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Author: Ludv. M. Bjørn Appears in 2 hymnals Topics: Ninth Sunday after Trinity Sunday Lyrics: 1 Din Næste elsk af ganske Sjæl, Det Bud kun kjendes for en Del; Det var vel Tid at lytte! Ak, Herre hjælp os, at i Dag Vi til dit stor Navns Behag Maa Daad til ordet knytte! 2 Naar Hjertet ei har Herren kjær, Da aabnes Haanden med Besvær, Det maa saa tidt erfares! Man glemmer ham, som Korset bar, Behandlet som et Vredens Kar; Hint aldrig kan forklares! 3 Et Offer Krist har bragt for mig, For al min synd tilstrækkelig; Thi skal det aldrig glemmes! Saa vil jeg da helt hjertelig Til Offer ham fremstille mig; Den Sag skal altid fremmes! 4 Da Jesus fattig, ringe sad, Han aldrig om en Penning bad; Den var ei blandt hans Glæder! Men Jesus, som saa herligt bor Blandt Engles store Jubelkor, Os om en Skjærv nu beder! 5 Hver Tjener vil han gi' sin Løn, Hver Hedning føre frem til Bøn Og hver en Nøgen klæde! Hvad vi nu gjør mod Herrens Smaa, deraf skal engang Høst vi faa Med stor og evig Glæde! 6 De hellige tre Konger bar frem til ham gyldne, skjønne Kar; det var saa stor en Gave! Min Gave kommer sligt ei nær, Men jeg har ham dog ogsaa kjær, Han ogsaa minskal have! 7 Vi, Venner, alle, som har kjær Den Ven, som er os stedse nær, Vil lægge paa hans Alter Den Gave, som vort Hjerte har Bestemt til ham, som er og var Vor Strengeleg og Psalter!

Soldiers of Christ, arise

Author: Charles Wesley Appears in 893 hymnals Topics: Ninth Sunday after Trinity Lyrics: 1 Soldiers of Christ, arise, And put your armor on, Strong in the strength which God supplies Thro' His eternal Son; 2 Strong in the Lord of Hosts, And in His mighty power: Who in the strength of Jesus trusts Is more than conqueror. 3 Stand then in His great might, With all His strength endued; But take, to arm you for the fight, The panoply of God: 4 That having all things done, And all your conflicts past, Ye may o'ercome throough Christ alone And stand entire at last. 5 From strength to strength go on; Wrestle and fight and pray: Tread all the powers of darkness down, And win the well-fought day. 6 Still let the Spirit cry, In all his soldiers, "Come," Till Christ the Lord descends from high, And takes the conqueror home. Used With Tune: SILVER STREET

Jeg takker Gud, min kristen Tro

Author: Landstad Appears in 3 hymnals Topics: Ninth Sunday after Trinity Sunday Lyrics: 1 Jeg takker Gud, min kristen Tro Den er saa kjært et Stykke, Al Tid, jeg skal i Verden bo, Den er mit Hjertes Smykke, Og gjemt som Arveguld i Skrin, Til selv han kommer, Herren min, Da lyser op min Lykke! 2 Thi den, som paa gud Fader tror, Han frygter ingen Fare, Han veed, han faar sit Brød paa Bord, Gud vil ham vel bevare, Han eier Trøst i al sin Nød, Og Hjælp i Usseldom og Død; De Tider rinde snare. 3 Og den, som ret paa Kristus tror, Han er Guds Barn det kjære, Har Syndsforladelse og bor Med Fred, hvor det skal være, Mod sine Brødre er han mild, Og vil for dem, som fare vild, En Hjælper gjerne være 4 Og Troen paa Gud Helligaand Hun trøster den, som strider, Hun veed, at Satans Magt og Baand Skal brydes dog omsider, Og at i os Guds Riges Sag Fuldkommes skal til Kristi Dag, Saa frem med Gud det skrider. 5 Saa gaa Guds Børn til Paradis, Det er en Vei saa vakker, Der synger Himlens Hær Guds Pris, Og lover ham og takker, Med dem vil vi af Hjertens Grund Paa Reisen takke al den Stund, Helft nu mod Aften lakker.

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[Vor Gud han er saa fast en Borg]

Appears in 642 hymnals Composer and/or Arranger: Luther Topics: Ninth Sunday after Trinity Sunday For Evening Tune Key: D Major Incipit: 11156 71765 17656 Used With Text: Vor Gud han er saa fast en Borg

[Det koster meer, end man fra først betænker]

Appears in 2 hymnals Topics: Ninth Sunday after Trinity Sunday Evening Tune Sources: Zincks Koralb. 1801 Tune Key: C Major Incipit: 53455 67176 55677 Used With Text: Det koster meer, end man fra først betænker

[Fred til Bod for bittert Savn]

Appears in 14 hymnals Composer and/or Arranger: J. P. E. Hartmann Topics: Ninth Sunday after Trinity Sunday For Evening Tune Key: G Major or modal Incipit: 33561 23531 71432 Used With Text: Fred til Bod for bittert Savn

