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I Greet Thee, Who My Sure Redeemer Art

Author: Jean Calvin; Elizabeth Lee Smith Meter: 10.10.10.10 Appears in 41 hymnals Text Sources: French Psalter, Strasbourg, 1545; French, 1545

Guide My Feet

Meter: 8.8.8.10 Appears in 28 hymnals First Line: Guide my feet while I run this race
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Bread of Heaven, On Thee We Feed

Author: Josiah Conder Meter: 7.7.7.7 Appears in 336 hymnals Topics: liturgical Communion Songs Text Sources: Pratt's Collection

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NICAEA

Meter: 11.12.12.10 Appears in 1,041 hymnals Composer and/or Arranger: John B. Dykes Topics: Particular Times of Worship Morning Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy! Lord God Almighty
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BUNESSAN

Meter: 5.5.5.4 D Appears in 261 hymnals Composer and/or Arranger: Carlton R. Young Topics: Particular Times of Worship Morning Tune Key: C Major Incipit: 13512 76565 12356 Used With Text: Morning Has Broken
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EIN' FESTE BURG

Meter: 8.7.8.7.6.6.6.6.7 Appears in 642 hymnals Composer and/or Arranger: Martin Luther Topics: Particular Times of Worship Special Days Tune Sources: The New Hymnal for American Youth, 1930 (harm.) Tune Key: C Major Incipit: 11156 71765 17656 Used With Text: A Mighty Fortress Is Our God

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Sovereign Ruler of the skies

Hymnal: Hymns, Selected and Original #429 (1828) Meter: Irregular Topics: or, my Times are in thy Hand Lyrics: 1 Sovereign Ruler of the skies, Ever gracious, ever wise! All my times are in thy hand, All events at thy command. 2 Thou didst form me in the womb, Thou wilt guide me to the tomb; All my times shall ever be Order'd by thy wise decree: 3 Times of sickness, times of health; Times of penury and wealth; Times of trial and of grief; Times of triumph and relief: 4 Times temptation's power to prove, Times to taste a Saviour's love; All is fix'd--the means and end, As shall please my heavenly Friend. 5 Plagues and deaths around me fly; Till he bids I cannot die; Not a single shaft can hit, Till the God of love sees fit.
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The Saint's Safety and Hope in evil Times: Or, Sins of the Tongue complained of, viz. Blasphemy, Falshood, etc.

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #22a (1786) Topics: Evil times; Evil times; Evil times; Evil times First Line: Almighty God, appear and save! Lyrics: 1 Almighty God, appear and save! For vice and vanity prevail: The godly perish in the grave, The just depart, the faithful fail. 2 The whole discourse, when crouds are met, Is fill'd with trifles loose and vain; Their lips are flattery and deceit, And their proud language is profane. 3 But lips that with deceit abound, Shall not maintain their triumph long: The God of vengeance will confound The flattering and blaspheming tongue. 4 Yet shall our words be free, they cry, Our tongues shall be controul'd by none: Where is the Lord will ask us why? Or say, our lips are not our own? 5 The Lord, who sees the poor opprest, And hears th' oppressor's haughty strain, Will rise to give his children rest, Nor shall they trust his word in vain. 6 Thy word, O Lord, though often try'd, Void of deceit shall still appear; Not silver, seven times purify'd From dross and mixture, shines so clear. 7 Thy grace shall in the darkest hour Defend the from danger and surprise; Tho' when the vilest men have power, On every side oppressors rise. Scripture: Psalm 12 Languages: English
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The Saint's Safety and Hope in evil Times: Or, Sins of the Tongue complained of, viz. Blasphemy, Falshood, etc.

Hymnal: Doctor Watts's Imitation of the Psalms of David #22a (1790) Topics: Evil times; Evil times; Evil times; Evil times First Line: Almighty God, appear and save! Lyrics: 1 Almighty God, appear and save! For vice and vanity prevail; The godly perish in the grave, The just depart, the faithful fail. 2 The whole discourse when crouds are met, Is fill'd with trifles loose and vain; Their lips are flattery and deceit, And their proud language is profane. 3 But lips that with deceit abound, Shall not maintain their triumph long: The God of vengeance will confound The flattering and blaspheming tongue. 4 Yet shall our words be free, they cry, Our tongues shall be controul'd by none: Where is the Lord will ask us why? Or say our lips are not our own? 5 The Lord, who sees the poor opprest, And hears the oppressor's haughty strain, Will rise to give his children rest, Nor shall they trust his word in vain. 6 Thy word, O Lord, tho' often try'd, Void of deceit shall still appear; Not silver, seven times purify'd From dross and mixture, shines so clear. 7 Thy grace shall in the darkest hour Defend the from danger and surprise; Tho' when the vilest men have power, On every side oppressors rise. Scripture: Psalm 12 Languages: English

