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Fairest Lord Jesus
Author: Anon. Meter: 5.6.8.5.5.8 Appears in 571 hymnals Topics: God The Lord Jesus Christ - His Praise Used With Tune: CRUSADERS' HYMN
Fairest Lord Jesus
Hail to the Lord's Anointed
Author: James Montgomery, 1771-1854 Meter: 7.6.7.6 D Appears in 843 hymnals Topics: God: His Attributes, Works and Word The Lord Jesus Christ - His Advent and Nativity; God: His Attributes, Works and Word The Lord Jesus Christ - His Ascension; God: His Attributes, Works and Word The Lord Jesus Christ - His Coming in Power; God: His Attributes, Works and Word The Lord Jesus Christ - His Praise Scripture: Psalm 72 Used With Tune: ST. THEODULPH
Hail to the Lord's Anointed
At the name of Jesus
Author: Caroline Maria Noel, 1817-1877 Meter: 6.5.6.5 D Appears in 253 hymnals Topics: Christ, the Lord Jesus Creator; Christ, the Lord Jesus Exaltation of; Christ, the Lord Jesus His Coming in Power; Christ, the Lord Jesus Kingly Office of; Christ, the Lord Jesus Name of; Christ, the Lord Jesus The Word Used With Tune: KING'S WESTON
At the name of Jesus
BLESSED BE THE NAME
Meter: 8.8.8.8 with refrain Appears in 255 hymnals Composer and/or Arranger: Anonymous; Ralph E. Hudson; William J. Kirkpatrick Topics: Bless the Lord; Adoration and Praise Jesus Our Savior Tune Key: A Flat Major Incipit: 55131 21765 55123 Used With Text: Blessed Be the Name
BLESSED BE THE NAME
DARWALL'S 148th
Meter: 6.6.6.6.8.8 Appears in 486 hymnals Composer and/or Arranger: John Darwall; Sydney H. Nicholson, 1875-1947 Topics: Jesus Christ Lord Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Rejoice, the Lord Is King
DARWALL'S 148th
PASSION CHORALE
Meter: 7.6.7.6 D Appears in 513 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; J. S. Bach, 1685-1750 Topics: Palm Sunday of the Passion of the Lord; Good Friday; Jesus Christ; Love of God for Us; Paschal Mystery; Petition/Prayer; Shepherd; Suffering; Trust Tune Key: a minor Incipit: 51765 45233 2121 Used With Text: O Sacred Head Surrounded (Oh, Rostro Ensangrentado)
PASSION CHORALE
Fairest Lord Jesus
Author: Lilian Stevenson, 1871-1960; Anonymous Hymnal: The Book of Praise #232 (1972) Meter: 5.6.8.5.5.8 Topics: Christ, the Lord Jesus Friend; Christ, the Lord Jesus His Prophetic Office Languages: English Tune Title: CRUSADERS' HYMN
Fairest Lord Jesus
At the name of Jesus
Author: Caroline Maria Noel, 1817-1877 Hymnal: The Book of Praise #234 (1972) Meter: 6.5.6.5 D Topics: Christ, the Lord Jesus Creator; Christ, the Lord Jesus Exaltation of; Christ, the Lord Jesus His Coming in Power; Christ, the Lord Jesus Kingly Office of; Christ, the Lord Jesus Name of; Christ, the Lord Jesus The Word Languages: English Tune Title: KING'S WESTON
At the name of Jesus
Hail to the Lord's Anointed
Author: James Montgomery, 1771-1854 Hymnal: The Book of Praise #60a (1918) Meter: 7.6.7.6 D Topics: God: His Attributes, Works and Word The Lord Jesus Christ - His Advent and Nativity; God: His Attributes, Works and Word The Lord Jesus Christ - His Ascension; God: His Attributes, Works and Word The Lord Jesus Christ - His Coming in Power; God: His Attributes, Works and Word The Lord Jesus Christ - His Praise Scripture: Psalm 72 Languages: English Tune Title: ST. THEODULPH
Hail to the Lord's Anointed
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams, 1872 - 1958 Topics: Christ, the Lord Jesus Creator; Christ, the Lord Jesus Exaltation of; Christ, the Lord Jesus His Coming in Power; Christ, the Lord Jesus Kingly Office of; Christ, the Lord Jesus Name of; Christ, the Lord Jesus The Word Composer of "KING'S WESTON" in The Book of Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Rowland Hugh Prichard
1811 - 1887 Person Name: Rowland Hugh Pritchard, 1812 - 1887 Topics: Christ, the Lord Jesus Divinity of; Christ, the Lord Jesus His Ascension; Christ, the Lord Jesus Kingly Office of Composer of "HYFRYDOL" in The Book of Praise Rowland H. Prichard (sometimes spelled Pritchard) (b. Graienyn, near Bala, Merionetshire, Wales, 1811; d. Holywell, Flintshire, Wales, 1887) was a textile worker and an amateur musician. He had a good singing voice and was appointed precentor in Graienyn. Many of his tunes were published in Welsh periodicals. In 1880 Prichard became a loom tender's assistant at the Welsh Flannel Manufacturing Company in Holywell.
Bert Polman
Rowland Hugh Prichard
William Henry Monk
1823 - 1889 Person Name: William Henry Monk, 1823-1889 Topics: God The Lord Jesus Christ - His Praise; God The Lord Jesus Christ - His Resurrection and Exaltation Composer of "ASCENSION" in The Hymnary of the United Church of Canada William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
