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Texts

Text authorities

Alabanza (As the Rain Is Falling)

Author: Elise S. Eslinger; Pablo Fernández Badillo; Roberto Escamilla Meter: 6.6.6.6 D with refrain Appears in 15 hymnals Topics: Year C Proper 4 First Line: Al caer la lluvia (As the rain is falling) Refrain First Line: Toda flor silvestre (All God's great creation) Scripture: Psalm 96 Used With Tune: ALABANZA

How Firm a Foundation

Author: "K" Meter: 11.11.11.11 Appears in 2,127 hymnals Topics: Proper 4 Year A First Line: How firm a foundation, you servants of God Lyrics: 1 How firm a foundation, you servants of God, is laid for your faith in his excellent word! What more can be said than to you has been said, to you who for refuge to Jesus have fled? 2 "Fear not, I am with you; O be not dismayed! For I am your God and will still give you aid; I'll strengthen and help you, and cause you to stand, upheld by my righteous omnipotent hand. 3 "When through the deep waters I call you to go, the rivers of sorrow shall not overflow; for I will be with you, your troubles to bless, and sanctify to you your deepest distress. 4 "When through fiery trials your pathway shall lie, my grace, all-sufficient, shall be your supply: the flame shall not hurt you, I only design your dross to consume, and your gold to refine. 5 "The soul that on Jesus has leaned for repose I will not -- I will not desert to his foes; that soul, though all hell should endeavour to shake, I'll never -- no, never -- no, never forsake!" Used With Tune: ST DENIO Text Sources: Rippon's A Selection of Hymns, 1787

God Is Our Strength and Refuge

Author: Richard Bewes Meter: 7.7.7.5.7.7.11 Appears in 11 hymnals First Line: God is our strength and refuge, Our present help in trouble

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Tunes

Tune authorities

REGENT SQUARE

Meter: 8.7.8.7.8.7 Appears in 878 hymnals Composer and/or Arranger: Henry Smart, 1813-1879 Topics: Year B Proper 4 Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: God of grace and God of glory

SINE NOMINE

Meter: 10.10.10.4 Appears in 222 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Year A Proper 4 Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For all the saints

BLESSED ASSURANCE

Meter: Irregular Appears in 675 hymnals Composer and/or Arranger: Phoebe Palmer Knapp, 1839-1908 Topics: Hope and Consolation; Joy, Praise and Thanksgiving; Redemption and Salvation; Year A All Saints' Day; Year A Proper 11; Year B Dedication Festival; Year B Easter 2; Year B Proper 23; Year C Easter 4; Year C Proper 2; Years A, B, and C Epiphany Tune Key: D Major Incipit: 32155 45655 35177 Used With Text: Blessed assurance

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Instances

Published text-tune combinations (hymns) from specific hymnals

O for a Thousand Tongues to Sing

Author: Charles Wesley Hymnal: Voices United #326 (1996) Meter: 8.6.8.6 Topics: Proper 4 Year C Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and king, the triumphs of God's grace. 2 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life and health and peace. 3 He speaks, and listening to his voice, new life the dead receive, the mournful broken hearts rejoice, the humble poor believe. 4 Hear him, you deaf, you voiceless ones, your tongues again employ; you blind, behold your Saviour comes, and leap, you lame, for joy! 5 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honours of your name. Tune Title: AZMON

Amazing Grace, How Sweet the Sound

Author: John Newton, 1725-1807; Jacques de Réland; Josephine S. (Konwenne) Day; Wing-Hee Heyward Wong; Chirstopher Cheung; Megumi Hara; Haruo Harold Aihara Hymnal: Voices United #266 (1996) Meter: 8.6.8.6 Topics: Proper 4 Year A Lyrics: 1 Amazing grace, How sweet the sound that saved a wretch like me! I once was lost, but now am found, was blind, but now I see. 2 'Twas grace first taught my heart to fear and grace my fears relieved; how precious did that grace appear the hour I first believed! 3 Through many dangers, toils, and snares, I have already come; 'tis grace that brought me safe thus far, and grace will lead me home. 4 The Lord has promised good to me, this word my hope secures; God will my shield and portion be as long as life endures. 5 When we've been there ten thousand years bright shining as the sun, we've no less days to sing God's praise than when we'd first begun. Languages: Chinese; Cree; English; French; Inuktitut; Japanese; Mohawk; Ojibway Tune Title: AMAZING GRACE (NEW BRITAIN)

