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While Shepherds Watched Their Flocks

Author: Nahum Tate Meter: 8.6.8.6 Appears in 1,099 hymnals Topics: Biblical Characters Shepherds First Line: While shepherds watched their flocks by night Lyrics: 1 While shepherds watched their flocks by night all seated on the ground, the angel of the Lord came down, and glory shone around. 2 "Fear not," said he, for mighty dread had seized their troubled mind; "glad tidings of great joy I bring to you and humankind. 3 "To you, in David's town this day is born of David's line a Saviour, who is Christ the Lord; and this shall be the sign: 4 "The heavenly babe you there shall find to human view displayed, all meanly wrapped in swathing bands, and in a manger laid." 5 Thus spake the seraph; and forthwith appeared a shining throng of angels praising God, who thus addressed their joyful song: 6 "All glory be to God on high, and on earth be peace; good will to all from highest heaven begin and never cease." Used With Tune: WINCHESTER OLD
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What Child is This

Author: William Chatterton Dix Meter: 8.7.8.7 with refrain Appears in 203 hymnals Topics: Biblical Characters Shepherds First Line: What child is this, who, laid to rest Refrain First Line: This, this is Christ the King Lyrics: 1 What child is this, who laid to rest, on Mary's lap is sleeping? Whom angels greet with anthems sweet while shepherds watch are keeping? [Refrain:] This, this is Christ the King, whom shepherds guard and angels sing; haste, haste to bring him laud, the babe, the son of Mary! 2 Why lies he in such mean estate where ox and ass are feeding? Good Christians, fear; for sinners here the silent Word is pleading. [Refrain] 3 So bring him incense, gold, and myrrh, come, one and all, to own him. The King of kings salvation brings; let loving hearts enthrone him. [Refrain] Used With Tune: GREENSLEEVES
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O Come, All Ye Faithful

Author: Frederick Oakeley; John Francis Wade; Claude Rozier Meter: Irregular Appears in 731 hymnals Topics: Biblical Characters Shepherds First Line: O come, all ye faithful (Adeste fideles) (Peuple fidèle) Refrain First Line: O come, let us adore him (Venite adoramus) (En lui viens reconnaître) Lyrics: 1 O come, all ye faithful, joyful and triumphant, O come ye, O come ye to Bethlehem; come and behold him, born the King of angels: [Refrain:] O come, let us adore him, O come, let us adore him, O come, let us adore him, Christ the Lord. 2 God of God, light of light, lo, he abhors not the virgin's womb, very God, begotten, not created: [Refrain] 3 Sing, choirs of angels, sing in exultation, sing, all ye citizens of heaven above; Glory to God in the highest: [Refrain] 4 See, how the shepherds summoned to his cradle, leaving their flocks, draw nigh with lowly fear; we too will thither bend our joyful footsteps; [Refrain] 5 Yea, Lord, we greet thee, born this happy morning; Jesus, to thee be all glory given; word of the Father, now in flesh appearing: [Refrain] 1 Adeste, fideles, laeti triumphantes, venite, venite, in Bethlehem. natum vidéte, regem angelorum: [Refrain:] venite adoremus, venite adoremus, venite adoremus Dominum. 2 Deum de Deo, lumen de lumine, parturit virgo mater, Deum verum, genitum non factum. [Refrain] 3 Cantet nunc hymnos chorus angelorum, cantet nunc aula caelestium: gloria in excelsis Deo! [Refrain] 4 En grege relicto, -- humiles ad cunas vocati pastores approperant; et nos ovanti gradu festinemus. [Refrain] 5 Ergo qui natus die hodierna Jesu, tibi sit gloria: Patris aeterni verbum caro factum. [Refrain] 1 Peuple fidèle, le Seigneur t'appelle c'est fête sur terre, le Christ est né. Viens à la crèche, voir le Roi du monde. [Refrain:] En lui viens reconnaître, en lui viens reconnaître, en lui viens reconnaître, ton Dieu, ton Sauveur! 2 Verbe, Lumière et splendeur du Père, il naît d'une mère, petit enfant, Dieu véritable, le Seigneur fait homme: [Refrain] 3 Peuple, acclame, avec tous les anges le Maître des hommes qui vient chez nous. Dieu qui se donne à tous ceux qu'il aime! [Refrain] 4 Peuple fidèle, en ce jour de fête, proclame la gloire de ton Seigneur. Dieu se fait homme, vois donc comme il t'aime: [Refrain] Used With Tune: ADESTE FIDELES

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PASSION CHORALE

Meter: 7.6.7.6 D Appears in 513 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; J. S. Bach, 1685-1750 Topics: Shepherd Tune Key: a minor Incipit: 51765 45233 2121 Used With Text: O Sacred Head Surrounded
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JOYFUL SONG

Meter: 12.10.12.10.11.10 with refrain Appears in 244 hymnals Composer and/or Arranger: Chester G. Allen, 1838-1878 Topics: Shepherd Tune Key: G Major Incipit: 35132 32176 51351 Used With Text: Praise Him! Praise Him!
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AURELIA

Appears in 1,039 hymnals Composer and/or Arranger: Samuel S. Wesley, 1810-1876 Topics: Christ the Shepherd Tune Key: E Flat Major Incipit: 33343 32116 54345 Used With Text: In Heavenly Love Abiding

Instances

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Published text-tune combinations (hymns) from specific hymnals
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There Is A Need for Shepherds

Author: Mary Nelson Keithahn Hymnal: Come Away with Me #3 (1998) Meter: 10.10.10.10 with refrain Topics: Shepherds Role in biblical times and today Lyrics: There is a need for shepherds in this place, where pain and suffering wear a human face; where hungry children stand outside the door, and homeless families long for home once more. Refrain: There is a need for shepherds in this hour. There is a need for Love to show its power! There is a need for shepherds on this street, where lonely strangers pass and do not meet; where hopeless people wander in the night, and wonder why life never turns out right. Refrain There is a need for shepherds on this earth, where young and old have lost their sense of worth; where guilty people seek to place the blame on others for their failures and their shame. Refrain There is a need for shepherds everywhere. We who have strayed like sheep must learn to care. We who have known the Shepherd's love today must shepherd one another in God's Way. Refrain Scripture: John 21:15-17 Languages: English Tune Title: SHEPHERDS TODAY
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While Shepherds Watched Their Flocks

Author: Nahum Tate Hymnal: Voices United #75 (1996) Meter: 8.6.8.6 Topics: Biblical Characters Shepherds First Line: While shepherds watched their flocks by night Lyrics: 1 While shepherds watched their flocks by night all seated on the ground, the angel of the Lord came down, and glory shone around. 2 "Fear not," said he, for mighty dread had seized their troubled mind; "glad tidings of great joy I bring to you and humankind. 3 "To you, in David's town this day is born of David's line a Saviour, who is Christ the Lord; and this shall be the sign: 4 "The heavenly babe you there shall find to human view displayed, all meanly wrapped in swathing bands, and in a manger laid." 5 Thus spake the seraph; and forthwith appeared a shining throng of angels praising God, who thus addressed their joyful song: 6 "All glory be to God on high, and on earth be peace; good will to all from highest heaven begin and never cease." Languages: English Tune Title: WINCHESTER OLD
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On Judah's plains as shepherds sat

Hymnal: Hymns, Selected and Original #103 (1828) Meter: 8.6.8.6 Topics: The Angel's message to the shepherds at Christ's nativity Lyrics: 1 On Judah’s plains as shepherds sat, Watching their flocks by night, The angel of the Lord appear'd, Clad in celestial light. 2 Awe-struck the vision they regard, Appall'd with trembling fear; When thus a cherub-voice divine Breath'd sweetly on their ear. 3 “Shepherds of Judah! cease your fears, And calm your troubled mind; Glad tidings of great joy I bring To you and all mankind. 4 This day almighty love fulfils Its great eternal word; This day is born in Bethlehem A Saviour, Christ the Lord. 5 There shall you find the heav'nly babe In humblest weeds array'd; All meanly wrapp'd in swaddling clothes, And in a manger laid." 6 He ceas'd, and sudden all around Appear'd a radiant throng Of angels, praising God, and thus Warbling their choral song: 7 "Glory to God, from whom on high All-gracious mercies flow! Who sends his heav’n-descended peace To dwell with man below."

People

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Authors, composers, editors, etc.

Jan Struther

1901 - 1953 Person Name: Jan Struther, 1901-1953 Topics: Christ the Shepherd Author of "Lord of All Hopefulness" in Hymns of the Saints Jan Struther, given name: Joyce Torrens-Graham [sic Joyce Anstruther] (b. Westminster, London, England, 1901; d. New York, NY, 1953) wrote many poems and essays under the pen name of Jan Struther (derived from her mother's maiden name, Eva Anstruther). In addition to her pen name, Struther also had the married names of Mrs. Anthony Maxtone Graham and, from a second marriage, Mrs. Adolf Kurt Placzek. During World War II she moved with her children to New York City and remained there until her death. In England she is best known for her novel Mrs. Miniver (1940), which consists of sketches of British family life before World War II. Immensely popular, the book was later made into a movie. Struther also wrote comic and serious poetry, essays, and short stories, published in Betsinda Dances and Other Poems (1931), Try Anything Twice (1938), The Glass Blower (1941), and, posthumously, The Children's Bells (1957). Songs of Praise (1931) included twelve of her hymn texts. Bert Polman

M. B. C. Slade

1826 - 1882 Person Name: Mary B. C. Slade Topics: Christ Shepherd Author of "Footsteps of Jesus" in The New Church Hymnal Mary Bridges Canady Slade USA 1826-1882. Born in Fall River, MA, she was well-educated and became a minister's wife, teacher, and poet. She was assistant editor of The New England Journal of Education. She also authored hymns, Sunday school materials and books on education, primarily used for training teachers. She authored a children's magazine, “Wide-awake”. She and her husband were active in the underground railroad (helping slaves achieve their freedom). She spent her whole life living in the same town. John Perry

James Edmeston

1791 - 1867 Person Name: James Edmeston, 1791-1867 Topics: Christ Shepherd Author of "Saviour, breathe an evening blessing" in Hymnal and Liturgies of the Moravian Church Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:— (1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847. In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:— 1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered. 2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing." 3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines. 4. Eternal God, before thy throne, Three nations. National Fast. 5. For Thee we pray and wait. Second Advent. 6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used. 7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source. 8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered. 9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines. 10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?" 11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008. 12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847. 13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America. 14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening." 15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening." 16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847. 17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections. 18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c. 19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines. -- John Julian, Dictionary of Hymnology (1907) ========================= Edmeston, James, p. 321, ii. Other hymns are:— 1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844. 2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep." 3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided." 4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)