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Texts

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Text authorities

Psalm 145: I Will Praise Your Name

Author: Scott Soper Appears in 6 hymnals Topics: Thirty-First Ordinary Year C First Line: I will praise you, God and king Refrain First Line: I will praise your name for ever Scripture: Psalm 145:1-2 Used With Tune: [I will praise you, God and king]

Psalm 145: I Will Praise Your Name

Author: Timothy R. Smith, b. 1960 Appears in 6 hymnals Topics: Thirty-First Ordinary Year C First Line: God is merciful and gracious Refrain First Line: I will praise your name for ever Scripture: Psalm 145:1 Used With Tune: [God is merciful and gracious]

Psalm 95: If Today You Hear God's Voice

Appears in 5 hymnals Topics: Thirty-First Ordinary Year A First Line: Come, let us sing joyfully to the Lord Refrain First Line: If today you hear God's voice Scripture: Psalm 95:1-2 Used With Tune: [Come, let us sing joyfully to the Lord]

Tunes

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Tune authorities

[God is merciful and gracious]

Appears in 3 hymnals Composer and/or Arranger: Timothy R. Smith Topics: Thirty-First Ordinary Year C Tune Key: D Major Incipit: 12323 23776 2 Used With Text: Psalm 145: I Will Praise Your Name

[I will praise you, God and king]

Appears in 3 hymnals Composer and/or Arranger: Scott Soper Topics: Thirty-First Ordinary Year C Tune Key: B Flat Major Incipit: 53352 21566 75335 Used With Text: Psalm 145: The Hand of the Lord Feeds us

[I will praise you, God and king]

Appears in 3 hymnals Composer and/or Arranger: Scott Soper Topics: Thirty-First Ordinary Year C Tune Key: B Flat Major Incipit: 35231 77667 6535 Used With Text: Psalm 145: I Will Praise Your Name

Instances

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Published text-tune combinations (hymns) from specific hymnals

Psalm 145: I Will Praise Your Name

Author: Scott Soper Hymnal: Glory and Praise (3rd. ed.) #199a (2015) Topics: Thirty-First Ordinary Year C First Line: I will praise you, God and king Refrain First Line: I will praise your name for ever Scripture: Psalm 145:1-2 Languages: English Tune Title: [I will praise you, God and king]

Psalm 145: The Hand of the Lord Feeds us

Author: Scott Soper Hymnal: Glory and Praise (3rd. ed.) #199b (2015) Topics: Thirty-First Ordinary Year C First Line: I will praise you, God and king Refrain First Line: The hand of the Lord feeds us Scripture: Psalm 145:1-2 Languages: English Tune Title: [I will praise you, God and king]

Psalm 145: I Will Praise Your Name

Author: Timothy R. Smith, b. 1960 Hymnal: Glory and Praise (3rd. ed.) #200a (2015) Topics: Thirty-First Ordinary Year C First Line: God is merciful and gracious Refrain First Line: I will praise your name for ever Scripture: Psalm 145:1 Languages: English Tune Title: [God is merciful and gracious]

People

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Authors, composers, editors, etc.

Bernadette Farrell

b. 1957 Person Name: Bernadette Farrell, b. 1957 Topics: Thirty-First Ordinary Year A Composer of "[Come, let us sing joyfully to the Lord]" in Glory and Praise (3rd. ed.)

Herman G. Stuempfle

1923 - 2007 Person Name: Herman G. Stuempfle, Jr., 1923-2007 Topics: Ordinary Time, Thirty-First Sunday C Author of "When Jesus Passed through Jericho" in Worship (4th ed.) Rev. Dr. Herman G. Stuempfle, Jr., 83, died Tuesday, March 13, 2007, after a long illness. Born April 2, 1923, in Clarion, he was the son of the late Herman G. and Helen (Wolfe) Stuempfle, Sr. Stuempfle lived most of his life in Gettysburg, PA. He served as President of the Lutheran Theological Seminary in Gettysburg. He attended Hughesville public schools, and was a graduate of Susquehanna University and the Lutheran Theological Seminary at Gettysburg. He received additional advanced degrees from Union Theological Seminary in New York and a doctoral degree at Southern California School of Theology at Claremont. He retired in 1989. Rev. Dr. Stuempfle was the author of several books and numerous articles and lectures on preaching, history, and theology. He was also among the most honored and respected hymn writers of the 20th and 21st centuries. Rev. Dr. Stuempfle was known for his leadership in community and civic projects. Always taking an active stance on social issues, he participated in the creation of day care centers, served on the Gettysburg interchurch social action committee, helped create and support prison ministries and a homeless shelter, and tutored young people in the after school program of Christ Lutheran Church, where he was a long time member. --Excerpts from his obituary published in Evening Sun from Mar. 15 to Mar. 16, 2007

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1948 Topics: Ordinary Time, Thirty-First Sunday C Harmonizer of "FOREST GREEN" in Worship (4th ed.) Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangeĀ­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman