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Texts

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Lead Me to Calvary

Author: Jennie Evelyn Hussey Meter: 8.6.8.6 with refrain Appears in 127 hymnals Topics: Christ Passion; Passion First Line: King of my life, I crown Thee now Refrain First Line: Lest I forget Gethsemane
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O Sacred Head, Now Wounded

Author: James Waddell Alexander Meter: 7.6.7.6 D Appears in 725 hymnals Topics: Jesus Christ Passion and Death Lyrics: 1 O sacred head, now wounded, with grief and shame weighed down; now scornfully surrounded with thorns, thine only crown; O sacred head, what glory, what bliss till now was thine! Yet, though despised and gory, I joy to call thee mine. 2 What thou, my Lord, hast suffered was all for sinners’ gain: mine, mine was the transgression, but thine the deadly pain. Lo, here I fall, my Savior! ’Tis I deserve thy place; look on me with thy favor, and grant to me thy grace. 3 What language shall I borrow to thank thee, dearest friend, for this thy dying sorrow, thy pity without end? O make me thine forever; and should I fainting be, Lord, let me never, never outlive my love to thee. Scripture: Isaiah 53:3-5 Used With Tune: PASSION CHORALE Text Sources: Latin, 12th or 13th cent.
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Go to Dark Gethsemane

Author: James Montgomery Meter: 7.7.7.7.7.7 Appears in 505 hymnals Topics: Christ Passion Lyrics: 1 Go to dark Gethsemane, You who feel the tempter's pow'r; Your Redeemer's conflict see; Watch with Him one bitter hour; Turn not from His griefs away; Learn of Jesus Christ to pray. 2 Follow to the judgment hall; View the Lord of life arraigned; O the worm-wood and the gall! O the pangs His soul sustained! Shun not suff'ring, shame, or loss; Learn of Him to bear the cross. 3 Calv'ry's mournful mountain climb There' adoring at His feet, Mark the miracle of time, God's own sacrifice complete: "It is finished!" Hear the cry; Learn of Jesus Christ to die. 4 Early hasten to the tomb Where they laid his breathless clay; All is solitude and gloom; Who hath taken Him away? Christ is ris'n! He meets our eyes: Savior, teach us so to rise. Baptist Hymnal, 1991

Tunes

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HAMBURG

Appears in 892 hymnals Composer and/or Arranger: Lowell Mason Topics: Christ His Passion Tune Sources: From a Gregorian Chant Incipit: 11232 34323 33343 Used With Text: When I Survey the Wondrous Cross
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PASSION CHORALE

Meter: 7.6.7.6 D Appears in 512 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; J. S. Bach, 1685-1750 Topics: Passion Sunday (Palm Sunday) Tune Key: a minor Incipit: 51765 45233 2121 Used With Text: O Sacred Head Surrounded
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STORIES OF JESUS

Meter: 8.4.8.4.5.4.5.4 Appears in 84 hymnals Composer and/or Arranger: Frederick A. Challinor Topics: Christian Year Passion/Palm Sunday Tune Key: C Major Incipit: 53457 65345 23534 Used With Text: Tell Me the Stories of Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Christ, thy sacred Wounds and Passion

Hymnal: Psalmodia Germanica #27 (1732) Topics: Passion of Christ Lyrics: I. Christ, thy sacred Wounds and Passion, Bloody Sweat, Cross, Death, and tomb, Be my daily Meditation, Till I to thy Presence come. When a sinful Thought shall start, Ready to seduce my heart; Shew me, that my own Pollution Caus'd thy bloody Execution. II. Should my Bosom with lewd Passion Be enflam'd, and burn to Sin, Let the Thoughts of thine Oblation Quench that spreading Hell within. When the Serpent makes his Way To my Heart, Lord grant I may With thy Cross, and Crown of Briar, Chace from thence that grand Destroyer. III. Would the world, with gay Temptation Draw me in its own brad Way; Let me then think on thy Passion, And the Load which on Thee lay. Sure the Sweat, and precious Blood Of my dear expiring God Will create in me a Passion To oppose and shun Temptation. IV. Lord, in ev'ry sore Oppression, Let thy Wounds be my Relief. When I seek thine Intercession, And new Strength to my Belief. In thy bloody Hands and Feet All my greatest Comforts meet. This imprinted Demonstration Of thy Love, be my Salvation. V. All my Hope and Consolation, Christ, is in thy bitter Death. In the Hour of Expiration, Lord, receive my dying Breath. By thine Agony and Sweat, Grant me, Lord, a safe Retreat. By thy glorious Resurrection, Raise thy Servant to Perfection. VI. Christ, thy sacred Wounds and Passion, Bloody Sweat, Cross, Death and Tomb, Be my daily Meditation, Till I to thy Presence come; Most of all, when I go hence, Let this be my Confidence, That thy deep humiliation Was to purchase my Salvation. Languages: English
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Lord Jesus, by Thy Passion

Author: Richard E. Littledale Hymnal: Concordia #79 (1918) Topics: Church Festivals Passion and Easter Lyrics: 1 Lord Jesus, by Thy passion, To Thee I make my prayer; Thou who in mercy smitest, Have mercy, Lord, and spare. 2 O wash me in the fountain That floweth from Thy side! O clothe me in the raiment Thy blood hath purified! 3 O hearken to my knocking, And open wide the door, That I may enter freely And never leave Thee more! 4 O give that last, best blessing, That even saints can know, To follow in Thy footsteps Wherever Thou dost go! 5 Not wisdom, might, or glory, I ask to win above; I ask for Thee, Thee only, O Thou eternal Love! Languages: English Tune Title: O JESUS, FOR DIN PINE
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Holy Jesu, by thy passion

Author: William John Sparrow-Simpson, 1859-1952 Hymnal: Complete Anglican Hymns Old and New #287 (2000) Meter: 8.7.8.7 with refrain Topics: Year C Palm Sunday: Liturgy of the Passion Refrain First Line: Crucified, I turn to thee Lyrics: 1 Holy Jesu, by thy passion, by the woes which none can share, borne in more than kingly fashion, by thy love beyond compare: Refrain: Crucified, I turn to thee, Son of Mary, plead for me. 2 By the treachery and trial, by the blows and sore distress, by desertion and denial, by thine awful loneliness: [Refrain] 3 By thy look so sweet and lowly, while they smote thee on the face, by thy patience, calm and holy, in the midst of keen disgrace: [Refrain] 4 By the hour of condemnation, by the blood which trickled down, when, for us and our salvation, thou didst wear the robe and crown: [Refrain] 5 By the path of sorrows dreary, by the cross, thy dreadful load, by the pain, when, faint and weary, thou didst sink, upon the road: [Refrain] 6 By the spirit which could render love for hate and good for ill, by the mercy, sweet and tender, poured upon thy murd'rers still: [Refrain] Scripture: Luke 23:34 Languages: English Tune Title: HOLY JESU

People

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Authors, composers, editors, etc.

Nahum Tate

1652 - 1715 Person Name: Nahum Tate, 1652-1715 Topics: Passion Sunday Author of "As pants the hart for cooling streams" in Together in Song Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715. --The Hymnal 1940 Companion See also in: Hymn Writers of the Church

John Rippon

1751 - 1836 Topics: Year C Passion Sunday Author (st. 4) of "All Hail the Power of Jesus' Name" in The New Century Hymnal Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

George Frideric Handel

1685 - 1759 Person Name: George Fraderick Handel, 1685-1759 Topics: The Church Year Passion Composer of "CHRISTMAS" in Evangelical Lutheran hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman