley, M.A., was born at Epworth Rectory in 1703, and, like the rest of the family, received his early education from his mother. He narrowly escaped perishing in the fire which destroyed the rectory house in 1709, and his deliverance made a life-long impression upon him. In 1714 he was nominated on the foundation of Charterhouse by his father's patron, the Duke of Buckingham, and remained at that school until 1720, when he went up, with a scholarship, from Charterhouse to Christ Church, Oxford. Having taken his degree, he received Holy Orders from the Bishop of Oxford (Dr. Potter) in 1725. In 1726 he was elected Fellow of Lincoln College, and remained at Oxford until 1727, when he returned into Lincolnshire to assist his father as curate at Epworth and Wroot. In 1729 he was summoned back to Oxford by his firm friend, Dr. Morley, Rector of Lincoln, to assist in the College tuition. There he found already established the little band of "Oxford Methodists" who immediately placed themselves under his direction. In 1735 he went, as a Missionary of the Society for the Propagation of the Gospel, to Georgia, where a new colony had been founded under the governorship of General Oglethorpe. On his voyage out he was deeply impressed with the piety and Christian courage of some German fellow travellers, Moravians. During his short ministry in Georgia he met with many discouragements, and returned home saddened and dissatisfied both with himself and his work; but in London he again fell in with the Moravians, especially with Peter Bohler; and one memorable night (May 24, 1738) he went to a meeting in Aldersgate Street, where some one was reading Luther's preface to the Epistle to the Romans. There, "About a quarter before nine, while he was describing the change which God works in the heart through faith in Christ, I felt my heart strangely warmed. I felt I did trust in Christ, Christ alone, for salvation; and an assurance was given me, that He had taken away my sins, even mine, and saved me from the law of sin and death." From that moment his future course was sealed; and for more than half a century he laboured, through evil report and good report, to spread what he believed to be the everlasting Gospel, travelling more miles, preaching more sermons, publishing more books of a practical sort, and making more converts than any man of his day, or perhaps of any day, and dying at last, March 2, 1791, in harness, at the patriarchal age of 88.
The popular conception of the division of labour between the two brothers in the Revival, is that John was the preacher, and Charles the hymnwriter. But this is not strictly accurate. On the one hand Charles was also a great preacher, second only to his brother and George Whitefield in the effects which he produced. On the other hand, John by no means relegated to Charles the exclusive task of supplying the people with their hymns. John Wesley was not the sort of man to depute any part of his work entirely to another: and this part was, in his opinion, one of vital importance. With that wonderful instinct for gauging the popular mind, which was one element in his success, he saw at once that hymns might be utilized, not only for raising the devotion, but also for instructing, and establishing the faith of his disciples. He intended the hymns to be not merely a constituent part of public worship, but also a kind of creed in verse. They were to be "a body of experimental and practical divinity." "In what other publication," he asks in his Preface to the Wesleyan Hymn Book, 1780 (Preface, Oct. 20,1779), "have you so distinct and full an account of Scriptural Christianity; such a declaration of the heights and depths of religion, speculative and practical; so strong cautions against the most plausible errors, particularly those now most prevalent; and so clear directions for making your calling and election sure; for perfecting holiness in the fear of God?" The part which he actually took in writing the hymns, it is not easy to ascertain; but it is certain that more than thirty translations from the German, French and Spanish (chiefly from the German) were exclusively his; and there are some original hymns, admittedly his composition, which are not unworthy to stand by the side of his brother's. His translations from the German especially have had a wide circulation. Although somewhat free as translations they embody the fire and energy of the originals.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
John Wesley
Mary A. Lathbury
1841 - 1913 Person Name: Mary Artemisia Lathbury, 1841-1913 Topics: Longing for God Author of "Break now the bread of life, dear Lord, to me" in Together in Song Lathbury, Mary Ann, was born in Manchester, Ontario County, New York, Aug. 10, 1841. Miss Lathbury writes somewhat extensively for the American religious periodical press, and is well and favourably known (see the Century Magazine, Jan., 1885, p. 342). Of her hymns which have come into common use we have:—
1. Break Thou the bread of life. Communion with God. A "Study Song" for the Chautauqua Literary and Scientific Circle, written in the summer of 1880. It is in Horder's (Eng.) Congregational Hymns, 1884.
2. Day is dying in the west. Evening. "Written at the request of the Rev. John H. Vincent, D.D., in the summer of 1880. It was a "Vesper Song," and has been frequently used in the responsive services of the Chautauqua Literary and Scientific Circle." It is in the Laudes Domini, N. Y., 1884.
For these details we are indebted to S. W. Duffield's English Hymns, &c, N. Y., 1886.
--John Julian, Dictionary of Hymnology (1907)
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Lathbury, Mary A., p. 640, i. Another hymn by this writer is, "Lift up, lift up thy voice with singing." [Praise to Christ), in Sankey's Sacred Songs & Solos, 1878.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Mary A. Lathbury
Frederick Whitfield
1829 - 1904 Topics: Longing for Christ and God Author of "I Need Thee, Precious Jesus" in Trinity Hymnal (Rev. ed.) Whitfield, Frederick, B.A., son of H. Whitfield, was born at Threapwood, Shropshire, Jan. 7, 1829, and educated at Trinity College, Dublin, where he took his B.A. in 1859. On taking Holy Orders, he was successively curate of Otley, vicar of Kirby-Ravensworth, senior curate of Greenwich, and Vicar of Stanza John's, Bexley. In 1875 he was preferred to St. Mary's, Hastings. Mr. Whitfield's works in prose and verse number upwards of thirty, including Spiritual unfolding from the Word of Life; Voices from the Valley Testifying of Jesus; The Word Unveiled; Gleanings from Scripture, &c. Several of his hymns appeared in his Sacred Poems and Prose, 1861, 2nd Series, 1864; The Casket, and Quiet Hours in the Sanctuary. The hymn by which he is most widely known is I need Thee, precious Jesu.” Other hymns by him in common use include:~
1. I have a Great High Priest above. Christ the High Priest.
2. I saw the Cross of Jesus. The Cross.
3. In spirit, Lord, we meet Thee now. Missions. This was written at the request of the Committee of the Irish Church Missions for one of their annual meetings in London.
4. Jesus, Thou Name of magic power. The Name of Jesus. Sometimes given as "Jesus, Thou Name of power divine."
5. The sprinkled blood is speaking. The Blood of Christ.
6. There is a day I long to see. Heaven Anticipated.
7. There is a Name I love to hear. The Name of Jesus. Published in 1855 in hymnsheets and leaflets in various languages. From this the hymn “Jesus, the Name I love so well" is taken.
8. There's naught on earth to rest upon. God Unchangeable.
9. When dead in sin and far from God. Redemption.
All these hymns, with the exception of No. 3, are in his Sacred Poems and Prose, 1861, and several of them have been printed as leaflets, and set to special music. The Sacred Poems, &c, contains 26 hymns, some of which are of considerable merit.
-- John Julian, Dictionary of Hymnology (1907)
Frederick Whitfield
