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Lo! what a cloud of witnesses

Meter: 8.6.8.6 Appears in 62 hymnals Topics: The Church Militant The Christian pilgrimage Used With Tune: ST. FLAVIAN Text Sources: Scottish Paraphrases, 1745, alt.
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Breast the wave, Christian

Author: Joseph Stammers Meter: 5.5.5.5.6.5.6.5 Appears in 156 hymnals Topics: The Church Militant The Christian pilgrimage Used With Tune: FORTITUDE
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O Jesus, I have promised

Author: John Ernest Bode Meter: 7.6.7.6 D Appears in 621 hymnals Topics: The Church Militant The Christian pilgrimage Used With Tune: DAY OF REST

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ELLESDIE

Meter: 8.7.8.7 D Appears in 461 hymnals Composer and/or Arranger: Wolfgang Amadeus Mozart, 1756-1791 Topics: Sacrifice; The Christian Life Perseverance; Forsaking the World; Life Brevity of; Pilgrimage and Guidance; Self-Denial Tune Sources: Arr. in Joshua Leavitt's The Christian Lyre, 1831; rev. Tune Key: A Major Incipit: 11113 22112 22243 Used With Text: Jesus, I My Cross Have Taken
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HANSON PLACE

Meter: 8.7.8.7 with refrain Appears in 353 hymnals Composer and/or Arranger: Robert Lowry Topics: New Heaven and a New Earth The Completion of Creation (The City of God); Christian Year All Saints Day; Heaven; Pilgrimage; Triumph Tune Key: D Major Incipit: 33323 45344 45432 Used With Text: Shall We Gather at the River
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HEAVEN

Meter: 8.7.8.7 with refrain Appears in 185 hymnals Composer and/or Arranger: Emily D. Wilson Topics: The Christian Life Death and Eternal Life; Faithfulness of Believers; Faithfulness of Believers; Heaven; Love Christ’s Love fro Us; Pilgrimage; Stewardship Of Possessions Tune Key: C Major Incipit: 55513 45653 44432 Used With Text: When We All Get to Heaven

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Breast the wave, Christian

Author: Joseph Stammers Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #565 (1940) Meter: 5.5.5.5.6.5.6.5 Topics: The Church Militant The Christian pilgrimage Tune Title: FORTITUDE
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Jeg veed at evigt Himmerig

Author: Hans Sthen Hymnal: Salmebog for Lutherske Kristne i Amerika #105 (1919) Topics: The Christian Pilgrimage Lyrics: 1 Jeg veed et evigt Himmerig, Som ei med Guld det røde Er smykket ud saa prydelig, Men med Guds Ord bet søde. 2 Der bor min Herre Jesus Krist, Som er Guds Søn den fromme, Min Brudgom kjær mig venter vist, Og beder til sig komme. 3 En Pilegrim er jeg forsand, Og snart hat Reisen Ende, Da gaar jeg til mit Fædreland, Mig kan ei bedre hænde. 4 Jeg fattig hid til Verden kom, Saa ringe var min Stamme, Gaar herfra ud med Haanden tom, Mig følger Død hin gramme. 5 Dog er jeg vis, at denne Krop I Døden ei skal blive, Men skal ved Guds Søns Kraft staa op, Han vil mig Glæden give. 6 Da opnaar jeg, det er min Tro, Som her led megen Plage, For Sorg og Strid Guds Fred og Ro I Evighedens Dage. 7 Jeg skilles fra al Usseldom Paa denne Jordens Tue, Min Herre Jesus raaber: Kom! Du tør slet ikke grue. 8 Jeg dig forløste med mit Blod, Og elskte dig af Hjerte, Vær derfor du kun ved godt Mod, Jeg døve vil din Smerte! 9 Har du mig kjær, min Hjertens Skat, Hvi vil du dig saa krænke? Thi paa din Synd, som er forladt, Jeg aldrig mer vil tænke. 10 Naar Verden al som Flyvesand Med Guld og Glæde viger, Da staar jeg hos din høire Haand, Den Ven, dig aldrig sviger. 11 Thi lader os i Evighed Gud takke allesammen For hans den store Miskundhed Ved Jesus Kristus! Amen. Languages: Norwegian
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Midt igjennem Nød og Fare