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Brødre! vender eders Blikke

Author: Landstad Hymnal: Salmebog for Lutherske Kristne i Amerika #504 (1919) Topics: Ninth Sunday after Trinity Sunday; Ninth Sunday after Trinity Sunday Lyrics: 1 Brødre! vender eders Blikke Hen til Jøde-Folkets Brøst, Og forhærder Hjertet ikke, Naar I høre Herrens Røst! Der det hed til dem: idag, De foragtede Guds Sag,– Se! han lader sig ei spotte, Sjunkne ere Zions Slotte. 2 O hvor blind og hvor forhærdet, Arme Israel, du var! Dybt bedrøvet og forfærdet, Staar enhver, som Hjerte har; Tungt at tænke, saart at se Er vor Herres Jesu Ve, Blodig Kors og Tornekrone Der, hvor han til Synd forsone. 3 Men der ere svundne Tider, Lange, tunge Tider hen, Maaske, Herre, nu omsider De modtage dig som Ven! Kom ihu den gamle Pagt, Kom endnu i Aandens Magt, Skab af Salems haarde Stene En bodfærdig Magdalene! 4 Blodig var den Vantros Brøde, Syndeskaalen mer end fuld, Var de end som Purpur røde, Kan du to dem hvid' som Uld. O, min Frelser og min Gud, Gak endnu i Ørken ud, Bær det tabte Faar tilbage, Himlens Glæde dig ledsage! Languages: Norwegian

Salig er den Mand, som ikke

Author: Landstad; P. Gerhardt Hymnal: M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg #501 (1897) Topics: Ninth Sunday after Trinity Sunday High Mass; Ninth Sunday after Trinity Sunday High Mass Lyrics: 1 Salig er den Mand, som ikke Vanker i de Ondes Sag, Gaar ei efter Synde-Skikke, Sidder ei i Spotter-Lag, Men hvis Lyst er Herrens Ord, Herrens Lov og Ret paa Jord, Og som alt sit Liv til Ende Grunder paa Guds Vei at kjende! 2 Som et Træ, der stander plantet Ved en Bæk i fagre Dal, Grønnes op fra Aar til andet, Og bær Frugter uden Tal, Saa den Fromme hos sin Gud Staar i Aanden frisk og prud, Med Velsignelser han smykkes, Hvad han gjør, da skal det lykkes. 3 Men, o Kristne! anderledes Vorder med de Onde gjort, De er Avner lig, som spredes, Og af Veieret blæses bort. Derfor ei, naar Dommen gaar Over Jorden, de bestaar, Men, hvor Fromme frelste mødes, Alle Syndere udstødes. 4 Thi de Godes Verk og Veie Kjendes Gud af Naade ved, Den Velsignelse, de eie, Vare skal i Evighed, Men de Ondes Agt og Id Skal forgaa til evig Tid. Hjælpe Gud da os i Naade Til ret Vei og Vandringsmaade! Languages: Norwegian

O hvilken Ære

Author: Brorson Hymnal: Salmebog for Lutherske Kristne i Amerika #166 (1919) Topics: Ninth Sunday after Trinity Sunday Lyrics: 1 O hvilken Ære, For Tanken alt for stor, Hans Barn at være, Som i det Høie bor! Naar man er bleven Til Herren ret omvendt, Fra Verden reven, Med Jesus ret bekjendt, I Himlen skreven Med Lammets røde Prent! 2 O hvilket Smykke Fra Himlene er det, O hvilken Lykke Er denne Barneret! Naar, hvad os skader, Vi kan for Thronen gaa, Og sige: Fader, dit Barn du hjælpe maa! O Gud, hvor lader Det deilig der at staa! 3 Hvo kan udsige, Hvad Kristi Kraft formaar, Naar Himlens Rige I Sjælen ret opgaar! Naar i mig brænder Men Jesu Kjærlighed, Og mig omspender Som Himlen selv saa bred, Hvor jeg mig vender Og tænker op og ned! 4 O, jeg har fundet Lyksalighedens Stand, Og sødt forvundet Min første Jødsels Band! O hvor fornøiet Er nu min arme Sjæl, Før dybt nedbøiet Til Jorden som en Træl, Nu høit ophøiet Med sin Immanuel! 5 O surt fortjente Min Sjæles Frydestund! O søde Rente Af Jesu Pinsels Pund! Er Førstegrøden Saa meget sød og kjær, Hvad Engle-Føden, Som mig skal times der, Naar efter Døden Jeg rigtig hjemme er! 6 Naar jeg skal tage Mod Dødens sidste Bud, Da kan jeg drage Med Glæde til min Gud, Hans Haand skal lindre Mig Dødens Kamp og Sved, Hvad kan det hindre, At Støvet falder ned, Hist skal det tindre I evig Herlighed! Languages: Norwegian

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Martin Luther

1483 - 1546 Person Name: Luther Topics: Ninth Sunday after Trinity Sunday For Evening Author of "Vor Gud han er saa fast en Borg" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Charles Wesley

1707 - 1788 Topics: Ninth Sunday after Trinity Author of "Soldiers of Christ, arise" in Evangelical Lutheran hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

W. H. Havergal

1793 - 1870 Person Name: W.H. Havergal, 1793—1870 Topics: The Church Year Ninth Sunday after Trinity; The Church Year Ninth Sunday after Trinity Adapter of "[Ye servants of the Lord]" in The Lutheran Hymnary Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

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