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Author: Charles Wesley; George Whitefield Meter: 7.7.7.7 D with refrain Appears in 1,326 hymnals Topics: Adoration; Christ Birth of First Line: Hark! the herald angels sing Glory to the new-born King Lyrics: 1 Hark! the herald angels sing, "Glory to the newborn King: peace on earth, and mercy mild, God and sinners reconciled!" Joyful, all ye nations, rise, join the triumph of the skies; with th'angelic hosts proclaim, "Christ is born in Bethlehem!" Refrain: Hark! the herald angels sing, "Glory to the newborn King" 2 Christ, by highest heaven adored, Christ, the everlasting Lord, late in time behold him come, offspring of the Virgin's womb: veiled in flesh the Godhead see; hail th'incarnate Deity, pleased with us in flesh to dwell, Jesus, our Immanuel. [Refrain] 3 Hail the heaven-born Prince of Peace! Hail the Sun of Righteousness! Light and life to all he brings, risen with healing in his wings. Mild he lays his glory by, born that we no more may die, born to raise us from the earth, born to give us second birth. [Refrain]

Christ the Lord is risen today

Author: Charles Wesley Meter: 7.7.7.7 with alleluias Appears in 1,176 hymnals Topics: Christ Resurrection; Resurrection; liturgical Opening Hymns First Line: Christ, the Lord is risen today, Sons of men and angels say Lyrics: 1 Christ the Lord is risen today, Alleluia! Earth and heaven in chorus say, Alleluia! Raise your joys and triumphs high, Alleluia! Sing, ye heavens, and earth reply, Alleluia! 2 Love's redeeming work is done, Alleluia! Fought the fight, the battle won, Alleluia! Death in vain forbids him rise, Alleluia! Christ has opened paradise, Alleluia! 3 Lives again our glorious King, Alleluia! Where, O death, is now thy sting? Alleluia! Once he died our souls to save, Alleluia! Where's thy victory, boasting grave? Alleluia! 4 Soar we now where Christ has led, Alleluia! Following our exalted Head, Alleluia! Made like him, like him we rise, Alleluia! Ours the cross, the grave, the skies, Alleluia! 5 Hail the Lord of earth and heaven, Alleluia! Praise to thee by both be given, Alleluia! Thee we greet triumphant now, Alleluia! Hail the Resurrection, thou, Alleluia! 6 King of glory, soul of bliss, Alleluia! Everlasting life is this, Alleluia! Thee to know, thy power to prove, Alleluia! Thus to sing, and thus to love, Alleluia! United Methodist Hymnal, 1989

Who Is He in Yonder Stall

Author: B. R. Hanby Meter: 7.7.7.7 with refrain Appears in 138 hymnals Topics: Adoration; Children's Hymns for Children; Christ Life and Ministry Refrain First Line: 'Tis the Lord, O wondrous story

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Tunes

Tune authorities

O HOW I LOVE JESUS

Meter: 8.6.8.6 D Appears in 34 hymnals Topics: Jesus Christ Name of Tune Sources: 19th cent. USA melody Tune Key: A Flat Major Incipit: 13332 31111 22212 Used With Text: O How I Love Jesus

CORONATION

Meter: 8.6.8.6 Appears in 1,258 hymnals Composer and/or Arranger: Oliver Holden Topics: Jesus Christ Name of Tune Key: F Major Incipit: 51133 21232 13212 Used With Text: All Hail the Power of Jesus' Name

CRUCIFER

Meter: 10.10 with refrain Appears in 106 hymnals Composer and/or Arranger: Sydney Hugo Nicholson Topics: Jesus Christ Name of Tune Key: C Major Incipit: 51545 34562 23516 Used With Text: Lift High the Cross

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Instances

Published text-tune combinations (hymns) from specific hymnals

Bless That wonderful Name

Hymnal: Zion still Sings #30 (2007) Topics: Praise and Adoration The Name of Jesus Christ First Line: Bless that wonderful name of Jesus! Lyrics: 1 Bless that wonderful name of Jesus! Bless that wonderful name of Jesus! Bless that wonderful name of Jesus! No other name I know! 2 Power in the name of Jesus! Power in the name of Jesus! Power in the name of Jesus! No other name I know! Languages: English Tune Title: [Bless that wonderful name of Jesus]

In the Name of Jesus

Hymnal: Zion still Sings #32 (2007) Topics: Praise and Adoration The Name of Jesus Christ First Line: In the name of Jesus, in the name of Jesus Lyrics: In the name of Jesus, in the name of Jesus, We have the victory! In the name of Jesus, In the name of Jesus, Satan will have to flee! Tell me, who can stand before us, when we call on that great name? Jesus! Jesus! Precious Jesus! We have the victory! Languages: English Tune Title: [In the name of Jesus, in the name of Jesus]

Glorious Is the Name of Jesus

Author: Dr. Robert J. Fryson Hymnal: Zion still Sings #25 (2007) Topics: Praise and Adoration The Name of Jesus Christ Languages: English Tune Title: [Glorious is the name of Jesus]

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People

Authors, composers, editors, etc.

John Rippon

1751 - 1836 Person Name: John Rippon, 1751-1836 Topics: Holy name of Jesus Christ Alterer of "All Hail the Power of Jesus' Name" in One Lord, One Faith, One Baptism Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

C. Hubert H. Parry

1848 - 1918 Person Name: Charles Hubert Hastings Parry, 1848-1918 Topics: Jesus Christ Name of Composer of "LAUDATE DOMINUM" in The Book of Praise Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”. John Perry

Joseph Parry

1841 - 1903 Person Name: Joseph Parry, 1841-1903 Topics: Jesus Christ Name of Composer of "ABERYSTWYTH" in The Book of Praise Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

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