At the Name of Jesus

Author: Caroline Maria Noel Hymnal: Voices United #335 (1996) Meter: 11.11.11.11 Topics: Proper 4 Year C First Line: At the name of Jesus every knee shall bow Lyrics: 1 At the Name of Jesus every knee shall bow, every tongue confess him King of glory now; 'tis our God's great pleasure we should call him Lord, who from the beginning was the mighty Word. 2 Humbled for a season to receive a name from the lips of sinners unto whom he came, faithfully he bore it, spotless to the last, brought it back victorious when from death he passed. 3 Name him, Christians, name him, with love strong as death, but with awe and wonder, and with bated breath; he is God the Saviour, he is Christ the Lord, ever to be worshipped, trusted, and adored. 4 In your hearts enthrone him; there let him subdue all that is not holy, all that is not true; crown him as your Captain in temptation's hour; let his will enfold you in its light and power. 5 Christians, this Lord Jesus shall return again, with his Father's glory, with his angel train; for all wreaths of empire meet upon his brow, and our hearts confess him King of Glory now. Languages: English Tune Title: KING'S WESTON

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People

Authors, composers, editors, etc.

John Newton

1725 - 1807 Person Name: John Newton, 1725-1807 Topics: Proper 4 Year A Author of "Amazing Grace, How Sweet the Sound" in Voices United John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

E. O. Excell

1851 - 1921 Person Name: Edwin O. Excell Topics: Proper 4 Year A Adapter and Harmonizer of "AMAZING GRACE (NEW BRITAIN)" in Voices United Edwin Othello Excel USA 1851-1921. Born at Uniontown, OH, he started working as a bricklayer and plasterer. He loved music and went to Chicago to study it under George Root. He married Eliza Jane “Jennie” Bell in 1871. They had a son, William, in 1874. A member of the Methodist Episcopal Church, he became a prominent publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings. He founded singing schools at various locations in the country and worked with evangelist, Sam Jones, as his song leader for two decades. He established a music publishing house in Chicago and authored or composed over 2,000 gospel songs. While assisting Gypsy Smith in an evangelistic campaign in Louisville, KY, he became ill, and died in Chicago, IL. He published 15 gospel music books between 1882-1925. He left an estate valued at $300,000. John Perry

Caroline M. Noel

1817 - 1877 Person Name: Caroline Maria Noel Topics: Proper 4 Year C Author of "At the Name of Jesus" in Voices United Caroline Marie Noel (b. Teston, Kent, England, 1817; d. St. Marylebone, London, England, 1877) The daughter of an Anglican clergyman and hymn writer, she began to write poetry in her late teens but then abandoned it until she was in her forties. During those years she suffered frequent bouts of illness and eventually became an invalid. To encourage both herself and others who were ill or incapacitated, Noel began to write devotional verse again. Her poems were collected in The Name of Jesus and Other Verses for the Sick and Lonely (1861, enlarged in 1870). Bert Polman ================ Noel, Caroline Maria, daughter of the Hon. Gerard T. Noel (p. 809, ii.), and niece of the Hon. Baptist W. Noel, was born in London, April 10, 1817, and died at 39 Great Cumberland Place, Hyde Park, Dec. 7, 1877. Her first hymn, "Draw nigh unto my soul" (Indwelling), was written when she was 17. During the next three years she wrote about a dozen pieces: from 20 years of age to 40 she wrote nothing; and during the next 20 years the rest of her pieces were written. The first edition of her compositions was published as The Name of Jesus and Other Verses for the Sick and Lonely, in 1861. This was enlarged from time to time, and its title subsequently changed by the publishers to The Name of Jesus and Other Poems. The 1878 ed. contains 78 pieces. Miss Noel, in common with Miss Charlotte Elliott, was a great sufferer, and many of these verses were the outcome of her days of pain. They are specially adapted "for the Sick and Lonely" and were written rather for private meditation than for public use, although several are suited to the latter purpose. Her best known hymn is the Processional for Ascension Day, "At the Name of Jesus." It is in the enlarged edition of The Name of Jesus, &c, 1870, p. 59, and is dated 1870 by her family. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

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