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Grace Greater Than Our Sin
Author: Julia H. Johnston Meter: 9.9.9.9 with refrain Appears in 143 hymnals Topics: Sin First Line: Marvelous grace of our loving Lord Refrain First Line: Grace, grace, God's grace Lyrics: 1 Marvelous grace of our loving Lord,
grace that exceeds our sin and our guilt,
yonder on Calvary's mount outpoured,
there where the blood of the Lamb was spilt.
Refrain:
Grace, grace, God's grace,
grace that will pardon and cleanse within;
grace, grace, God's grace,
grace that is greater than all our sin.
2 Dark is the stain that we cannot hide,
what can vail to wash it away?
Look! there is flowing a crimson tide;
Whiter than snow you may be today. [Refrain]
3 Marvelous, infinite, matchless grace,
freely bestowed on all who believe;
you who are longing to see His face,
will you this moment His grace receive? [Refrain] Used With Tune: MOODY
Grace Greater Than Our Sin
Rock of Ages, Cleft for Me
Author: Augustus M. Toplady Meter: 7.7.7.7.7.7 Appears in 2,902 hymnals Topics: Sin Lyrics: 1 Rock of Ages, cleft for me,
let me hide myself in thee;
let the water and the blood,
from thy wounded side which flowed,
be of sin the double cure,
save from wrath and make me pure.
2 Not the labors of my hands
can fulfill thy law's demands;
could my zeal no respite know,
could my tears forever flow,
all for sin could not atone;
thou must save, and thou alone.
3 Nothing in my hand I bring,
simply to the cross I cling;
naked, come to thee for dress,
helpless, look to thee for grace;
foul, I to the fountain fly,
wash me, Savior, or I die.
4 While I draw this fleeting breath,
when mine eyes shall close in death,
when I soar to worlds unknown,
see thee on thy judgment throne,
Rock of Ages, cleft for me,
let me hide myself in thee. Used With Tune: TOPLADY
Rock of Ages, Cleft for Me
Come, You Sinners
Author: Joseph Hart Meter: 8.7.8.7 with refrain Appears in 1,462 hymnals Topics: Confession of Sin First Line: Come, you sinners, poor and needy Lyrics: 1 Come, you sinners, poor and needy,
weak and wounded, sick and sore,
Jesus, Son of God, will save you,
full of pity, love, and pow'r.
Refrain:
I will arise and go to Jesus;
he will embrace me in his arms;
in the arms of my dear Savior,
O there are ten thousand charms.
2 Come, you thirsty, come and welcome,
God’s free bounty glorify;
true belief and true repentance,
ev'ry grace that brings you nigh. [Refrain]
3 Come, you weary, heavy laden,
lost and ruined by the fall;
if you tarry till you’re better,
you will never come at all. [Refrain]
Scripture: Matthew 9:13 Used With Tune: RESTORATION (ARISE)
Come, You Sinners
UNSER HERRSCHER (NEANDER)
Meter: 8.7.8.7.7.7 Appears in 262 hymnals Composer and/or Arranger: Joachim Neander, 1650-80 Topics: Sin Tune Sources: 'Gesangbuch', Darmstadt, 1698 Tune Key: B Flat Major Incipit: 12313 45517 65322 Used With Text: He is risen, he is risen!
UNSER HERRSCHER (NEANDER)
JOYFUL SONG
Meter: 12.10.12.10.11.10 with refrain Appears in 244 hymnals Composer and/or Arranger: Chester G. Allen, 1838-1878 Topics: Victory over Sin and Death Tune Key: G Major Incipit: 35132 32176 51351 Used With Text: Praise Him! Praise Him!
JOYFUL SONG
Original and actual Sin confessed
Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #94a (1786) Topics: Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned; Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned First Line: Lord, I am vile, conceiv'd in sin Lyrics: 1 Lord, I am vile, conceiv'd in sin,
And born unholy and unclean;
Sprung from the man whose guilty fall
Corrupts the race, and taints us all.
2 Soon as we draw our infant breath,
The seeds of sin grow up for death;
Thy law demands a perfect heart;
But we're defil'd in every part.
3 [Great God, create my heart a-new,
And form my spirit pure and true;
Oh make me wise betimes to spy
My danger and my remedy.]
4 Behold I fall before thy face;
My only refuge is thy grace;
No outward forms can make me clean;
The leprosy lies deep within.
5 No bleeding bird, nor bleeding beast,
Nor hyssop-branch, nor sprinkling priest,
Nor running brook, nor flood, nor sea,
Can wash the dismal stain away.
