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There Is a Place of Quiet Rest (Near to the Heart of God)

Author: Cleland Boyd McAfee Meter: 8.6.8.6 D Appears in 139 hymnals Topics: Rest First Line: There is a place of quiet rest Refrain First Line: O Jesus, blest Redeemer Lyrics: 1 There is a place of quiet rest, near to the heart of God, a place where sin cannot molest, near to the heart of God. Refrain: O Jesus, blest Redeemer, sent from the heart of God, hold us, who wait before thee, near to the heart of God. 2 There is a place of comfort sweet, near to the heart of God, a place where we our Savior meet, near to the heart of God. [Refrain] 3 There is a place of full release, near to the heart of God, a place where all is joy and peace, near to the heart of God. [Refrain] Scripture: Exodus 33:14 Used With Tune: MC AFEE
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I Heard the Voice of Jesus Say

Author: Horatius Bonar Meter: 8.6.8.6 D Appears in 1,225 hymnals Topics: Peace and Rest Scripture: Matthew 11:28 Used With Tune: RESTING-PLACE
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Blessed Assurance: Jesus Is Mine

Author: Fanny Crosby Appears in 1,059 hymnals Topics: Rest First Line: Blessed assurance: Jesus is mine! Refrain First Line: This is my story, this is my song Lyrics: 1 Blessed assurance: Jesus is mine! Oh, what a foretaste of glory divine! Heir of salvation, purchase of God, born of his Spirit, washed in his blood. Refrain: This is my story, this is my song, praising my Savior all the day long; this is my story, this is my song, praising my Savior all the day long. 2 Perfect submission, perfect delight, visions of *rapture now burst on my sight; angels descending bring from above echoes of mercy, whispers of love. [Refrain] 3 Perfect submission: all is at rest, I in my Savior am happy and blest; watching and waiting, looking above, filled with his goodness, lost in his love. [Refrain] * used here in the sense of glory, ecstatic joy Scripture: Job 1-42 Used With Tune: ASSURANCE

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TRUST IN JESUS

Meter: 8.7.8.7 with refrain Appears in 284 hymnals Composer and/or Arranger: William J. Kirkpatrick, 1838-1921 Topics: Comfort & Rest Tune Key: G Major Incipit: 32176 16513 53212 Used With Text: ‘Tis So Sweet to Trust in Jesus
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ASSURANCE

Appears in 675 hymnals Composer and/or Arranger: Phoebe P. Knapp Topics: Rest Tune Key: D Major Incipit: 32155 45655 35177 Used With Text: Blessed Assurance: Jesus Is Mine
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TOPLADY

Meter: 7.7.7.7.7.7 Appears in 1,095 hymnals Composer and/or Arranger: Thomas Hastings Topics: Assurance, Security, Confidence,Rest Tune Key: B Flat Major Incipit: 56531 65123 21717 Used With Text: Rock of Ages, Cleft for Me

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The Haven of Rest

Author: H. L. Gilmour Hymnal: Christ in Song #211 (1908) Topics: Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Living His Life Rest in Christ; Living His Life Rest in Christ; Living His Life Rest in Christ First Line: My soul in sad exile was out on life's sea Refrain First Line: I've anchored my soul in the "Haven of Rest" Lyrics: 1 My soul in sad exile was out on life's sea, So burdened with sin, and distressed, Till I heard a sweet voice saying, "Make me your choice;" And I entered the "Haven of Rest!" Chorus: I've anchored my soul in the "Haven of Rest," I sail the wide seas no more; The tempest may sweep o'er the wild, stormy deep, In Jesus I'm safe evermore. 2 I yield myself to his tender embrace, And faith taking hold of his Word, My fetters fell off, and I anchored my soul: The Haven of Rest is my Lord. [Chorus] 3 The song of my soul, since the Lord made me whole, Has been the OLD STORY so blest, Of Jesus, who'll save whosoever will have A home in the "Haven of Rest!" [Chorus] 4 How precious the tho't that we all may recline, Like John the beloved and blest, On Jesus' strong arm, where no tempest can harm, Secure in the "Haven of Rest!" [Chorus] 5 O come to the Saviour! he patiently waits To save by his power divine; Come, anchor your soul in the "Haven of Rest," And say, "my Beloved is mine." [Chorus] Languages: English Tune Title: [My soul in sad exile was out on life's sea]

Psalm 62: Rest in God

Hymnal: RitualSong #87 (1996) Topics: Rest First Line: In God alone is my soul at rest Refrain First Line: Rest in God alone Scripture: Psalm 62:2-3 Languages: English Tune Title: [Rest in God alone]
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Rest Found

Author: J. Montgomery Hymnal: Christ in Song #153 (1908) Topics: Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Christ Rest in Christ; Living His Life Rest in Christ; Living His Life Rest in Christ; Living His Life Rest in Christ First Line: O where shall rest be found Lyrics: 1 O where shall rest be found Rest for the weary soul? 'Twere vain the ocean's depths to sound, Or pierce to either pole. 2 Beyond this vale of tears There is a life above, Unmeasured by the flight of years; And all that life is love. 3 Thro' Christ, the Life, the Way, May we that life obtain; And thro' the merits of his blood, That endless glory gain. Languages: English Tune Title: SHAWMUT

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Francis Pott

1832 - 1909 Topics: The Heavenly Rest Author of "Angel Voices" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings Francis Pott studied at Brasenose College, Oxford, where he graduated B.A. in 1854, and M.A. in 1857. He was ordained Deacon in 1856, and Priest in 1857. He was Curate of Bishopsworth, Bristol, 1856; of Ardingley, Sussex, 1858; was appointed to Ticehurst in 1861; and is now incumbent of Northill, Bedfordshire. Mr. Pott has made many acceptable translations, and has edited "Hymns Fitted to the Order of Common Prayer, etc.;" a compilation of real merit. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ============ Pott, Francis, M.A., was born Dec. 29, 1832, and educated at Brasenose, College, Oxford, B.A. 1854; M.A. 1857. Taking Holy Orders in 1856 he was curate of Bishopsworth, Gloucestershire, 1856-8; Ardingly, Berks, 1858-61; Ticehurst, Sussex, 1861-66; and Rector of Norhill, Ely, 1866. His Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local Festivals, was published in 1861, and reprinted from time to time with a few additions. Mr. Pott contributed translations from the Latin and Syriac, and original hymns, including “Angel voices ever singing" (p. 68, ii.), and "Lift up your heads, eternal gates" (Ascension). These original hymns, together with his translations, have been received with much favour and are widely used. In several.…works, several translations from the Latin, and other hymnological work, are attributed to Archdeacon Alfred Pott. We are authorized to state that this ascription of authorship is an error. --John Julian, Dictionary of Hymnology (1907)

Thomas Moore

1779 - 1852 Person Name: Thomas Moore, 1779 - 1852 Topics: The Life In Christ Comfort and Rest Author, St. 1 & 2 of "Come, ye disconsolate, where'er ye languish" in Service Book and Hymnal of the Lutheran Church in America Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England. John Perry ================== Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:— 1. As down in the sunless retreats of the ocean. Private Prayer. 2. But who shall see the glorious day. The Final Bliss of Man. 3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c. 4. Fallen is thy throne, O Israel. Israel in Exile. 5. Like morning when her early breeze. Power of Divine Grace. 6. O Thou Who driest the mourner's tear. Lent. 7. Since first Thy word [grace] awaked my heart. God All and in All. 8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel. 9. The bird [dove] let loose in eastern skies. Prayer for Constancy. 10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken. 11. Thou art, O God, the Life and Light. God, the Light and Life of Men. 12. Were not the sinful Mary's tears? Lent. Of these hymns No. 11 has attained the greatest popularity. --John Julian, Dictionary of Hymnology (1907)

Synesius of Cyrene, Bishop of Ptolemais

370 - 430 Person Name: Synesius of Cyrene (c. 365-414) Topics: Rest Author of "Lord Jesus, think on me" in Ancient and Modern Synesius, a native of Cyrene, born circa 375. His descent was illustrious. His pedigree extended through seventeen centuries, and in the words of Gibbon, "could not be equalled in the history of mankind." He became distinguished for his eloquence and philosophy, and as a statesman and patriot he took a noble stand. When the Goths were threatening his country he went to the court of Arcadius, and for three years tried to rouse it to the dangers that were coming on the empire. But Gibbon says, ”The court of Arcadius indulged the zeal, applauded the eloquence, and neglected the advice of Synesius." In 410 he was made Bishop of Ptolemaïs, but much against his will. He died in 430. Synesius's opinions have been variously estimated. That he was imbued with the Neo-Platonic philosophy there is no doubt but that he was a semi-Christian, as alleged by Mosheim or that he denied the doctrine of the Resurrection as stated directly by Gibbon [see Decline and Fall, vol. ii.]; and indirectly by Bingham [see Christian Antiq., Lond., 1843, i., pp. 464-5] is very doubtful. Mr. Chatfield, who has translated his Odes in his Songs and Hymns of the Greek Christian Poets, 1876, contends that his tenth Ode "Lord Jesus, think on me," proves that he was not a semi-Christian, and that he held the doctrine of the Resurrection. The first is clear: but the second is open to doubt. He certainly prays to the Redeemer: but there is nothing in the hymn to shew that he looked upon the Redeemer as being clothed in His risen body. This tenth ode is the only Ode of Synesius, which has come into common use. The original Odes are found in the Anth. Graeca Carm. Christ, 1871, p. 2 seq., and Mr. Chatfield's trs. in his Songs, &c, 1876. Synesius's Odes have also been translation by Alan Stevenson, and included in his The Ten Hymns of Synesius, Bishop of Tyreore, A.D. 410 in English Verse. And some Occasional Pieces by Alan Stevenson, LL.B. Printed for Private Circulation, 1865. -- Excerpts from John Julian, Dictionary of Hymnology (1907)