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Texts

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O Lord, turn not away Thy face

Author: Rev. John Marckant (16th century) Meter: 8.6.8.6 Appears in 51 hymnals Topics: Orisons Lyrics: 1 O Lord, turn not away Thy face From him that lieth prostrate, Lamenting sore his sinful life, Before Thy mercy gate. 2 Which gate Thou openest wide to those That do lament their sin; Shut not that gate against me, Lord, But let me enter in. Amen. Used With Tune: CHESHIRE TUNE Text Sources: In "Day's Psalter," 1562
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May the grace of Christ our Saviour

Author: Rev. John Newton Meter: 8.7.8.7 Appears in 615 hymnals Topics: Orisons Lyrics: 1 May the grace of Christ our Saviour And the Father's boundless love, With the Holy Spirit's favor, Rest upon us from above. 2 Thus may we abide in union With each other and the Lord, And possess, in sweet communion, Joys which earth cannot afford. Amen. Used With Tune: EVENING PRAYER
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Breathe on me, Breath of God

Author: Rev. Edwin Hatch Meter: 6.6.8.6 Appears in 339 hymnals Topics: Orisons Lyrics: 1 Breathe on me, Breath of God, Fill me with life anew, That I may love what Thou dost love, And do what Thou wouldst do. 2 Breathe on me, Breath of God, Until my heart is pure, Until with Thee I will one will, To do and to endure. 3 Breathe on me, Breath of God, Till I am wholly Thine, Until this earthly part of me Glows with Thy fire divine. 4 Breathe on me, Breath of God, So shall I never die, But live with Thee the perfect life Of Thine eternity. Amen. Used With Tune: RHIW

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TRENTHAM

Meter: 6.6.8.6 Appears in 218 hymnals Composer and/or Arranger: Robert Jackson Topics: Orisons Tune Key: F Major Incipit: 33341 35432 32346 Used With Text: Breathe on me, Breath of God
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ST. COLUMBA (IRISH)

Meter: 8.6.8.6 Appears in 196 hymnals Topics: Orisons Tune Sources: Old Irish hymn melody; From Dr. Petrie's Collection Tune Key: E Flat Major Incipit: 12345 45321 12345 Used With Text: As now the sun's declining rays
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RESTING

Meter: 8.7.8.5 D with refrain Appears in 63 hymnals Composer and/or Arranger: James Mountain Topics: Orisons Tune Sources: "Hymns of Consecration and Faith" Tune Key: G Major Incipit: 55656 77155 65712 Used With Text: Jesus, I am resting, resting

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Still with thee, O my God

Author: Rev. James D. Burns Hymnal: The Hymnal #100 (1950) Meter: 6.6.8.6 Topics: Orisons Lyrics: 1 Still with Thee, O my God, I would desire to be, By day, by night, at home, abroad, I would be still with Thee. 2 With Thee when dawn comes in And calls me back to care, Each day returning to begin With Thee, my God, in prayer. 3 With Thee amid the crowd That throngs the busy mart, To hear Thy voice, where time's is loud, Speak softly to my heart. 4 With Thee when darkness brings The signal of repose, Calm in the shadow of Thy wings, Mine eyelids I would close. 5 With Thee, in Thee, by faith Abiding, I would be; By day, by night, in life, in death, I would be still with Thee. Amen. Tune Title: RHIW
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Love came down at Christmas

Author: Christina Rossetti (1830-1894) Hymnal: The Hymnal #133 (1950) Meter: 6.7.6.7 Topics: Orisons Lyrics: 1 Love came down at Christmas, Love all lovely, Love divine; Love was born at Christmas, Stars and angels gave the sign. 2 Worship we the Godhead, Love incarnate, Love divine; Worship we our Jesus: But wherewith for sacred sign? 3 Love shall be our token, Love be yours and love be mine, Love to God and all men, Love for plea and gift and sign. Amen. Tune Title: HERMITAGE
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Breathe on me, Breath of God

Author: Rev. Edwin Hatch Hymnal: The Hymnal #213a (1950) Meter: 6.6.8.6 Topics: Orisons Lyrics: 1 Breathe on me, Breath of God, Fill me with life anew, That I may love what Thou dost love, And do what Thou wouldst do. 2 Breathe on me, Breath of God, Until my heart is pure, Until with Thee I will one will, To do and to endure. 3 Breathe on me, Breath of God, Till I am wholly Thine, Until this earthly part of me Glows with Thy fire divine. 4 Breathe on me, Breath of God, So shall I never die, But live with Thee the perfect life Of Thine eternity. Amen. Tune Title: RHIW

People

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Authors, composers, editors, etc.

Robert Jackson

1840 - 1914 Topics: Orisons Composer of "TRENTHAM" in The Hymnal After receiving his musical training at the Royal Academy of Music, Robert Jackson (b, Oldham, Lancashire, England, 1840; d. Oldham, 1914) worked briefly as organist at St. Mark's Church, Grosvenor Square, in London. But he spent most of his life as organist at St. Peter's Church in Oldham (1868-1914), where his father had previously been organist for forty-eight years. A composer of hymn tunes, Jackson was also the conductor of the Oldham Music Society and Werneth Vocal Society. Bert Polman

John Chandler

1806 - 1876 Person Name: Rev. John Chandler Topics: Orisons Translator of "As now the sun's declining rays" in The Hymnal John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Edwin Hatch

1835 - 1889 Person Name: Rev. Edwin Hatch Topics: Orisons Author of "Breathe on me, Breath of God" in The Hymnal Hatch, Edwin, D.D., was born at Derby, Sep. 4, 1835, and educated at Pembroke College, Oxford, B.A., in honours, in 1857. After holding important appointments in Canada, he returned to England and became Vice-Principal of St. Mary Hall, Oxford, 1867; and Rector of Purleigh, 1883. (See also Crockford). He died Nov. 10, 1889. His hymn-writing was limited. One, and that a very spirited lyric, is in Allon's Congregational Psalmist Hymnal, 1886 "Breathe on me, Breath of God." (Whitsuntide.) Dr. Hatch's hymns were published in his posthumous Towards Fields of Light, London 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)