6 Jesus, my God, thy blood alone
Hath power sufficient to attone;
Thy blood can make me white as snow;
No Jewish types could cleanse me so.
7 While guilt disturbs and breaks my peace,
Nor flesh nor soul hath rest or ease;
Lord, let me hear thy pardoning voice,
And make my broken heart rejoice. Scripture: Psalm 51 Languages: English
Original and actual Sin confessed
Original and actual Sin confessed
Hymnal: Doctor Watts's Imitation of the Psalms of David #94a (1790) Topics: Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned; Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned First Line: Lord, I am vile, conceiv'd in sin Lyrics: 1 Lord, I am vile, conceiv'd in sin,
And born unholy and unclean;
Sprung from the man whose guilty fall
Corrupts the race, and taints us all.
2 Soon as we draw our infant breath,
The seeds of sin grow up for death;
Thy law demands a perfect heart;
But we'er defil'd in every part.
3 [Great God, create my heart a-new,
And form my spirit pure and true;
Oh make me wise betimes to spy
My danger and my remedy.]
4 Behold I fall before thy face;
My only refuge is thy grace;
No outward forms can make me clean;
The leprosy lies deep within.
5 No bleeding bird, nor bleeding beast,
Nor hysop-branch, nor sprinkling priest,
Nor running brook, nor flood, nor sea,
Can wash the dismal stain away.
6 Jesus, my God, thy blood alone
Hath power sufficient to attone;
Thy blood can make me white as snow;
No Jewish types could cleanse me so.
7 While guilt disturbs and breaks my peace,
Nor flesh nor soul hath rest or ease;
Lord, let me hear thy pardoning voice,
And make my broken heart rejoice. Scripture: Psalm 51 Languages: English
Original and actual Sin confessed
Original and actual Sin confessed
Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #100b (1786) Topics: Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned; Blood of Christ cleansing from Sin; Confession of sin, repentance, and pardon; Pardon of original and actual sin; Sin original and actual, confessed and pardoned First Line: Lord, I am vile, conceiv'd in sin Lyrics: 1 Lord, I am vile, conceiv'd in sin,
And born unholy and unclean;
Sprung from the man whose guilty fall
Corrupts the race, and taints us all.
2 Soon as we draw our infant breath,
The seeds of sin grow up for death;
Thy law demands a perfect heart;
But we're defil'd in every part.
3 [Great God, create my heart a-new,
And form my spirit pure and true;
Oh make me wise betimes to spy
My danger and my remedy.]
4 Behold I fall before thy face;
My only refuge is thy grace;
No outward forms can make me clean;
The leprosy lies deep within.
5 No bleeding bird, nor bleeding beast,
Nor hysop-branch, nor sprinkling priest,
Nor running brook, nor flood, nor sea,
Can wash the dismal stain away.
6 Jesus, my God, thy blood alone
Hath power sufficient to attone;
Thy blood can make me white as snow;
No Jewish types could cleanse me so.
7 While guilt disturbs and breaks my peace,
Nor flesh nor soul hath rest or ease;
Lord, let me hear thy pardoning voice,
And make my broken heart rejoice. Scripture: Psalm 51 Languages: English
Original and actual Sin confessed
E. W. Blandly
b. 1849 Person Name: Edward W. Blandly Topics: Conflict With Sin Author of "Where he leads me I will follow" in Alleluia Rv Ernest William Blandly (sometimes spelled Blandy) United Kingdom 1849-? He was a British minister that migrated to the USA in 1884 with his wife, Eliza. He became an officer in the Salvation Army and, in 1890, felt called to live in a Manhattan New York slum called “Hell's kitchen” with gangs and low life. He wrote several hymn lyrics.
John Perry
E. W. Blandly
John E. Gould
1821 - 1875 Topics: Christian Experience Conflict with Sin; Conflict With Sin Composer of "PILOT" in The Hymnal John Edgar Gould USA 1821-1875. Born in Bangor, ME, he became a musician. He managed music stores in New York City and Philadelphia, PA., the latter with composer partner, William Fischer. He married Josephine Louisa Barrows, and they had seven children: Blanche, Marie, Ida, John, Josephine, Josephine, and Augusta. He compiled eight religious songbooks from 1846 thru 1869. He died while traveling in Algiers, Africa, and was buried in Philadelphia, PA.
John Perry
John E. Gould
St. Ambrose
340 - 397 Person Name: Ambrosius Topics: Forgiveness of Sin Composer of "COME THOU SAVIOUR OF OUR RACE" in Christian Hymns Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman =====================
Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907)
Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397
St. Ambrose