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James Edmeston

1791 - 1867 Person Name: James Edmeston, 1791 - 1867 Topics: Times and Seasons Evening Author of "Saviour, breathe an evening blessing" in The Hymnary of the United Church of Canada Edmeston, James, born Sept. 10, 1791. His maternal grandfather was the Rev. Samuel Brewer, who for 50 years was the pastor of an Independent congregation at Stepney. Educated as an architect and surveyor, in 1816 he entered upon his profession on his own account, and continued to practice it until his death on Jan. 7, 1867. The late Sir G. Gilbert Scott was his pupil. Although an Independent by descent he joined the Established Church at a comparatively early age, and subsequently held various offices, including that of churchwarden, in the Church of St. Barnabas, Homerton. His hymns number nearly 2000. The best known are “Lead us, Heavenly Father, lead us” and "Saviour, breathe an evening blessing." Many of his hymns were written for children, and from their simplicity are admirably adapted to the purpose. For many years he contributed hymns of various degrees of merit to the Evangelical Magazine, His published works are:— (1) The Search, and other Poems, 1817. (2) Sacred Lyrics, 1820, a volume of 31 hymns and one poem. This was followed by a second Series, 1821, with 35; and a third Series, 1822, with 27 pieces respectively. (3) The Cottage Minstrel; or, Hymns for the Assistance of Cottagers in their Domestic Worship, 1821. This was published at the suggestion of a member of the Home Missionary Society, and contains fifty hymns. (4) One Hundred Hymns for Sunday Schools, and for Particular Occasions, 1821. (5) Missionary Hymns, 1822. (6) Patmos, a Fragment, and Other Poems, 1824. (7) The Woman of Shunam, and Other Poems, 1829. (8) Fifty Original Hymns, 1833. (9) Hymns for the Chamber of Sickness, 1844. (10) Closet Hymns and Poems, 1844. (11) Infant Breathings, being Hymns for the Young, 1846. (12) Sacred Poetry, 1847. In addition to those of his hymns which have attained to an extensive circulation, as those named above, and are annotated in this work under their respective first lines, there are also the following in common use in Great Britain and America:— 1. Along my earthly way. Anxiety. In his Sacred Lyrics, third set, 1822, in 8 stanzas of 4 lines. It is given in several collections, but usually in an abbreviated form, and generally somewhat altered. 2. Dark river of death that is [art] flowing. Death Anticipated. Given in his Sacred Lyrics, 3rd set, 1822, p. 39, in 9 stanzas of 4 lines. It is usually given in an abbreviated form, and sometimes as, "Dark river of death that art flowing." 3. Come, sacred peace, delightful guest. Peace. Appeared in his Closet Hymns, &c, 1844, in 4 stanzas of 4 lines. 4. Eternal God, before thy throne, Three nations. National Fast. 5. For Thee we pray and wait. Second Advent. 6. God intrusts to all. Parable of the Talents. This is No. 13 of his Infant Breathings, 1846, in 5 stanzas of 4 lines. It is a simple application of the parable to the life of a child. It is widely used. 7. God is here; how sweet the sound. Omnipresence. Given as No. 9 in his Sacred Lyrics, 1st set, 1820, in 6 stanzas of 4 lines. In the Baptist Hymnal, 1879, No. 45. St. i.-iii. are from this text, and iv. and v. are from another source. 8. How sweet the light of Sabbath eve. Sunday Evening. No. 10 in theCottage Minstrel, 1821, slightly altered. 9. Is there a time when moments flow. Sunday Evening. No. 5 of his Sacred Lyrics, 1st set, 1820, in 7 stanzas of 4 lines. 10. Little travellers Zionward. Burial of Children. No. 25 of his Infant Breathings, &c, 1846, in 3 stanzas of 8 lines. In the Leeds Hymn Book, 1853, it begins with stanza ii., "Who are they whose little feet?" 11. May we, Lord, rejoicing say. National Thanksgiving. Dated 1849 by the author in Spurgeon's Our Own Hymnbook, No. 1008. 12. Music, bring thy sweetest treasures. Holy Trinity. Dated 1837 by the author in Spurgeon's Our Own Hymnbook, No. 167. It is in his Sacred Poetry, 1847. 13. Roll on, thou mighty ocean. Departure of Missionaries. In his Missionary Hymns, 1822, in 4 stanzas of 4 lines. It is in common use in America. 14. Sweet is the light of Sabbath eve. Sunday Evening. In 5 stanzas of 41., from the Cottage Minstrel, 1821, where it is given as No. 10, and entitled "The Cottager's Reflections upon the Sabbath Evening." 15. The light of Sabbath eve. Sunday Evening. In 5 stanzas of 4 lines, as No. 11 in the Cottage Minstrel, 1821, p. 14, and headed, "Solemn Questions for the Sabbath Evening." 16. Wake, harp of Zion, wake again. Missions to the Jews. Dated 1846 by the author in Spurgeon's Our Own Hymnbook. It is in his Sacred Poetry, 1847. 17. When shall the voice of singing? In his Missionary Hymns, 1822. It is in a few American collections. 18. When the worn spirit wants repose. Sunday. No. 18, of his Sacred Lyrics, 1st set, 1820, in 4 stanzas of 4 lines. It is somewhat popular, and is given in several collections in Great Britain and America, as the Baptist Psalms & Hymns, 1858-80; the Church Praise Book, N. Y., 1881, &c. 19. Why should I, in vain repining? Consolation. No. 14 in the 1st set of his Sacred Lyrics, 1820, in 4 stanzas of 4 lines. -- John Julian, Dictionary of Hymnology (1907) ========================= Edmeston, James, p. 321, ii. Other hymns are:— 1. O Thou Whose mercy guides my way. Resignation. In his Sacred Lyrics, 1st set, 1820, p. 24, in 3 stanzas of 4 lines, and again in his Hymns for the Chamber of Sickness, 1844. 2. Parting soul, the flood awaits thee. Death anticipated. In his Sacred Lyrics, 1st set, 1820, p. 18, in 3 stanza of 8 lines, and based upon the passage in the Pilgrim's Progress:—"Now I further saw that betwixt them and the gate was a river, but there was no bridge to go over, and the river was very deep." 3. 'Tis sweet upon our pilgrimage. Praise. In hi3 Closet Hymns and Poems, 1846, in 3 stanzas of 4 lines, and headed "An Ebenezer Raided." 4. Welcome, brethren, enter in. Reception of Church Officers. Miller says, in his Singers and Songs, 1869, p. 420:—"This is No. 1 of five hymns supplied by Mr. Edmeston, at the request of a friend, for insertion in a provincial hymn-book, on the subject of admitting members," but he does not give the name of the book, neither have we identified It. The hymn, as given in the New Congregational Hymn Book, 1859, No. 840, is in 5 stanzas of 4 lines, of which Millet says stanza iii. is by another hand. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Edward Henry Bickersteth

1825 - 1906 Person Name: Edward Henry Bickersteth, 1825 - 1906 Topics: Times and Seasons Evening Author of "Saviour, breathe an evening blessing" in The Hymnary of the United Church of Canada Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:— (l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883. As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:— (1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation.   [Ch. of England Hymnody.] About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use. -John Julian, Dictionary of Hymnology (1907) ================= Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Katharine Lee Bates

1859 - 1929 Topics: Times and Seasons National Songs; God's World Times and Seasons: National Songs Author of "O Beautiful for Spacious Skies" in Chalice Hymnal Katharine Lee Bates was born in Falmouth, Mass., August 12, 1859. Her father was a pastor in the Congregational Church; he died when she was an infant. Her mother moved the family to Wellesley. She received a B.A. (1880) and M.A. (1891) from Wellesley College. She taught high school from 1880-1885 and then was a professor of English literature at Wellesley. She wrote poetry, children's stories, textbooks and travel books. In the summer if 1893 when she was lecturing at Colorado College she went to the top of Pike's Peak. Inspired by the beauty of the view she wrote all four verses of "America the Beautiful" which was an instant hit when it was published. She had an intimate relationship with Katharine Coman, dean of Wellesley, who she lived with for 25 years, until Coman's death. "Yellow Clover: A Book of Remembrance" celebrates their love and partnership.She enjoyed traveling, the out of doors, reading and friends, Dianne Shapiro from Woman's Who's who in America, 1914-1915 by John William Leonard, New York: The American Commonwealth Company and Harvard Square Library, Digital Library of Unitarian Universalist Biographies, History, Books and Media (http://harvardsquarelibrary.org/cambridge-harvard/katharine-lee-bates/) (accessed 7-4-2018