Author: Brorson Hymnal: Salmebog for Lutherske Kristne i Amerika #106 (1919) Topics: The Christian Pilgrimage Lyrics: 1 Midt igjennem Nød og Fare Veien gaar til Paradis. O du Lammets Brudeskare, Du maa gjennem Torneris, Du maa over Berg og Dal Hjem til Zions Brudesal! Dog – det bliver let at glemme Første Øieblik derhjemme. 2 Ei, saa lad dig intet trykke, Jesu Brud, paa denne Jord, Efterdi hun er, din Lykke, Saa sorunderlig og stor! Er du dog saa salig her, Hvor langt mere evig der! Faa Minutter om at gjøre, Kan man dig for Thronen høre. 3 Derfor, Fader uden Lige, Sendte du din Søn herned, Os at vinde Himmerige, Som med Usseldommen stred. Ham vi favne frydelig, Og vort Støv skal takke dig Her og hist med mange, mange Evig søde Brudesange. Languages: Norwegian

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James Edmeston

1791 - 1867 Topics: The Church Militant The Christian pilgrimage Author of "Lead us, heav'nly Father, lead us" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:— (1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847. In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:— 1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered. 2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing." 3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines. 4. Eternal God, before thy throne, Three nations. National Fast. 5. For Thee we pray and wait. Second Advent. 6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used. 7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source. 8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered. 9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines. 10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?" 11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008. 12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847. 13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America. 14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening." 15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening." 16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847. 17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections. 18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c. 19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines. -- John Julian, Dictionary of Hymnology (1907) ========================= Edmeston, James, p. 321, ii. Other hymns are:— 1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844. 2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep." 3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided." 4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Bunyan

1628 - 1688 Topics: The Church Militant The Christian pilgrimage Author of "He who would valiant be" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Bunyan, John. This great allegorist cannot be included amongst hymn writers, except on the ground that the piece, “He that is down needs fear no fall," from pt. ii. of his Pilgrim's Progress, 1684, is given in a limited number of hymnals. The son of a mechanic, he was born at Elstow, 1628; was a Baptist minister at Bedford; and died in London, Aug. 1688. -- John Julian, Dictionary of Hymnology (1907) =================================== Bunyan, John, p. 193, ii. Another piece by him is "Valiant's song" in the Pilgrim's Progress, pt. ii., 1684 (2nd edition 1686, p. 177). There, and in E. P. Hood's Our Hymn Book1873, no. 398, it begins "Who would true valour see" (A Pilgrim's Song). In the English Hymnal, 1906, No. 402, it is partly rewritten, and begins "He who would valiant be." [Rev. James Mearns. M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Washington Gladden

1836 - 1918 Topics: The Church Militant The Christian pilgrimage Author of "O Master, let me walk with thee" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Washington Gladden (1836-1918) was called to the First Congregational Church in Columbus, OH in 1882 and remained there for 32 years. In 1883-84 he was known for his success in fighting the corrupt Tweed Ring, for arbitrating the Telegraphers' Strike and the Hocking Valley Coal Strike. He attacked John D. Rockefeller, Sr. for giving $100,000 of "tainted money" to the Congregational Church's Foreign Missions program. Throughout his ministry he emphasized applying the gospel to life in America. He wrote "O Master, let me walk with thee" in 1879. Mary Louise VanDyke =================== Gladden, Washington, was born at Pottsgrove, Pennsylvania, Feb. 11, 1836; was educated at Williams College: and entered the Congregational Ministry. He was for some time editor of the New York Independent, and of the Sunday Afternoon. In the Sunday Afternoon, his hymn, "O Master, let me walk with Thee" (Walking with God), appeared in 3 stanzas of 8 lines, in March 1879. Of these stanzas i. and iii. are in Laudes Domini, 1884, and others. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Gladden, W., p. 1565, ii. Dr. Gladden has been Pastor of the First Congregational Church, Columbus, Ohio, since 1882. His hymn-writing has not been extensive. The most popular of his hymns is "0 Master, let me walk with Thee," noted on p. 1565, ii. It has come into somewhat extensive use during the last ten years. Additional hymns in common use include:— 1. Behold a Sower from afar. [The Kingdom of God.] In the Boston Pilgrim Hymnal, 1904, this is dated 1897. 2. Forgive, 0 Lord, the doubts that break Thy promises to me. [Doubting repented of.] Dated 1879, in The Pilgrim Hymnal, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907)