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The Wisdom of God in the Formation of Man

Appears in 52 hymnals Topics: Nature of man First Line: When I with pleasing Wonder stand Lyrics: 1 When I with pleasing Wonder stand, And all my Frame survey, Lord, 'tis thy Work I own thy Hand Thus built my humble Clay. 2 Thy Hand my Heart and Reins possest, Where unborn Nature grew; Thy Wisdom all my Features trac'd, And all my Members drew. 3 Thine Eye with nicest Care survey'd The Growth of ev'ry Part; 'Till the whole Scheme thy Thoughts had laid Was copy'd by thy Art. 4 Heav'n, earth, and sea, and Fire, and Wind, Shew me thy wond'rous Skill But I review myself, and find Diviner Wonders still. 5 Thy awful Glories round me shine, My Flesh proclaims thy Praise; Lord, to thy Works of Nature join Thy Miracles of Grace. Scripture: Psalm 139
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Lord, Our Lord, Thy glorious Name

Meter: 7.7.7.7.4 with refrain Appears in 35 hymnals Topics: Children; Image Of God; Dignity of Man; Name Of God; God in Nature; Praise for God's Works Refrain First Line: Lord, our Lord, in all the earth Lyrics: 1 Lord, our Lord, Thy glorious Name All Thy wondrous works proclaim; In the heavens with radiant signs Evermore Thy glory shines. How great Thy Name! Refrain: Lord, our Lord, in all the earth, How great Thy Name! Thine the Name of matchless worth, Excellent in all the earth; How great Thy Name! 2 Infant lips Thou dost ordain Wrath and vengeance to restrain; Weakest means fulfil Thy will, Mighty enemies to still. How great Thy Name! [Refrain] 3 Moon and stars in shining height Nightly tell their Maker's might; When Thy wondrous heavens I scan, Then I know how weak is man. How great Thy Name! [Refrain] 4 What is man that he should be Loved and visited by Thee, Raised to an exalted height, Crowned with honor in Thy sight! How great Thy Name! [Refrain] 5 With dominion crowned he stands O’er the creatures of Thy hands; All to Him subjection yield In the sea and air and field. How great Thy Name! [Refrain] Scripture: Psalm 8 Used With Tune: EVENING PRAISE
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The wonderful Formation of Man

Appears in 35 hymnals Topics: Nature of man First Line: 'Twas from thy Hand, my GOD, I came Lyrics: 1 'Twas from thy Hand, my GOD, I came, A Work of such a curious Frame In me thy fearful Wonders shine, And each proclaims thy Skill divine. 2 Thine Eyes did all my Limbs survey, Which yet in dark Confusion lay; Thou saw'st the daily Growth they took, Formed by the Model of thy Book. 3 By Thee my growing Parts were nam'd, And what thy sov'reign Counsels fram'd, The breathing Lungs, the beating Heart, Was copy'd with unerring Art. 4 At last, to shew my Maker's Name, GOD stamp'd his Image on my Frame, And in some unknown Moment join'd The finish'd Members to the Mind. 5 There the young Seeds of Thought began, And all the Passions of the Man: Great GOD, our infant Nature pays Immortal Tribute to thy Praise. Pause. 6 Lord, since in my advancing age I've acted on Life's busy Stage, Thy Thoughts of Love to me surmount The Pow'r of Numbers to recount. 7 I could survey the Ocean o'er, And count each Sand that makes the Shore, Before my swiftest Thoughts could trace The num'rous Wonders of thy grace. 8 These on my Heart are still imprest, With these I give my Eyes to Rest; And at my waking Hour I find GOD and his Love possess my Mind. Scripture: Psalm 139

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EVENING PRAISE

Meter: 7.7.7.7.4 with refrain Appears in 381 hymnals Composer and/or Arranger: William F. Sherwin Topics: Image Of God; Man; Nature, God In; Name Of God Tune Key: A Flat Major Incipit: 11165 45111 65457 Used With Text: Lord, Our Lord, Thy Glorious Name
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CRUSADERS' HYMN (SCHÖNSTER HERR JESU)

Meter: 5.6.8.5.5.8 Appears in 491 hymnals Composer and/or Arranger: James Hopkirk Topics: Jesus Christ Praise and Thanksgiving; Adoration and Praise; Adoration and Praise; Angels; Annunciation; Hymns Suitable for Use with Children; Christian Year Transfiguration; Creation; Heaven(s)/Paradise; Jesus Christ Adoration and Praise; Jesus Christ Divinity; Jesus Christ Friend; Jesus Christ Images of; Jesus Christ Kingship, Conqueror; Jesus Christ Love For; Jesus Christ Praise; Jesus Christ Prophet; Jesus Christ Reign; Jesus Christ Son of God/Man (David); Nation; Nature; Rulers; Seasons Changing; Baptism of Jesus Year A; Epiphany 3 Year A; Easter 2 Year A; Proper 10 Year A; Epiphany 8 Year B; Epiphany Last/Transfig. Year B; Easter 2 Year B; Proper 17 Year B; Easter 1 Year C; Easter 2 Year C; Trinity Sunday Year C Tune Sources: Silesian folk melody in Schlesische Volkslieder 1842 Tune Key: D Major Incipit: 11127 13333 42351 Used With Text: Fairest Lord Jesus
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CLINTON

Meter: 8.6.8.6 Appears in 16 hymnals Composer and/or Arranger: Joseph P. Holbrook Topics: Children; Image Of God; Dignity of Man; Name Of God; God in Nature; Praise for God's Works Tune Key: G Major or modal Incipit: 33215 12334 43523 Used With Text: O Lord, Our Lord, in All the Earth

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The Wisdom of God in the Formation of Man

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #249 (1786) Topics: Nature of Man; Nature of Man First Line: When I with pleasing wonder stand Lyrics: 1 When I with pleasing wonder stand, And all my frame survey, Lord, tis thy work; I own thy hand Thus built my humble clay. 2 Thy hand my heart and reins possest Where unborn nature grew; Thy wisdom all my features trac'd, And all my members drew. 3 Thine eye with nicest care survey'd The growth of every part; Till the whole scheme thy thoughts had laid Was copy'd by thy art. 4 Heaven, earth, and sea, and fire and wind Shew me thy wondrous skill; But I review myself, and find Diviner wonders still. 5 Thy awful glories round me shine, My flesh proclaims thy praise; Lord, to thy works of nature join Thy miracles of grace. Scripture: Psalm 139 Languages: English
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The Wisdom of God in the formation of Man

Hymnal: Doctor Watts's Imitation of the Psalms of David #249 (1790) Topics: Nature of Man; Nature of Man First Line: When I with pleasing wonder stand Lyrics: 1 When I with pleasing wonder stand, And all my frame survey, Lord, tis thy work; I own thy hand Thus built my humble clay. 2 Thy hand my heart and reins possest Where unborn nature grew; Thy wisdom all my features trac'd, And all my members drew. 3 Thine eye with nicest care survey'd The growth of every part; Till the whole scheme thy thoughts had laid Was copy'd by thy art. 4 Heaven, earth, and sea, and fire and wind Shew me thy wondrous skill; But I review myself, and find Diviner wonders still. 5 Thy awful glories round me shine, My flesh proclaims thy praise; Lord, to thy works of nature join Thy miracles of grace. Scripture: Psalm 139 Languages: English
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The Wisdom of God in the Formation of Man

Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #266a (1786) Topics: Nature of Man; Nature of Man First Line: When I with pleasing wonder stand Lyrics: 1 When I with pleasing wonder stand, And all my frame survey, Lord, 'tis thy work; I own thy hand Thus built my humble clay. 2 Thy hand my heart and reins possest Where unborn nature grew; Thy wisdom all my features trac'd, And all my members drew. 3 Thine eye with nicest care survey'd The growth of every part; Till the whole scheme thy thoughts had laid Was copy'd by thy art. 4 Heaven, earth, and sea, and fire and wind Shew me thy wondrous skill; But I review myself, and find Diviner wonders still. 5 Thy awful glories round me shine, My flesh proclaims thy praise; Lord, to thy works of nature join Thy miracles of grace. Scripture: Psalm 139 Languages: English

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William F. Sherwin

1826 - 1888 Topics: Children; Image Of God; Dignity of Man; Name Of God; God in Nature; Praise for God's Works Composer of "EVENING PRAISE" in Psalter Hymnal (Red) Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:— 1. Grander than ocean's story (1871). The Love of God. 2. Hark, bark, the merry Christmas bells. Christmas Carol. 3. Lo, the day of God is breaking. The Spiritual Warfare. 4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary. 5. Why is thy faith, 0 Child of God, so small. Safety in Jesus. Mr. Sherwin died at Boston, Massachusetts, April 14, 1888. -- John Julian, Dictionary of Hymnology (1907) ================== Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Isaac Watts

1674 - 1748 Topics: Nature of man Author of "Psalm 139 Part 2" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Samuel Longfellow

1819 - 1892 Person Name: Samuel Longfellow, 1819-1892 Topics: Calm; God Creator; God The Immanent; God Love of; Law, God's Man's; Light; Morning; God in Nature; Giving Thanks; God the Father Majesty and Omnipotence Author of "We give thee thanks, Thy name we sing" in The Hymnal Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow